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Peter Yates

Peter Yates

Director and producer, also writer · Died January 9, 2011, aged 81 · Aldershot, Hampshire, England, UK

Peter James Yates (24 July 1929 – 9 January 2011) was an English film director and producer. He was born in Aldershot, Hampshire. The son of an army officer, he attended Charterhouse School as a boy, graduated from the Royal Academy of Dramatic Art and worked for some years as an actor, director and stage manager. In the 1950s he started in the movie industry as a dubbing assistant and later an assistant director for Tony Richardson. Summer Holiday (1963), his first film as director, was a "lightweight" vehicle for Cliff Richard. Yates had directed the original Royal Court production of N. F. Simpson's play One Way Pendulum and was chosen to make the film version released in 1964. Robbery (1967), a crime thriller, is a fictionalised version of the Great Train Robbery of 1963. This led to Bullitt (1968), of which Bruce Weber has written, "Mr. Yates’s reputation probably rests most securely on “Bullitt” (1968), his first American film — and indeed, on one particular scene, an extended car chase that instantly became a classic." Yates was nominated for the BAFTA Award for Best Direction for Bullitt (1968). Yates produced and directed Breaking Away (1979), which was nominated for five Academy Awards ("Oscars") including Best Director and Best Film for Yates. Yates also produced and directed The Dresser (1983), which was an adaptation of the Ronald Harwood stage play. The film received seven BAFTA and five Oscar nominations, including the BAFTA Award for Best Film and for Best Direction and the Academy Award for Best Film and for Best Director for Yates. The Dresser was also entered into the 34th Berlin International Film Festival. Yates died in London on 9 January 2011. He was 81 years old. Description above from the Wikipedia article Peter Yates, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
July 24, 1929
Died
January 9, 2011 (aged 81)
From
Aldershot, Hampshire, England, UK
Works as
Director and producer, also writer
Titles
29 on MovieCove · 35 credits in all
TMDB popularity, last 63 days to Oct 26Down 18% in 30 days

What are Peter Yates' films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 19 · Stylized 3 · Heightened 2

A split, not a type: Gentle 6 · Charged 7 · Intense 11

A split, not a type: Steady 11 · Shifting 10 · Whiplash 3

A split, not a type: Straight-faced 14 · Some laughs 4 · Funny 6

Slow burn 8 · Even-paced 16 · Relentless 0

Casual 7 · Engaged 14 · Full focus 3

A split, not a type: Easy watch 11 · Affecting 9 · Heavy 4

Resolved 18 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Melancholic
7
Joyful
6
Warm
5
Dread
4
Other
22

How their films end · 4 with a twist

  • Happy7
  • Bittersweet12
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Yates' films?

As of October 24, 2026, 14 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Peter Yates' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 29 with a MovieCove page; 8 appearances as themselves are hidden until asked for.

  • A Separate Peace (not in the MovieCove catalog yet)(2004)

    Director

  • Don Quixote(2000)

    Director

    Midcredits score: 47th percentile of all films
  • It All Came True(1998)

    Director

    Midcredits score: 33rd percentile of all films
  • Good Will Hunting(1997)

    Thanks

    Midcredits score: 99th percentile of all films
  • The Run of the Country(1995)

    Director · Producer

    Midcredits score: 53rd percentile of all films
  • Roommates(1995)

    Director

    Midcredits score: 55th percentile of all films
  • Needful Things(1993)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • Year of the Comet(1992)

    Director · Producer

    Midcredits score: 40th percentile of all films
  • An Innocent Man(1989)

    Director

    Midcredits score: 55th percentile of all films
  • The House on Carroll Street(1988)

    Director · Producer

    Midcredits score: 44th percentile of all films
  • Suspect(1987)

    Director

    Midcredits score: 67th percentile of all films
  • Eleni(1985)

    Director

    Midcredits score: 75th percentile of all films
  • The Dresser(1983)

    Director · Producer

    Midcredits score: 88th percentile of all films
  • Krull(1983)

    Director

    Midcredits score: 47th percentile of all films
  • Eyewitness(1981)

    Director · Producer

    Midcredits score: 32nd percentile of all films
  • Breaking Away(1979)

    Director · Producer

    Midcredits score: 97th percentile of all films
  • The Deep(1977)

    Director

    Midcredits score: 49th percentile of all films
  • Mother, Jugs & Speed(1976)

    Director · Producer

    Midcredits score: 39th percentile of all films
  • For Pete's Sake(1974)

    Director

    Midcredits score: 51st percentile of all films
  • Midcredits score: 93rd percentile of all films
  • The Hot Rock(1972)

    Director

    Midcredits score: 75th percentile of all films
  • Murphy's War(1971)

    Director

    Midcredits score: 70th percentile of all films
  • John and Mary(1969)

    Director

    Midcredits score: 65th percentile of all films
  • Stasera Fernandel (not in the MovieCove catalog yet)(1968)

    Show Creator

  • Koroshi (not in the MovieCove catalog yet)(1968)

    Director

  • Bullitt(1968)

    Director

    Midcredits score: 91st percentile of all films
  • Robbery(1967)

    Director · Screenplay

    Midcredits score: 78th percentile of all films
  • One Way Pendulum(1965)

    Director

    Midcredits score: 27th percentile of all films
  • Summer Holiday (not in the MovieCove catalog yet)(1963)

    Director

  • The Saint (not in the MovieCove catalog yet)(1962)

    Show 7 episodes · Director

  • A Taste of Honey(1961)

    Assistant Director

    Midcredits score: 90th percentile of all films
  • The Guns of Navarone(1961)

    Assistant Director

    Midcredits score: 94th percentile of all films
  • Danger Man(1960)

    Show 5 episodes · Director

    Midcredits score: 83rd percentile of all shows
  • The Entertainer(1960)

    Assistant Director

    Midcredits score: 81st percentile of all films
  • Cover Girl Killer (not in the MovieCove catalog yet)(1959)

    Assistant Director

Career shape

A full career of 35 titles from 1959 to 2004.

By role

only this rolewith another role
Directing28 of 35: 20 only directing, 8 with another role · typical Midcredits score55thWriting1 of 35: 0 only writing, 1 with another roleProducing8 of 35: 1 only producing, 7 with another role · typical Midcredits score47thOther crew6 of 35: 6 only other crew, 0 with another role

35 titles, 8 with more than one role — directing and producing overlap on 7 of them.

By decade

1950s1 · crew1960s12 · crew1970s7 · crew1980s7 · crew1990s6 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Yates' films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 28; across their 24 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 24

Approval · how many liked their films

53rdpercentile
Typical film, the median of 24

Reach · how many have seen their films

75thpercentile
Typical film, the median of 24

Midcredits score across 29 titles, by percentile

  • 75th and up12
  • 50th to 74th8
  • 25th to 49th9

Shape of the crowd

14 of their 29 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser14
  • Broadly Agreed2
  • Mixed8

Reviewers score the atmosphere 68/100 and the pacing 44/100 in their films, across 24 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Yates' work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and alcohol & drugs lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles30–66 · median 55 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles6–33 · median 25 · mildnear the median of all filmsMedian of all films: 32
Profanity7 titles19–77 · median 50 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles7–43 · median 19 · mildlighter than most filmsMedian of all films: 33
Frightening / Intense5 titles36–61 · median 55 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Yates work with?

People who share at least 2 of Peter Yates' MovieCove titles, grouped by what they did on them; Ray Lovejoy shares the most, 6.

Writers

Actors

Composers, cinematographers and editors

Producers