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Rudolph G. Kopp

Composer · Died February 20, 1972, aged 84 · Vienna, Austria-Hungary [now Austria]

Born
March 22, 1887
Died
February 20, 1972 (aged 84)
From
Vienna, Austria-Hungary [now Austria]
Works as
Composer
Titles
25 on MovieCove · 55 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 20% in 30 days

What are Rudolph G. Kopp's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama8 titlesTypical Midcredits score: 49th percentile
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Comedy movies
Adventure2 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Adventure movies
Crime2 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
41%
Morality
20%
Self
19%
Power
8%
Survival
8%
Society
4%
Ideas
1%
Family bonds7 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeMarriage3 titles, browse their movies with this themeBetrayal5 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeFaith2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 5 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 5 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 11 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 13 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 12 · Some laughs 3 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 14 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 8 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 18 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
9
Romantic
8
Joyful
3
Warm
3
Other
12

How their films linger

Bittersweet10 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end

  • Happy7
  • Bittersweet7
  • Tragic4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rudolph G. Kopp's films?

As of October 24, 2026, 5 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Rudolph G. Kopp's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 25 with a MovieCove page.

  • The Great Diamond Robbery(1954)

    Music Director

    Midcredits score: 40th percentile of all films

  • Nostradamus and the Queen (not in the MovieCove catalog yet)(1953)

    Music Director

  • Let's Ask Nostradamus (not in the MovieCove catalog yet)(1953)

    Composer

  • Cry of the Hunted(1953)

    Composer

    Midcredits score: 41st percentile of all films

  • Arena(1953)

    Composer

    Midcredits score: 13th percentile of all films

  • Desperate Search(1952)

    Music Director

    Midcredits score: 28th percentile of all films

  • Bannerline (not in the MovieCove catalog yet)(1951)

    Composer

  • Calling Bulldog Drummond (not in the MovieCove catalog yet)(1951)

    Composer

  • The Metro-Goldwyn-Mayer Story (not in the MovieCove catalog yet)(1951)

    Music Supervisor

  • Vengeance Valley(1951)

    Composer

    Midcredits score: 37th percentile of all films

  • Mystery Street(1950)

    Composer

    Midcredits score: 85th percentile of all films

  • Ambush(1950)

    Composer

    Midcredits score: 57th percentile of all films

  • The Doctor and the Girl(1949)

    Composer

    Midcredits score: 72nd percentile of all films

  • City of Children (not in the MovieCove catalog yet)(1949)

    Music Director

  • Some of the Best: Twenty-Five Years of Motion Picture Leadership (not in the MovieCove catalog yet)(1949)

    Composer

  • Mr. Whitney Had a Notion (not in the MovieCove catalog yet)(1949)

    Composer

  • Clues to Adventure (not in the MovieCove catalog yet)(1949)

    Music Director

  • Annie Was a Wonder (not in the MovieCove catalog yet)(1949)

    Composer

  • Tenth Avenue Angel (not in the MovieCove catalog yet)(1948)

    Composer

  • The Bride Goes Wild(1948)

    Composer

    Midcredits score: 50th percentile of all films

  • The Amazing Mr. Nordill (not in the MovieCove catalog yet)(1947)

    Composer

  • Cynthia (not in the MovieCove catalog yet)(1947)

    Composer

  • My Brother Talks to Horses(1947)

    Composer

    Midcredits score: 42nd percentile of all films

  • Lady in the Lake(1946)

    Composer

    Midcredits score: 59th percentile of all films

  • Gallant Bess (not in the MovieCove catalog yet)(1946)

    Composer

  • The Horse with the Human Mind (not in the MovieCove catalog yet)(1946)

    Composer

  • You Can't Get Away with Murder(1939)

    Orchestrator

    Midcredits score: 52nd percentile of all films

  • A Girl's Best Years (not in the MovieCove catalog yet)(1936)

    Composer

  • The Voice of Bugle Ann (not in the MovieCove catalog yet)(1936)

