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Frank P. Keller

Editor · Died December 25, 1977, aged 64

Born
February 4, 1913
Died
December 25, 1977 (aged 64)
Works as
Editor
Titles
22 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 40% in 30 days

What are Frank P. Keller's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy9 titlesTypical Midcredits score: 43rd percentile
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 58th percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 83rd percentile, at or above their average across these genres
: browse their Action movies
Biography2 titlesTypical Midcredits score: 58th percentile
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Morality
21%
Self
15%
Survival
15%
Power
10%
Society
5%
Ideas
5%
Family bonds5 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeParenthood2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 13 · Serious 2 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 8 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 9 · Charged 6 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 11 · Shifting 7 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 8 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 11 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Joyful
7
Warm
6
Hopeful
5
Melancholic
5
Other
15

How their films linger

Feel-good10 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy10
  • Bittersweet8
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank P. Keller's films?

As of October 24, 2026, 12 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Frank P. Keller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 22 with a MovieCove page.

  • Beyond Reason (not in the MovieCove catalog yet)(1982)

    Editor

  • Rolling Thunder(1977)

    Editor

    Midcredits score: 79th percentile of all films

  • Mother, Jugs & Speed(1976)

    Editor

    Midcredits score: 39th percentile of all films

  • The Daughters of Joshua Cabe Return(1975)

    Editor

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

  • For Pete's Sake(1974)

    Editor

    Midcredits score: 51st percentile of all films

  • Jonathan Livingston Seagull(1973)

    Editor

    Midcredits score: 38th percentile of all films

  • Gargoyles(1972)

    Editor

    Midcredits score: 41st percentile of all films

  • The Hot Rock(1972)

    Editor

    Midcredits score: 75th percentile of all films

  • The Forgotten Man (not in the MovieCove catalog yet)(1971)

    Editor

  • Murphy's War(1971)

    Editor

    Midcredits score: 70th percentile of all films

  • John and Mary(1969)

    Editor

    Midcredits score: 65th percentile of all films

  • Bullitt(1968)

    Editor

    Midcredits score: 91st percentile of all films

  • Beach Red(1967)

    Editor

    Midcredits score: 50th percentile of all films

  • Cyborg 2087 (not in the MovieCove catalog yet)(1966)

    Editor

  • Star Trek(1966)

    Show 2 episodes · Editor

    Midcredits score: 94th percentile of all shows

  • Tarzan and the Valley of Gold (not in the MovieCove catalog yet)(1966)

    Editor

  • For Those Who Think Young(1964)

    Editor

    Midcredits score: 23rd percentile of all films

  • Come Blow Your Horn(1963)

    Editor

    Midcredits score: 43rd percentile of all films

  • Papa's Delicate Condition(1963)

    Editor

    Midcredits score: 58th percentile of all films

  • Safe at Home!(1962)

    Editor

    Midcredits score: 23rd percentile of all films

  • About Time (not in the MovieCove catalog yet)(1962)

    Editor

  • Pocketful of Miracles(1961)

    Editor

    Midcredits score: 86th percentile of all films

  • The Thread of Life (not in the MovieCove catalog yet)(1960)

    Editor

  • Ghost of Dragstrip Hollow(1959)

    Editor

    Midcredits score: 15th percentile of all films

  • The Five Pennies(1959)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Bonnie Parker Story(1958)

    Editor

    Midcredits score: 33rd percentile of all films

  • The Unchained Goddess (not in the MovieCove catalog yet)(1958)

    Editor

  • The Strange Case of the Cosmic Rays (not in the MovieCove catalog yet)(1957)

    Editor

  • Hemo the Magnificent (not in the MovieCove catalog yet)(1957)

    Editor

  • Our Mr. Sun(1956)

    Editor

    Midcredits score: 83rd percentile of all films

  • All the King's Men(1949)

    Assistant Editor

    Midcredits score: 89th percentile of all films

Career shape

A full career of 31 titles from 1949 to 1982.

Biggest box office

Bullitt (1968)

$512K worldwide

Highest rated

Bullitt (1968)

Midcredits 91st

By role

only this rolewith another role
Editing30 of 31: 30 only editing, 0 with another role · typical Midcredits score58thOther crew1 of 31: 1 only other crew, 0 with another role

By decade

1940s1 · crew1950s7 · crew1960s13 · crew1970s9 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Frank P. Keller's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 21; across their 20 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 20

Approval · how many liked their films

54thpercentile
Typical film, the median of 20

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 20

Midcredits score across 22 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th3

Shape of the crowd

9 of their 22 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic2
  • Crowd Pleaser9
  • Mixed9

Most divisive · editor

Jonathan Livingston Seagull (1973)

75th percentile spread · 27% rated it 4 or lower

Most loved · editor

Star Trek (1966)

Midcredits 94th · 89% liked

Reviewers score the pacing 44/100 in their films, across 19 reviewed titles; fans 52, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Frank P. Keller's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 31 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Frank P. Keller work with?

People who share at least 2 of Frank P. Keller's MovieCove titles, grouped by what they did on them; Peter Yates shares the most, 6.

Directors

Writers

Actors

Composers

Producers