Werner Krien
- Cinematographer
- 6 on MovieCove
What are Werner Krien's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 2 · Serious 2 · Dark 2
A split, not a type: Grounded 5 · Stylized 1 · Heightened 0
Gentle 0 · Charged 6 · Intense 0
Steady 5 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 2
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 2
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Werner Krien's films?
As of October 27, 2026, none of Werner Krien's 6 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Werner Krien's titles on MovieCove; rent and buy are not counted.
Filmography
6 credits, 6 with a MovieCove page.
La Bohème(1965)
Midcredits score: 82nd percentile of all films
Adorable Julia(1962)
Midcredits score: 51st percentile of all films
Mädchen in Uniform(1958)
Midcredits score: 81st percentile of all films
Königin Luise(1957)
Midcredits score: 27th percentile of all films (provisional, few ratings)
Great Freedom No. 7(1944)
Midcredits score: 89th percentile of all films
Frauen für Golden Hill(1938)
Midcredits score: 54th percentile of all films (provisional, few ratings)
Career shape
Across their 6 MovieCove titles from 1938 to 1965.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Werner Krien's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed3
Reviewers score the cinematography 76/100 in their films, across 4 reviewed titles; fans 77, detractors 70. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Werner Krien work with?
People who share at least 2 of Werner Krien's MovieCove titles, grouped by what they did on them; Georg Hurdalek shares the most, 2.
Writers
- Georg HurdalekShared titles: Königin Luise (1957), Frauen für Golden Hill (1938)See all 2 shared titles with Georg Hurdalek
Actors
- Charles RegnierShared titles: Adorable Julia (1962), Königin Luise (1957)See all 2 shared titles with Charles Regnier
- Lilli PalmerShared titles: Adorable Julia (1962), Mädchen in Uniform (1958)See all 2 shared titles with Lilli Palmer
Composers
- Werner EisbrennerShared titles: Great Freedom No. 7 (1944), Frauen für Golden Hill (1938)See all 2 shared titles with Werner Eisbrenner