María Herrero
- Actor
- 8 on MovieCove · 17 credits in all
What are María Herrero's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 2 · Serious 2 · Dark 1
Grounded 5 · Stylized 0 · Heightened 0
Gentle 2 · Charged 2 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch María Herrero's films?
As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for María Herrero's titles on MovieCove; rent and buy are not counted.
Filmography
17 credits, 8 with a MovieCove page.
Tres mil kilómetros de amor (not in the MovieCove catalog yet)(1967)
La guerrillera de Villa (not in the MovieCove catalog yet)(1967)
Entrega inmediata(1963)
Midcredits score: 71st percentile of all films
El hombre que quiso ser pobre (not in the MovieCove catalog yet)(1956)
Drop the Curtain(1955)
Midcredits score: 80th percentile of all films
La fuerza del deseo(1955)
Midcredits score: 25th percentile of all films (provisional, few ratings)
Maternidad imposible(1955)
Midcredits score: 41st percentile of all films (provisional, few ratings)
El pueblo sin Dios(1955)
Midcredits score: 40th percentile of all films (provisional, few ratings)
The Intruder (not in the MovieCove catalog yet)(1954)
Camelia (not in the MovieCove catalog yet)(1954)
Dos mundos y un amor (not in the MovieCove catalog yet)(1954)
El señor fotógrafo(1953)
Midcredits score: 87th percentile of all films
Él (not in the MovieCove catalog yet)(1953)
Ella, Lucifer y yo (not in the MovieCove catalog yet)(1953)
Sueños de gloria(1953)
Midcredits score: 38th percentile of all films (provisional, few ratings)
El gran mentiroso(1953)
Midcredits score: 36th percentile of all films (provisional, few ratings)
El camino de las llamas (not in the MovieCove catalog yet)(1942)
Career shape
Star power in the 72nd percentile of 239,109 people with a billed film role, over a full career of 16 titles from 1942 to 1967.
Film career
- 1953Screen debut· Él
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do María Herrero's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 8; across their 5 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th5
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser4
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does María Herrero work with?
People who share at least 2 of María Herrero's MovieCove titles, grouped by what they did on them; Carlos Savage shares the most, 3.
Directors
- Miguel M. DelgadoShared titles: Drop the Curtain (1955), La fuerza del deseo (1955)See all 2 shared titles with Miguel M. Delgado
Actors
- Armando CalvoShared titles: El pueblo sin Dios (1955), La fuerza del deseo (1955)See all 2 shared titles with Armando Calvo
- Beatriz SaavedraShared titles: Drop the Curtain (1955), Sueños de gloria (1953)See all 2 shared titles with Beatriz Saavedra
- Víctor AlcocerShared titles: Drop the Curtain (1955), Sueños de gloria (1953)See all 2 shared titles with Víctor Alcocer
Cinematographers and editors
- Carlos SavageShared titles: El pueblo sin Dios (1955), El gran mentiroso (1953), Sueños de gloria (1953)See all 3 shared titles with Carlos Savage
- Jorge BustosShared titles: Drop the Curtain (1955), La fuerza del deseo (1955)See all 2 shared titles with Jorge Bustos
- Víctor HerreraShared titles: Drop the Curtain (1955), El gran mentiroso (1953)See all 2 shared titles with Víctor Herrera