Burt Kelly
Producer · Died March 5, 1983, aged 84
- October 6, 1898
- March 5, 1983 (aged 84)
- Producer
- 16 on Motif · 46 credits in all
What are Burt Kelly's films like?
Across their 16 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 15
Light 11 · Serious 2 · Dark 3
Grounded 11 · Stylized 3 · Heightened 2
Gentle 6 · Charged 9 · Intense 1
Steady 6 · Shifting 7 · Whiplash 3
A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 5
Slow burn 3 · Even-paced 12 · Relentless 1
Casual 9 · Engaged 7 · Full focus 0
Easy watch 12 · Affecting 2 · Heavy 2
Resolved 14 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy12
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Burt Kelly's films?
As of October 24, 2026, 9 of their 16 Motif titles stream on a subscription or free service, most on Tubi (8).
- The Lone Avenger (1933) · producer · free
- Come on, Tarzan (1932) · producer · free
- The Last Mile (1932) · producer · free
- Woman in the Dark (1934) · producer · free
- The Death Kiss (1932) · producer · free
- A Study in Scarlet (1933) · producer · free
- Tombstone Canyon (1932) · producer · free
- Affairs of Cappy Ricks (1937) · producer · free
Subscription and free streaming for Burt Kelly's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
46 credits, 16 with a Motif page.

Blondie's Secret (not in the Motif catalog yet)(1948)

Blondie's Reward (not in the Motif catalog yet)(1948)

The Swordsman (not in the Motif catalog yet)(1948)

Blondie in the Dough (not in the Motif catalog yet)(1947)

Blondie's Holiday (not in the Motif catalog yet)(1947)

Blondie's Big Moment (not in the Motif catalog yet)(1947)

Blondie Knows Best (not in the Motif catalog yet)(1946)

Blondie's Lucky Day (not in the Motif catalog yet)(1946)

Meet Me on Broadway (not in the Motif catalog yet)(1946)

Life with Blondie (not in the Motif catalog yet)(1945)

Leave It to Blondie (not in the Motif catalog yet)(1945)

Strange Affair (not in the Motif catalog yet)(1944)

Nine Girls(1944)
Midcredits score: 55th percentile of all films
None Shall Escape (not in the Motif catalog yet)(1944)

Lady Bodyguard (not in the Motif catalog yet)(1943)

Street of Chance (not in the Motif catalog yet)(1942)

Priorities on Parade (not in the Motif catalog yet)(1942)

Hold That Ghost(1941)
Midcredits score: 87th percentile of all films
Bachelor Daddy(1941)
Midcredits score: 28th percentile of all films (provisional, few ratings)
The Black Cat(1941)
Midcredits score: 46th percentile of all films
The Invisible Woman(1940)
Midcredits score: 35th percentile of all films
Private Affairs (not in the Motif catalog yet)(1940)

Sandy Is a Lady (not in the Motif catalog yet)(1940)
Midcredits score: 79th percentile of all films
Black Friday (not in the Motif catalog yet)(1940)

The Big Guy (not in the Motif catalog yet)(1939)

Two Bright Boys (not in the Motif catalog yet)(1939)

I Stole a Million(1939)
Midcredits score: 51st percentile of all films
Ex-Champ (not in the Motif catalog yet)(1939)

Risky Business (not in the Motif catalog yet)(1939)

Swing, Sister, Swing (not in the Motif catalog yet)(1938)

Strange Faces (not in the Motif catalog yet)(1938)

Affairs of Cappy Ricks(1937)
Midcredits score: 16th percentile of all films
The President's Mystery (not in the Motif catalog yet)(1936)

The People's Enemy(1935)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Gigolette (not in the Motif catalog yet)(1935)

Woman in the Dark(1934)
Midcredits score: 35th percentile of all films
Fargo Express (not in the Motif catalog yet)(1933)

Deluge (not in the Motif catalog yet)(1933)

The Lone Avenger(1933)
Midcredits score: 62nd percentile of all films (provisional, few ratings)
Drum Taps (not in the Motif catalog yet)(1933)

A Study in Scarlet(1933)
Midcredits score: 21st percentile of all films
Tombstone Canyon(1932)
Midcredits score: 18th percentile of all films
The Death Kiss(1932)
Midcredits score: 34th percentile of all films
Come on, Tarzan(1932)
Midcredits score: 54th percentile of all films (provisional, few ratings)
The Last Mile(1932)
Midcredits score: 43rd percentile of all films
Career shape
A full career of 43 titles from 1932 to 1948.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Burt Kelly's films land?
Their typical Motif film has a Midcredits score in the 39th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th7
- Below 25th3
Shape of the crowd
8 of their 16 titles are Mixed.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed4
- Mixed8
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Burt Kelly work with?
People who share at least 2 of Burt Kelly's Motif titles, grouped by what they did on them; Samuel Bischoff shares the most, 6.
Directors
- Alan JamesShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with Alan James
- Edwin L. MarinShared titles: A Study in Scarlet (1933), The Death Kiss (1932)See all 2 shared titles with Edwin L. Marin

Writers
- Frederic I. RinaldoShared titles: Bachelor Daddy (1941), Hold That Ghost (1941), The Black Cat (1941), The Invisible Woman (1940)See all 4 shared titles with Frederic I. Rinaldo
- Robert LeesShared titles: Bachelor Daddy (1941), Hold That Ghost (1941), The Black Cat (1941), The Invisible Woman (1940)See all 4 shared titles with Robert Lees
- Lester ColeShared titles: The House of the Seven Gables (1940), I Stole a Million (1939), Affairs of Cappy Ricks (1937)See all 3 shared titles with Lester Cole
- Gordon KahnShared titles: The People's Enemy (1935), The Death Kiss (1932)See all 2 shared titles with Gordon Kahn
Actors
- Ken MaynardShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with Ken Maynard

- Bela LugosiShared titles: The Black Cat (1941), The Death Kiss (1932)See all 2 shared titles with Bela Lugosi

- Evelyn AnkersShared titles: Bachelor Daddy (1941), Hold That Ghost (1941)See all 2 shared titles with Evelyn Ankers

- Shemp HowardShared titles: Hold That Ghost (1941), The Invisible Woman (1940)See all 2 shared titles with Shemp Howard

Composers, cinematographers and editors
- Frank SkinnerShared titles: Bachelor Daddy (1941), The Black Cat (1941), The House of the Seven Gables (1940), The Invisible Woman (1940), I Stole a Million (1939)See all 5 shared titles with Frank Skinner

- Hans J. SalterShared titles: Bachelor Daddy (1941), Hold That Ghost (1941), The Black Cat (1941)See all 3 shared titles with Hans J. Salter
- Milton R. KrasnerShared titles: Bachelor Daddy (1941), The House of the Seven Gables (1940), I Stole a Million (1939)See all 3 shared titles with Milton R. Krasner

- David BergShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with David Berg
Producers
- Samuel BischoffShared titles: A Study in Scarlet (1933), The Lone Avenger (1933), Come on, Tarzan (1932), The Death Kiss (1932), The Last Mile (1932), Tombstone Canyon (1932)See all 6 shared titles with Samuel Bischoff
- William SaalShared titles: A Study in Scarlet (1933), The Lone Avenger (1933), Come on, Tarzan (1932), The Death Kiss (1932), The Last Mile (1932), Tombstone Canyon (1932)See all 6 shared titles with William Saal
Mixed roles
- Joe MayShared titles: The House of the Seven Gables (1940), The Invisible Woman (1940)See all 2 shared titles with Joe May




