Lee Savin
- Producer
- 5 on MovieCove
What are Lee Savin's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 2 · Stylized 2 · Heightened 1
Gentle 0 · Charged 3 · Intense 2
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 1
A split, not a type: Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee Savin's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lee Savin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Brothers(1977)
Midcredits score: 44th percentile of all films
The Blue Bird(1976)
Midcredits score: 32nd percentile of all films
Black Girl(1972)
Midcredits score: 77th percentile of all films
Harlow(1965)
Midcredits score: 8th percentile of all films
The T.A.M.I. Show(1964)
Midcredits score: 98th percentile of all films
Career shape
Across their 5 MovieCove titles from 1964 to 1977.
How do Lee Savin's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up2
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 5 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lee Savin work with?
People who share at least 2 of Lee Savin's MovieCove titles, grouped by what they did on them; Robert H. Greenberg shares the most, 3.
Cinematographers
- Jim KilgoreShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Jim Kilgore
Producers
- Robert H. GreenbergShared titles: Brothers (1977), The Blue Bird (1976), Black Girl (1972)See all 3 shared titles with Robert H. Greenberg
- Edward LewisShared titles: Brothers (1977), The Blue Bird (1976)See all 2 shared titles with Edward Lewis
- William Sargent Jr.Shared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with William Sargent Jr.
Mixed roles
- Al HamShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Al Ham