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MovieCove

Herman King

Producer

Works as
Producer
Titles
8 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Down 21% in 30 days

What are Herman King's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 1

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
1
Thrilling
1
Triumphant
2
Hopeful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Herman King's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Herman King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 8 with a MovieCove page.

  • Heaven with a Gun(1969)

    Associate Producer

    Midcredits score: 49th percentile of all films
  • Return of the Gunfighter(1966)

    Associate Producer

    Midcredits score: 62nd percentile of all films
  • Captain Sindbad(1963)

    Producer

    Midcredits score: 26th percentile of all films
  • Gorgo(1961)

    Producer

    Midcredits score: 30th percentile of all films
  • Rodan! The Flying Monster (not in the MovieCove catalog yet)(1957)

    Producer

  • Gun Crazy(1950)

    Technical Advisor

    Midcredits score: 94th percentile of all films
  • The Gangster(1947)

    Technical Advisor

    Midcredits score: 60th percentile of all films
  • Johnny Doesn't Live Here Anymore(1944)

    Technical Advisor

    Midcredits score: 36th percentile of all films
  • The Unknown Guest (not in the MovieCove catalog yet)(1943)

    Assistant Director

  • Rubber Racketeers (not in the MovieCove catalog yet)(1942)

    Assistant Director

  • Klondike Fury(1942)

    Assistant Director

    Midcredits score: 3rd percentile of all films

Career shape

A full career of 11 titles from 1942 to 1969.

By role

only this rolewith another role
Producing5 of 11: 5 only producing, 0 with another roleOther crew6 of 11: 6 only other crew, 0 with another role

By decade

1940s5 · crew1950s2 · crew1960s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Herman King's films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 4

Approval · how many liked their films

39thpercentile
Typical film, the median of 4

Reach · how many have seen their films

51stpercentile
Typical film, the median of 4

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 8 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser3
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Herman King work with?

People who share at least 2 of Herman King's MovieCove titles; Frank King shares the most, 4.