Wilfred Josephs
Composer · Died November 17, 1997, aged 70 · Newcastle, England, UK
- July 24, 1927
- November 17, 1997 (aged 70)
- Newcastle, England, UK
- Composer
- 18 on MovieCove · 46 credits in all
What are Wilfred Josephs' films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 12
Light 5 · Serious 5 · Dark 4
Grounded 10 · Stylized 3 · Heightened 1
Gentle 2 · Charged 9 · Intense 3
A split, not a type: Steady 5 · Shifting 9 · Whiplash 0
Straight-faced 11 · Some laughs 3 · Funny 0
Slow burn 5 · Even-paced 8 · Relentless 1
Casual 3 · Engaged 11 · Full focus 0
Easy watch 5 · Affecting 5 · Heavy 4
Resolved 12 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet7
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wilfred Josephs' films?
As of October 24, 2026, 11 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (9).
- The Prisoner (1967) · composer · free
- Disraeli: Portrait of a Romantic (1978) · composer · free
- Hammer House of Horror (1980) · composer · free
- Pride and Prejudice (1980) · composer · free
- Die! Die! My Darling! (1965) · composer · free
- Martin's Day (1985) · composer · free
- The Uncanny (1977) · composer · free
- Dark Places (1974) · composer · free
- Cry of the Banshee (1970) · composer · free
- BritBox
Subscription and free streaming for Wilfred Josephs' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
46 credits, 18 with a MovieCove page.

Mata Hari(1985)
Midcredits score: 6th percentile of all filmsDrummonds (not in the MovieCove catalog yet)(1985)

Martin's Day(1985)
Midcredits score: 37th percentile of all films
Pope John Paul II(1984)
Midcredits score: 57th percentile of all films
Hammer House of Horror(1980)
Midcredits score: 69th percentile of all shows
Pride and Prejudice(1980)
Midcredits score: 60th percentile of all shows
Churchill and the Generals (not in the MovieCove catalog yet)(1979)

Black Sun (not in the MovieCove catalog yet)(1978)
Midcredits score: 73rd percentile of all shows
The Uncanny(1977)
Midcredits score: 33rd percentile of all films
Midcredits score: 54th percentile of all films
I, Claudius (not in the MovieCove catalog yet)(1976)
The House of Bernarda Alba (not in the MovieCove catalog yet)(1976)

The Ghosts of Motley Hall (not in the MovieCove catalog yet)(1976)

House of Shadows (not in the MovieCove catalog yet)(1976)
The Inventing of America (not in the MovieCove catalog yet)(1975)
Midcredits score: 61st percentile of all films
Robinson Crusoe (not in the MovieCove catalog yet)(1974)

Swallows and Amazons (not in the MovieCove catalog yet)(1974)

Callan (not in the MovieCove catalog yet)(1974)

Dark Places(1974)
Midcredits score: 31st percentile of all films
Cider with Rosie (not in the MovieCove catalog yet)(1971)

Cry of the Banshee(1970)
Midcredits score: 21st percentile of all films
Sweeney Todd (not in the MovieCove catalog yet)(1970)

The Shadow of Progress (not in the MovieCove catalog yet)(1970)

My Side of the Mountain(1969)
Midcredits score: 65th percentile of all films
The Exiles (not in the MovieCove catalog yet)(1969)

The Fosters (not in the MovieCove catalog yet)(1969)

Amor y medias (not in the MovieCove catalog yet)(1969)

Hostile Witness(1969)
Midcredits score: 48th percentile of all films
The Prisoner(1967)
Midcredits score: 92nd percentile of all shows
Doctor Who: The Tomb of the Cybermen (not in the MovieCove catalog yet)(1967)
Indus Waters (not in the MovieCove catalog yet)(1967)

Rail (not in the MovieCove catalog yet)(1967)

The Ladder (not in the MovieCove catalog yet)(1967)

The Deadly Bees(1966)
Midcredits score: 5th percentile of all films
Mystery and Imagination (not in the MovieCove catalog yet)(1966)

The World of George Orwell: 1984 (not in the MovieCove catalog yet)(1965)

Die! Die! My Darling!(1965)
Midcredits score: 56th percentile of all films
24 Hours to Kill(1965)
Midcredits score: 11th percentile of all films
The Forth Road Bridge (not in the MovieCove catalog yet)(1965)
Doomsday at Eleven (not in the MovieCove catalog yet)(1962)

Two Letter Alibi (not in the MovieCove catalog yet)(1962)

Cash on Demand(1961)
Midcredits score: 94th percentile of all filmsNight Without Pity (not in the MovieCove catalog yet)(1961)

Touch of Death (not in the MovieCove catalog yet)(1961)
Career shape
A full career of 45 titles from 1961 to 1985.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Wilfred Josephs' films land?
Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up2
- 50th to 74th8
- 25th to 49th4
- Below 25th4
Shape of the crowd
8 of their 18 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser8
- Broadly Agreed4
- Mixed3
Reviewers score the sound and music 53/100 in their films, across 8 reviewed titles; fans 59, detractors 38. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Wilfred Josephs work with?
People who share at least 2 of Wilfred Josephs' MovieCove titles, grouped by what they did on them; Claude Whatham shares the most, 2.
Directors
- Claude WhathamShared titles: Disraeli: Portrait of a Romantic (1978), All Creatures Great and Small (1975)See all 2 shared titles with Claude Whatham
Actors
- David RintoulShared titles: Pride and Prejudice (1980), The Hunchback of Notre Dame (1976)See all 2 shared titles with David Rintoul

- Peter CushingShared titles: The Uncanny (1977), Cash on Demand (1961)See all 2 shared titles with Peter Cushing

- Ray MillandShared titles: The Uncanny (1977), Hostile Witness (1969)See all 2 shared titles with Ray Milland

Cinematographers and editors
- Ernest StewardShared titles: Dark Places (1974), 24 Hours to Kill (1965)See all 2 shared titles with Ernest Steward
- Oswald HafenrichterShared titles: Cry of the Banshee (1970), The Deadly Bees (1966)See all 2 shared titles with Oswald Hafenrichter
- James NeedsShared titles: Die! Die! My Darling! (1965), Cash on Demand (1961)See all 2 shared titles with James Needs
Producers
- Milton SubotskyShared titles: The Uncanny (1977), The Deadly Bees (1966)See all 2 shared titles with Milton Subotsky






