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Beatriz Saavedra

Beatriz Saavedra

Actor

Beatriz Saavedra was born in 1933. She was an actress, known for La bestia magnífica (1952), La duda (1954) and Enseñame a besar (1952). She died on 19 June 2005 in Mexico City, Mexico.

Biography from IMDb.

Works as
Actor
Titles
5 on MovieCove · 17 credits in all
TMDB popularity, last 38 days to Oct 27Up 44% in 30 days

What are Beatriz Saavedra's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
53%
Bonds
22%
Society
13%
Power
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Hopeful
2
Joyful
1
Romantic
1
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Beatriz Saavedra's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Beatriz Saavedra's titles on MovieCove; rent and buy are not counted.

Filmography

17 credits, 5 with a MovieCove page.

  • La culta dama (not in the MovieCove catalog yet)(1957)

    as Amiga de Eugenia

  • Drop the Curtain(1955)

    as Anita

    Midcredits score: 80th percentile of all films
  • Yo no creo en los hombres (not in the MovieCove catalog yet)(1955)

    as Mercedes

  • La mujer X(1955)

    as Felicia Ortiz de López, camarera

    Midcredits score: 49th percentile of all films (provisional, few ratings)
  • Se solicitan modelos (not in the MovieCove catalog yet)(1954)

    as Amiga de Reyna

  • La ladrona (not in the MovieCove catalog yet)(1954)

    Actor

  • The Magnificent Beast (not in the MovieCove catalog yet)(1953)

    as Carmen

  • Misericordia(1953)

    as Obdulia

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Sueños de gloria(1953)

    as Esperanza

    Midcredits score: 38th percentile of all films (provisional, few ratings)
  • La alegre casada (not in the MovieCove catalog yet)(1952)

    Actor

  • The Straying Rooster (not in the MovieCove catalog yet)(1952)

    Actor

  • Mujer de medianoche (not in the MovieCove catalog yet)(1952)

    as Graciela (uncredited)

  • Full Spead Ahead (not in the MovieCove catalog yet)(1951)

    as Pasajera (uncredited)

  • Monte de piedad (not in the MovieCove catalog yet)(1951)

    as Beatriz

  • Una gringuita en México (not in the MovieCove catalog yet)(1951)

    as Silvia

  • Confidencias de un ruletero (not in the MovieCove catalog yet)(1949)

    as Mané (uncredited)

  • El seminarista(1949)

    as Estudiante colegio (uncredited)

    Midcredits score: 72nd percentile of all films

Career shape

Star power in the 62nd percentile of 239,109 people with a billed film role, over a full career of 17 titles from 1949 to 1957.

Film career

  • 1951Screen debut· Full Spead Ahead

By role

only this rolewith another role
Acting17 of 17: 17 only acting, 0 with another role · typical Midcredits score68th

By decade

1940s2 · acting1950s15 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Beatriz Saavedra's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 3

Approval · how many liked their films

77thpercentile
Typical film, the median of 3

Reach · how many have seen their films

3rdpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Beatriz Saavedra work with?

People who share at least 2 of Beatriz Saavedra's MovieCove titles, grouped by what they did on them; Zacarías Gómez Urquiza shares the most, 2.

Directors

Actors

Editors