    Composer

  • The Crusades(1935)

    Composer · Songs

    Midcredits score: 62nd percentile of all films

  • Cleopatra(1934)

    Composer

    Midcredits score: 70th percentile of all films

  • Thirty Day Princess (not in the MovieCove catalog yet)(1934)

    Additional Music

  • I'm No Angel(1933)

    Composer

    Midcredits score: 74th percentile of all films

  • Murders in the Zoo(1933)

    Composer

    Midcredits score: 55th percentile of all films

  • King of the Jungle (not in the MovieCove catalog yet)(1933)

    Composer

  • Luxury Liner (not in the MovieCove catalog yet)(1933)

    Composer

  • No Man of Her Own(1932)

    Additional Music

    Midcredits score: 65th percentile of all films

  • The Sign of the Cross(1932)

    Composer

    Midcredits score: 73rd percentile of all films

  • Devil and the Deep(1932)

    Composer

    Midcredits score: 49th percentile of all films

  • Million Dollar Legs (not in the MovieCove catalog yet)(1932)

    Composer

  • The Man from Yesterday (not in the MovieCove catalog yet)(1932)

    Composer

  • Merrily We Go to Hell(1932)

    Composer

    Midcredits score: 75th percentile of all films

  • Sinners in the Sun (not in the MovieCove catalog yet)(1932)

    Composer

  • This Is the Night (not in the MovieCove catalog yet)(1932)

    Additional Music

  • One Hour with You(1932)

    Composer

    Midcredits score: 79th percentile of all films

  • Strangers in Love (not in the MovieCove catalog yet)(1932)

    Composer

  • Shanghai Express(1932)

    Composer

    Midcredits score: 88th percentile of all films

  • Two Kinds of Women (not in the MovieCove catalog yet)(1932)

    Composer

  • Forgotten Commandments(1932)

    Composer

    Midcredits score: 48th percentile of all films (provisional, few ratings)

  • Dr. Jekyll and Mr. Hyde(1931)

    Composer

    Midcredits score: 94th percentile of all films

  • Rich Man's Folly (not in the MovieCove catalog yet)(1931)

    Composer

  • 24 Hours (not in the MovieCove catalog yet)(1931)

    Composer

  • Daughter of the Dragon (not in the MovieCove catalog yet)(1931)

    Composer

  • The Vice Squad (not in the MovieCove catalog yet)(1931)

    Composer

  • The Road to Reno(1931)

    Composer

    Midcredits score: 25th percentile of all films (provisional, few ratings)

Career shape

A full career of 50 titles from 1931 to 1954.

Biggest box office

One Hour with You (1932)

$1.1K worldwide

Highest rated

Shanghai Express (1932)

Midcredits 88th

By role

only this rolewith another role
Music42 of 50: 42 only music, 0 with another role · typical Midcredits score71stOther crew8 of 50: 8 only other crew, 0 with another role

By decade

1930s27 · crew1940s12 · crew1950s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rudolph G. Kopp's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 25; across their 18 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 18

Approval · how many liked their films

60thpercentile
Typical film, the median of 18

Reach · how many have seen their films

55thpercentile
Typical film, the median of 18

Midcredits score across 25 titles, by percentile

  • 75th and up5
  • 50th to 74th11
  • 25th to 49th8
  • Below 25th1

Shape of the crowd

14 of their 25 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser14
  • Broadly Agreed7
  • Mixed2

Most divisive · composer

Forgotten Commandments (1932)

82nd percentile spread · 32% rated it 4 or lower

Most loved · composer

Dr. Jekyll and Mr. Hyde (1931)

Midcredits 94th · 82% liked

Reviewers score the sound and music 55/100 in their films, across 13 reviewed titles; fans 62, detractors 34. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rudolph G. Kopp work with?

People who share at least 2 of Rudolph G. Kopp's MovieCove titles, grouped by what they did on them; John Leipold shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors