Georg Hurdalek

What are Georg Hurdalek's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georg Hurdalek's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Disney+ (1).

• Disney+1 title, browse their movies on this service
  • The Sound of Music (1965) · writer

Subscription and free streaming for Georg Hurdalek's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Sound of Music(1965)

  Writer

  Midcredits score: 98th percentile of all films98^th
• 

  Königin Luise(1957)

  Writer

  Midcredits score: 27th percentile of all films (provisional, few ratings)~27^th
• 

  Ludwig II: Glanz und Ende eines Königs(1955)

  Writer

  Midcredits score: 74th percentile of all films74^th
• 

  Frauen für Golden Hill(1938)

  Writer

  Midcredits score: 54th percentile of all films (provisional, few ratings)~54^th

Career shape

Across a limited sample of 4 MovieCove titles from 1938 to 1965.

Biggest box office

The Sound of Music (1965)

$162M worldwide

Highest rated

The Sound of Music (1965)

Midcredits 98^th

How do Georg Hurdalek's films land?

Their typical MovieCove film has a Midcredits score in the 64^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 70^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Universally Loved1
• Crowd Pleaser1
• Mixed2

Most divisive · writer

Königin Luise (1957)

54^th percentile spread · 33% rated it 4 or lower

Most loved · writer

The Sound of Music (1965)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Georg Hurdalek work with?

People who share at least 2 of Georg Hurdalek's MovieCove titles, grouped by what they did on them; Friedrich Domin shares the most, 2.