Merritt Hulburd
- Producer
- 5 on MovieCove
What are Merritt Hulburd's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 2 · Dark 3
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 4 · Intense 0
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
A split, not a type: Casual 2 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 2
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Merritt Hulburd's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Prime Video (5).
Subscription and free streaming for Merritt Hulburd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Dead End(1937)
Midcredits score: 87th percentile of all films
Stella Dallas(1937)
Midcredits score: 91st percentile of all films
The Hurricane(1937)
Midcredits score: 82nd percentile of all films
Come and Get It(1936)
Midcredits score: 75th percentile of all films
Dodsworth(1936)
Midcredits score: 95th percentile of all films
Career shape
Across their 5 MovieCove titles from 1936 to 1937.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Merritt Hulburd's films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up5
Shape of the crowd
None of their 5 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Merritt Hulburd work with?
People who share at least 2 of Merritt Hulburd's MovieCove titles, grouped by what they did on them; Alfred Newman shares the most, 5.
Directors
- William WylerShared titles: Dead End (1937), Come and Get It (1936), Dodsworth (1936)See all 3 shared titles with William Wyler
Actors
- Joel McCreaShared titles: Dead End (1937), Come and Get It (1936)See all 2 shared titles with Joel McCrea
- Marjorie MainShared titles: Dead End (1937), Stella Dallas (1937)See all 2 shared titles with Marjorie Main
- Mary AstorShared titles: The Hurricane (1937), Dodsworth (1936)See all 2 shared titles with Mary Astor
Composers, cinematographers and editors
- Alfred NewmanShared titles: Dead End (1937), Stella Dallas (1937), The Hurricane (1937), Come and Get It (1936), Dodsworth (1936)See all 5 shared titles with Alfred Newman
- Rudolph MatéShared titles: Stella Dallas (1937), Come and Get It (1936), Dodsworth (1936)See all 3 shared titles with Rudolph Maté
- Daniel MandellShared titles: Dead End (1937), Dodsworth (1936)See all 2 shared titles with Daniel Mandell
- Gregg TolandShared titles: Dead End (1937), Come and Get It (1936)See all 2 shared titles with Gregg Toland
Producers
- Samuel GoldwynShared titles: Dead End (1937), Stella Dallas (1937), The Hurricane (1937), Come and Get It (1936), Dodsworth (1936)See all 5 shared titles with Samuel Goldwyn
