Neil Hartley
- Producer
- 12 on MovieCove · 17 credits in all
What are Neil Hartley's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 9
Light 4 · Serious 4 · Dark 4
Grounded 4 · Stylized 6 · Heightened 2
Gentle 2 · Charged 5 · Intense 5
Steady 5 · Shifting 5 · Whiplash 2
Straight-faced 4 · Some laughs 7 · Funny 1
Slow burn 8 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 7 · Full focus 3
Easy watch 4 · Affecting 5 · Heavy 3
A split, not a type: Resolved 6 · Open-ended 3 · Ambiguous 3
Moods and endings
- Happy3
- Bittersweet3
- Tragic2
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Neil Hartley's films?
As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on MGM+ (4).
Subscription and free streaming for Neil Hartley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 12 with a MovieCove page.
Dead Man's Folly(1986)
Midcredits score: 52nd percentile of all films
Thirteen at Dinner(1985)
Midcredits score: 46th percentile of all films
Murder with Mirrors(1985)
Midcredits score: 59th percentile of all films
The Hotel New Hampshire(1984)
Midcredits score: 35th percentile of all films
The Border(1982)
Midcredits score: 55th percentile of all films
The Corn Is Green (not in the MovieCove catalog yet)(1979)
Joseph Andrews (not in the MovieCove catalog yet)(1977)
Mahogany(1975)
Midcredits score: 56th percentile of all films
Dead Cert (not in the MovieCove catalog yet)(1974)
A Delicate Balance(1973)
Midcredits score: 65th percentile of all films
Ned Kelly(1970)
Midcredits score: 17th percentile of all films
Hamlet (not in the MovieCove catalog yet)(1969)
Laughter in the Dark (not in the MovieCove catalog yet)(1969)
Midcredits score: 65th percentile of all films
Midcredits score: 46th percentile of all films
Mademoiselle(1966)
Midcredits score: 80th percentile of all films
The Loved One(1965)
Midcredits score: 75th percentile of all films
Career shape
A full career of 15 titles from 1965 to 1986.
Biggest box office
The Border (1982)
Highest rated
Mademoiselle (1966)
Most popular right now
The Charge of the Light Brigade (1968)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Neil Hartley's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th6
- 25th to 49th3
- Below 25th1
Shape of the crowd
8 of their 12 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser8
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Neil Hartley work with?
People who share at least 2 of Neil Hartley's MovieCove titles, grouped by what they did on them; Tony Richardson shares the most, 9.
Directors
- Tony RichardsonShared titles: The Hotel New Hampshire (1984), The Border (1982), Mahogany (1975), A Delicate Balance (1973), Ned Kelly (1970), The Charge of the Light Brigade (1968), The Sailor from Gibraltar (1967), Mademoiselle (1966), The Loved One (1965)See all 9 shared titles with Tony Richardson
Writers
- Agatha ChristieShared titles: Dead Man's Folly (1986), Murder with Mirrors (1985), Thirteen at Dinner (1985)See all 3 shared titles with Agatha Christie
- Rod BrowningShared titles: Dead Man's Folly (1986), Thirteen at Dinner (1985)See all 2 shared titles with Rod Browning
- Christopher IsherwoodShared titles: The Sailor from Gibraltar (1967), The Loved One (1965)See all 2 shared titles with Christopher Isherwood
Actors
- Jonathan CecilShared titles: Dead Man's Folly (1986), Thirteen at Dinner (1985)See all 2 shared titles with Jonathan Cecil
- Peter UstinovShared titles: Dead Man's Folly (1986), Thirteen at Dinner (1985)See all 2 shared titles with Peter Ustinov
- John GielgudShared titles: The Charge of the Light Brigade (1968), The Loved One (1965)See all 2 shared titles with John Gielgud
- Vanessa RedgraveShared titles: The Charge of the Light Brigade (1968), The Sailor from Gibraltar (1967)See all 2 shared titles with Vanessa Redgrave
Composers, cinematographers and editors
- David WatkinShared titles: The Hotel New Hampshire (1984), Mahogany (1975), A Delicate Balance (1973), The Charge of the Light Brigade (1968), Mademoiselle (1966)See all 5 shared titles with David Watkin
- John AddisonShared titles: Dead Man's Folly (1986), Thirteen at Dinner (1985), The Charge of the Light Brigade (1968), The Loved One (1965)See all 4 shared titles with John Addison
- Antony GibbsShared titles: The Sailor from Gibraltar (1967), Mademoiselle (1966), The Loved One (1965)See all 3 shared titles with Antony Gibbs
- Curtis ClarkShared titles: Dead Man's Folly (1986), Thirteen at Dinner (1985)See all 2 shared titles with Curtis Clark
Producers
- Oscar LewensteinShared titles: The Sailor from Gibraltar (1967), Mademoiselle (1966)See all 2 shared titles with Oscar Lewenstein