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What are Chi-Ming Leung's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 4 · Wry 0 · Earnest 6

A split, not a type: Light 6 · Serious 2 · Dark 2

Grounded 0 · Stylized 6 · Heightened 4

Gentle 0 · Charged 7 · Intense 3

Steady 0 · Shifting 6 · Whiplash 4

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 6

Slow burn 0 · Even-paced 8 · Relentless 2

Casual 6 · Engaged 4 · Full focus 0

Resolved 10 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
8
Absurd
5
Tense
4
Joyful
4
Melancholic
4
Other
3

How their films end

  • Happy7
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chi-Ming Leung's films?

As of October 24, 2026, 2 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Chi-Ming Leung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Fist of Fury 1991 II(1992)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Ghost Punting(1992)

    Cinematographer

    Midcredits score: 23rd percentile of all films
  • Fist of Fury(1991)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • All for the Winner(1990)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • Mortuary Blues(1990)

    Cinematographer

    Midcredits score: 38th percentile of all films
  • Return Engagement(1990)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • She Shoots Straight(1990)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • Pedicab Driver(1989)

    Cinematographer

    Midcredits score: 88th percentile of all films
  • Paper Marriage(1988)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • The Dragon Family(1988)

    Cinematographer

    Midcredits score: 57th percentile of all films

Career shape

Across their 10 MovieCove titles from 1988 to 1992.

By role

only this rolewith another role
Cinematography10 of 10: 10 only cinematography, 0 with another role · typical Midcredits score60th

By decade

1980s3 · crew1990s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Chi-Ming Leung's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 10

Approval · how many liked their films

59thpercentile
Typical film, the median of 10

Reach · how many have seen their films

51stpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 8 are Crowd Pleasers.

  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed1

Reviewers score the cinematography 59/100 in their films, across 4 reviewed titles; fans 62, detractors 40. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chi-Ming Leung work with?

People who share at least 2 of Chi-Ming Leung's MovieCove titles, grouped by what they did on them; Corey Yuen shares the most, 7.

Directors

Writers

Actors

Cinematographers and editors

Producers