Ilse Kubaschewski

What are Ilse Kubaschewski's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ilse Kubaschewski's films?

As of October 24, 2026, none of Ilse Kubaschewski's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Ilse Kubaschewski's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Angelique and the Sultan(1968)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Dirty Heroes(1967)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Secret Agent Super Dragon(1966)

  Producer

  Midcredits score: 1st percentile of all films1^st
• 

  Der Traum von Lieschen Müller(1961)

  Producer

  Midcredits score: 66th percentile of all films (provisional, few ratings)~66^th
• 

  Der Arzt von Stalingrad(1958)

  Producer

  Midcredits score: 49th percentile of all films49^th

Career shape

Across their 5 MovieCove titles from 1958 to 1968.

Highest rated

Angelique and the Sultan (1968)

Midcredits 59^th

How do Ilse Kubaschewski's films land?

Their typical MovieCove film has a Midcredits score in the 49^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Universally Panned1
• Crowd Pleaser1
• Broadly Agreed1
• Mixed2

Most divisive · producer

Der Traum von Lieschen Müller (1961)

72^nd percentile spread · 17% rated it 4 or lower

Most loved · producer

Angelique and the Sultan (1968)

Midcredits 59^th · 53% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ilse Kubaschewski work with?

People who share at least 2 of Ilse Kubaschewski's MovieCove titles, grouped by what they did on them; Louis Agotay shares the most, 2.