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Chuen-Tak Keung

Editor

Works as
Editor
Titles
19 on MovieCove · 24 credits in all
TMDB popularity, last 39 days to Oct 28Down 32% in 30 days

What are Chuen-Tak Keung's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 0 · Stylized 5 · Heightened 3

Gentle 0 · Charged 4 · Intense 4

Steady 2 · Shifting 4 · Whiplash 2

Straight-faced 2 · Some laughs 3 · Funny 3

Slow burn 3 · Even-paced 3 · Relentless 2

Casual 3 · Engaged 5 · Full focus 0

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
4
Absurd
4
Melancholic
3
Tense
2
Triumphant
2
Other
5

How their films end

  • Happy6
  • Bittersweet1
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chuen-Tak Keung's films?

As of October 24, 2026, 8 of their 19 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Chuen-Tak Keung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 19 with a MovieCove page.

  • Hail the Judge(1994)

    Editor

    Midcredits score: 94th percentile of all films
  • Kickboxer(1993)

    Editor

    Midcredits score: 41st percentile of all films
  • The Cat(1991)

    Editor

    Midcredits score: 66th percentile of all films
  • Center Stage(1991)

    Editor

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 84th percentile of all films
  • The Nocturnal Demon (not in the MovieCove catalog yet)(1990)

    Editor

  • Pantyhose Hero (not in the MovieCove catalog yet)(1990)

    Editor

  • Midcredits score: 72nd percentile of all films
  • Midcredits score: 26th percentile of all films
  • Lady Reporter(1989)

    Editor

    Midcredits score: 42nd percentile of all films
  • Pedicab Driver(1989)

    Editor

    Midcredits score: 88th percentile of all films
  • Spooky, Spooky(1988)

    Editor

    Midcredits score: 49th percentile of all films
  • Three Against the World (not in the MovieCove catalog yet)(1988)

    Editor

  • Police Story 2(1988)

    Editor

    Midcredits score: 85th percentile of all films
  • Dragons Forever(1988)

    Editor

    Midcredits score: 86th percentile of all films
  • My Cousin, the Ghost(1987)

    Assistant Editor

    Midcredits score: 24th percentile of all films
  • Mr. Vampire Part 3(1987)

    Editor

    Midcredits score: 71st percentile of all films
  • Millionaires' Express(1986)

    Assistant Editor

    Midcredits score: 79th percentile of all films
  • Yes, Madam!(1985)

    Editor

    Midcredits score: 71st percentile of all films
  • Heart of Dragon(1985)

    Editor

    Midcredits score: 57th percentile of all films
  • Mr. Boo Meets Pom Pom (not in the MovieCove catalog yet)(1985)

    Editor

  • My Lucky Stars(1985)

    Editor

    Midcredits score: 54th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Carry On Pickpocket (not in the MovieCove catalog yet)(1982)

    Editor

Career shape

A full career of 21 titles from 1982 to 1994.

By role

only this rolewith another role
Editing19 of 21: 19 only editing, 0 with another role · typical Midcredits score72ndOther crew2 of 21: 2 only other crew, 0 with another role

By decade

1980s15 · crew1990s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Chuen-Tak Keung's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 19; across their 8 films with reception data, the typical film sits in the 80th percentile for acclaim.

Acclaim · how much people like their films

80thpercentile
Typical film, the median of 8

Approval · how many liked their films

74thpercentile
Typical film, the median of 8

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 8

Midcredits score across 19 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 19 titles divides audiences: 12 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser12
  • Broadly Agreed2
  • Mixed3

Reviewers score the pacing 46/100 in their films, across 6 reviewed titles; fans 52, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chuen-Tak Keung work with?

People who share at least 2 of Chuen-Tak Keung's MovieCove titles, grouped by what they did on them; Peter Cheung shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles