Robert H. Greenberg
- Producer
- 6 on MovieCove
What are Robert H. Greenberg's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 1 · Dark 1
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
Gentle 0 · Charged 3 · Intense 2
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 5 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 2
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert H. Greenberg's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Robert H. Greenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.
Brothers(1977)
Midcredits score: 44th percentile of all films
The Blue Bird(1976)
Midcredits score: 32nd percentile of all films
Midcredits score: 29th percentile of all films
The Beast Must Die(1974)
Midcredits score: 26th percentile of all films
Executive Action(1973)
Midcredits score: 69th percentile of all films
Black Girl(1972)
Midcredits score: 77th percentile of all films
Career shape
A full career of 6 titles from 1972 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert H. Greenberg's films land?
Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th4
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert H. Greenberg work with?
People who share at least 2 of Robert H. Greenberg's MovieCove titles, grouped by what they did on them; Lee Savin shares the most, 3.
Composers
- Douglas GamleyShared titles: The Beast Must Die (1974), The Land That Time Forgot (1974)See all 2 shared titles with Douglas Gamley
Producers
- Lee SavinShared titles: Brothers (1977), The Blue Bird (1976), Black Girl (1972)See all 3 shared titles with Lee Savin
- Edward LewisShared titles: Brothers (1977), The Blue Bird (1976)See all 2 shared titles with Edward Lewis
- John DarkShared titles: The Beast Must Die (1974), The Land That Time Forgot (1974)See all 2 shared titles with John Dark
- Max RosenbergShared titles: The Beast Must Die (1974), The Land That Time Forgot (1974)See all 2 shared titles with Max Rosenberg