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Oswald Hafenrichter

Editor · Died May 18, 1973, aged 74 · Oplotnica, Slovenia

Born
April 10, 1899
Died
May 18, 1973 (aged 74)
From
Oplotnica, Slovenia
Works as
Editor
Titles
20 on MovieCove · 51 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Oswald Hafenrichter's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Horror5 titlesTypical Midcredits score: 44th percentile
: browse their Horror movies
Comedy4 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 94th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 25th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 19th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
29%
Bonds
19%
Self
15%
Power
14%
Survival
14%
Society
7%
Ideas
3%
Justice4 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeRevenge3 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 3 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 9 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 10 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 12 · Some laughs 5 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 12 · Even-paced 6 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 9 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
6
Absurd
7
Melancholic
6
Warm
3
Other
11

How their films linger

Unsettling8 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy3
  • Bittersweet10
  • Tragic1
  • Ambiguous4
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Oswald Hafenrichter's films?

As of October 24, 2026, 14 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Oswald Hafenrichter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 20 with a MovieCove page.

  • The Vault of Horror(1973)

    Editor

    Midcredits score: 65th percentile of all films

  • The Creeping Flesh(1973)

    Editor

    Midcredits score: 44th percentile of all films

  • Trog(1970)

    Editor

    Midcredits score: 5th percentile of all films

  • Cry of the Banshee(1970)

    Editor

    Midcredits score: 21st percentile of all films

  • The File of the Golden Goose(1969)

    Editor

    Midcredits score: 24th percentile of all films

  • Danger Route(1967)

    Editor

    Midcredits score: 26th percentile of all films

  • The Deadly Bees(1966)

    Editor

    Midcredits score: 5th percentile of all films

  • The Trygon Factor (not in the MovieCove catalog yet)(1966)

    Editor

  • The Psychopath (not in the MovieCove catalog yet)(1966)

    Editor

  • The Skull(1965)

    Editor

    Midcredits score: 47th percentile of all films

  • Dr. Who and the Daleks(1965)

    Editor

    Midcredits score: 31st percentile of all films

  • Traitor's Gate (not in the MovieCove catalog yet)(1964)

    Editor

  • Sparrows Can't Sing(1963)

    Editor

    Midcredits score: 49th percentile of all films

  • The Happy Thieves(1961)

    Editor

    Midcredits score: 17th percentile of all films

  • Enter Inspector Duval (not in the MovieCove catalog yet)(1961)

    Editor

  • The Guns of Navarone(1961)

    Associate Editor

    Midcredits score: 94th percentile of all films

  • The Hands of Orlac(1960)

    Editor

    Midcredits score: 19th percentile of all films

  • Jet Storm(1959)

    Editor

    Midcredits score: 60th percentile of all films

  • Law and Disorder (not in the MovieCove catalog yet)(1958)

    Editor

  • O Capanga (not in the MovieCove catalog yet)(1957)

    Screenplay

  • Big Time Operators(1957)

    Editor

    Midcredits score: 79th percentile of all films

  • Love Slaves of the Amazons(1957)

    Editor

    Midcredits score: 7th percentile of all films

  • O Sobrado (not in the MovieCove catalog yet)(1956)

    Editor

  • A Estrada (not in the MovieCove catalog yet)(1955)

    Editor

  • Floradas na Serra (not in the MovieCove catalog yet)(1954)

    Supervising Editor

  • É Proibido Beijar (not in the MovieCove catalog yet)(1954)

    Editor

  • Road to Crime (not in the MovieCove catalog yet)(1954)

    Editor

  • A Família Lero-Lero (not in the MovieCove catalog yet)(1953)

    Supervising Editor

  • The Landowner's Daughter (not in the MovieCove catalog yet)(1953)

    Supervising Editor

  • Uma Pulga na Balança (not in the MovieCove catalog yet)(1953)

    Editor

  • The Bandit (not in the MovieCove catalog yet)(1953)

    Editor

  • Veneno (not in the MovieCove catalog yet)(1952)

    Editor

  • Sai da Frente (not in the MovieCove catalog yet)(1952)

    Editor

  • Appassionata (not in the MovieCove catalog yet)(1952)

    Editorial Manager

  • Tico-Tico no Fubá (not in the MovieCove catalog yet)(1952)

    Editor

  • Angela (not in the MovieCove catalog yet)(1951)

    Supervising Editor

  • The Happiest Days of Your Life(1950)

    Editor

    Midcredits score: 81st percentile of all films

  • The Third Man(1949)

    Editor

    Midcredits score: 98th percentile of all films

  • The Fallen Idol(1948)

    Editor

    Midcredits score: 94th percentile of all films

  • An Ideal Husband (not in the MovieCove catalog yet)(1947)

    Editor

  • Amami, Alfredo! (not in the MovieCove catalog yet)(1940)

    Editor

  • Manon Lescaut (not in the MovieCove catalog yet)(1940)

    Editor

  • Beyond Love (not in the MovieCove catalog yet)(1940)

    Editor

  • The Dream of Butterfly (not in the MovieCove catalog yet)(1939)

    Editor

  • The Life of Giuseppe Verdi (not in the MovieCove catalog yet)(1938)

    Editor

  • Mother Song (not in the MovieCove catalog yet)(1937)

    Editor

  • Scipio Africanus: The Defeat of Hannibal (not in the MovieCove catalog yet)(1937)

    Editor

  • Hot Blood (not in the MovieCove catalog yet)(1936)

    Editor

  • Queen of Love (not in the MovieCove catalog yet)(1935)

    Editor

  • Der grüne Domino (not in the MovieCove catalog yet)(1935)

    Editor

  • Mädchen in Uniform(1931)

    Editor

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 50 titles from 1931 to 1973.

Biggest box office

The Third Man (1949)

$1.4M worldwide

Highest rated

The Third Man (1949)

Midcredits 98th

By role

only this rolewith another role
Writing1 of 50: 1 only writing, 0 with another roleEditing47 of 50: 47 only editing, 0 with another role · typical Midcredits score46thOther crew2 of 50: 2 only other crew, 0 with another role

By decade

1930s8 · crew1940s6 · crew1950s19 · crew1960s13 · crew1970s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Oswald Hafenrichter's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 19

Approval · how many liked their films

42ndpercentile
Typical film, the median of 19

Reach · how many have seen their films

55thpercentile
Typical film, the median of 19

Midcredits score across 20 titles, by percentile

  • 75th and up6
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th7

Shape of the crowd

7 of their 20 titles are Mixed.

  • Universally Loved4
  • Universally Panned1
  • Crowd Pleaser4
  • Broadly Agreed4
  • Mixed7

Most divisive · editor

Trog (1970)

68th percentile spread · 62% rated it 4 or lower

Most loved · editor

The Third Man (1949)

Midcredits 98th · 86% liked

Reviewers score the pacing 49/100 in their films, across 18 reviewed titles; fans 59, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Oswald Hafenrichter's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles7–44 · median 19 · mildlighter than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Oswald Hafenrichter work with?

People who share at least 2 of Oswald Hafenrichter's MovieCove titles, grouped by what they did on them; Milton Subotsky shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles