Salvatore Persichetti

What are Salvatore Persichetti's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Salvatore Persichetti's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Roku Channel (1).

• The Roku Channel1 title, browse their movies on this service
  • Cemetery Without Crosses (1969) · producer · free

Subscription and free streaming for Salvatore Persichetti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Cemetery Without Crosses(1969)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Angelique and the Sultan(1968)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Untamable Angelique(1967)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Secret Agent Super Dragon(1966)

  Producer

  Midcredits score: 1st percentile of all films1^st

Career shape

Across a limited sample of 4 MovieCove titles from 1966 to 1969.

Highest rated

Cemetery Without Crosses (1969)

Midcredits 70^th

Most popular right now

Angelique and the Sultan (1968)

How do Salvatore Persichetti's films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

13

• Universally Panned1
• Crowd Pleaser3

Most loved · producer

Cemetery Without Crosses (1969)

Midcredits 70^th · 63% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Salvatore Persichetti work with?

People who share at least 2 of Salvatore Persichetti's MovieCove titles, grouped by what they did on them; Michèle Mercier shares the most, 3.