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Frank King

Producer · Died February 12, 1989, aged 75 · New York City, New York, USA

Frankin Kozinsky better known as Frank King was one of the co-founders of King Brothers Productions with his brother Herman.

Biography from TMDB.

Born
April 1, 1913
Died
February 12, 1989 (aged 75)
From
New York City, New York, USA
Works as
Producer
Titles
16 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 10% in 30 days

What are Frank King's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Crime4 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Crime movies
Drama4 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Drama movies
Action3 titlesTypical Midcredits score: 26th percentile
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 54th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
27%
Morality
26%
Power
19%
Self
15%
Survival
7%
Ideas
3%
Society
3%
Redemption4 titles, browse their movies with this themeLoyalty4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeGreed3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeFreedom4 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 7 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 8 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 10 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 0 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 12 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 8 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
6
Dread
4
Thrilling
4
Hopeful
5
Other
10

How their films linger

Bittersweet9 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet7
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank King's films?

As of October 24, 2026, 8 of their 16 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Frank King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 16 with a MovieCove page.

  • Heaven with a Gun(1969)

    Producer

    Midcredits score: 49th percentile of all films

  • Return of the Gunfighter(1966)

    Producer

    Midcredits score: 62nd percentile of all films

  • Maya (not in the MovieCove catalog yet)(1966)

    Producer

  • Captain Sindbad(1963)

    Producer

    Midcredits score: 26th percentile of all films

  • Gorgo(1961)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Rodan! The Flying Monster (not in the MovieCove catalog yet)(1957)

    Producer

  • The Brave One(1956)

    Producer

    Midcredits score: 62nd percentile of all films

  • Rodan(1956)

    Producer

    Midcredits score: 54th percentile of all films

  • Carnival Story (not in the MovieCove catalog yet)(1954)

    Producer

  • The Ring (not in the MovieCove catalog yet)(1952)

    Producer

  • Mutiny(1952)

    Producer

    Midcredits score: 17th percentile of all films

  • Drums in the Deep South(1951)

    Producer

    Midcredits score: 26th percentile of all films

  • Southside 1-1000 (not in the MovieCove catalog yet)(1950)

    Producer

  • Gun Crazy(1950)

    Producer

    Midcredits score: 94th percentile of all films

  • Bad Men of Tombstone (not in the MovieCove catalog yet)(1949)

    Producer

  • The Dude Goes West(1948)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Gangster(1947)

    Producer

    Midcredits score: 60th percentile of all films

  • Suspense (not in the MovieCove catalog yet)(1946)

    Producer

  • Dillinger(1945)

    Producer

    Midcredits score: 58th percentile of all films

  • When Strangers Marry(1944)

    Producer

    Midcredits score: 59th percentile of all films

  • Johnny Doesn't Live Here Anymore(1944)

    Associate Producer

    Midcredits score: 36th percentile of all films

  • The Unknown Guest (not in the MovieCove catalog yet)(1943)

    Associate Producer · Production Manager

  • I Escaped from the Gestapo(1943)

    Producer

    Midcredits score: 18th percentile of all films

  • Rubber Racketeers (not in the MovieCove catalog yet)(1942)

    Associate Producer

  • Klondike Fury(1942)

    Associate Producer

    Midcredits score: 3rd percentile of all films

  • I Killed That Man (not in the MovieCove catalog yet)(1941)

    Associate Producer

  • Gangs Inc. (not in the MovieCove catalog yet)(1941)

    Associate Producer

Career shape

A full career of 25 titles from 1941 to 1969.

Biggest box office

Gun Crazy (1950)

$17K worldwide

Highest rated

Gun Crazy (1950)

Midcredits 94th

Most popular right now

The Brave One (1956)

By role

only this rolewith another role
Producing25 of 25: 24 only producing, 1 with another role · typical Midcredits score54thOther crew1 of 25: 0 only other crew, 1 with another role

By decade

1940s12 · crew1950s8 · crew1960s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Frank King's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 16

Approval · how many liked their films

49thpercentile
Typical film, the median of 16

Reach · how many have seen their films

49thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up1
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th3

Shape of the crowd

None of their 16 titles divides audiences: 8 are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed5

Most loved · producer

Gun Crazy (1950)

Midcredits 94th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Frank King work with?

People who share at least 2 of Frank King's MovieCove titles, grouped by what they did on them; Maurice King shares the most, 15.

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles