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Edward A. Kull

Cinematographer and director · Died December 22, 1946, aged 61 · Chicago, Illinois, USA

Born
December 10, 1885
Died
December 22, 1946 (aged 61)
From
Chicago, Illinois, USA
Works as
Cinematographer and director
Titles
23 on MovieCove · 55 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 59% in 30 days

What are Edward A. Kull's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama13 titlesTypical Midcredits score: 25th percentile, at or above their average across these genres
: browse their Drama movies
Action5 titlesTypical Midcredits score: 10th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 24th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
50%
Bonds
23%
Power
10%
Survival
8%
Society
8%
Ideas
1%
Justice16 titles, browse their movies with this themeLoyalty7 titles, browse their movies with this themeCommunity6 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeCorruption2 titles, browse their movies with this themeGreed3 titles, browse their movies with this themeDeception3 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 19 · Serious 2 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 7 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 11 · Charged 10 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 17 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 9 · Some laughs 12 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 11 · Even-paced 9 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 20 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 21 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
12
Tense
11
Warm
10
Hopeful
7
Joyful
3
Other
8

How their films linger

Feel-good16 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy20
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward A. Kull's films?

As of October 24, 2026, 20 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Also on these channels

Subscription and free streaming for Edward A. Kull's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 23 with a MovieCove page.

  • House III: The Horror Show(1989)

    Editor

    Midcredits score: 17th percentile of all films

  • Arctic Fury(1951)

    Cinematographer

    Midcredits score: 21st percentile of all films

  • Gun Cargo (not in the MovieCove catalog yet)(1949)

    Cinematographer

  • The Wife of Monte Cristo(1946)

    Cinematographer

    Midcredits score: 26th percentile of all films

  • A Boy, a Girl and a Dog(1946)

    Cinematographer

    Midcredits score: 43rd percentile of all films

  • Harmony Trail (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Arizona Whirlwind(1944)

    Cinematographer

    Midcredits score: 39th percentile of all films

  • Brand of the Devil(1944)

    Cinematographer

    Midcredits score: 19th percentile of all films

  • Guns of the Law(1944)

    Cinematographer

    Midcredits score: 20th percentile of all films (provisional, few ratings)

  • Outlaw Trail(1944)

    Cinematographer

    Midcredits score: 19th percentile of all films (provisional, few ratings)

  • Sonora Stagecoach(1944)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • The Whispering Skull(1944)

    Cinematographer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)

  • Death Valley Rangers(1943)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • Black Market Rustlers(1943)

    Cinematographer

    Midcredits score: 40th percentile of all films (provisional, few ratings)

  • Wild Horse Range(1940)

    Cinematographer

  • Land of the Six Guns (not in the MovieCove catalog yet)(1940)

    Cinematographer

  • Port of Hate(1939)

    Cinematographer

    Midcredits score: 12th percentile of all films (provisional, few ratings)

  • Riders of the Sage(1939)

    Cinematographer

    Midcredits score: 27th percentile of all films (provisional, few ratings)

  • Feud of the Range(1939)

    Cinematographer

    Midcredits score: 38th percentile of all films (provisional, few ratings)

  • Fangs of the Wild(1939)

    Cinematographer

    Midcredits score: 17th percentile of all films (provisional, few ratings)

  • Law of the Wolf(1939)

    Cinematographer

    Midcredits score: 4th percentile of all films (provisional, few ratings)

  • Tarzan and the Green Goddess(1937)

    Director · Cinematographer

    Midcredits score: 10th percentile of all films

  • Tundra (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • The New Adventures of Tarzan (not in the MovieCove catalog yet)(1935)

    Director · Cinematographer

  • The New Adventures of Tarzan(1935)

    Director · Cinematographer

    Midcredits score: 7th percentile of all films

  • Man's Best Friend (not in the MovieCove catalog yet)(1935)

    Director

  • Ferocious Pal(1934)

    Cinematographer

    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • Kiss of Araby (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • High Gear (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Marriage on Approval(1933)

    Cinematographer

  • The Savage Girl (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • The Gambling Sex (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Murder at Dawn (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Mark of the Spur (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • 45 Calibre Echo (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Human Targets (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • The Mystery Trooper (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Hell's Angels(1930)

    Aerial Camera

    Midcredits score: 80th percentile of all films

  • The Black Ace (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • The Bronc Stomper (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • The Apache Raider (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • The Boss of Rustler's Roost (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • Bulldog Courage (not in the MovieCove catalog yet)(1922)

    Director

  • With Stanley in Africa (not in the MovieCove catalog yet)(1922)

    Director

  • Man Trackers (not in the MovieCove catalog yet)(1921)

    Director · Writer

  • The Diamond Queen (not in the MovieCove catalog yet)(1921)

    Director

  • The Vanishing Dagger (not in the MovieCove catalog yet)(1920)

    Director

  • The Face in the Watch (not in the MovieCove catalog yet)(1919)

    Director

  • The Sleeping Lion (not in the MovieCove catalog yet)(1919)

    Cinematographer

  • Who Killed Walton? (not in the MovieCove catalog yet)(1918)

    Cinematographer

  • The Desire of the Moth (not in the MovieCove catalog yet)(1917)

    Cinematographer

  • The Charmer (not in the MovieCove catalog yet)(1917)

    Cinematographer

  • Polly Redhead (not in the MovieCove catalog yet)(1917)

    Cinematographer

  • The Measure of a Man (not in the MovieCove catalog yet)(1916)

    Cinematographer

  • The Social Buccaneer (not in the MovieCove catalog yet)(1916)

    Cinematographer

Career shape

A full career of 43 titles from 1916 to 1989.

Most popular right now

The New Adventures of Tarzan (1935)

By role

only this rolewith another role
Directing10 of 43: 7 only directing, 3 with another roleWriting1 of 43: 0 only writing, 1 with another roleCinematography33 of 43: 31 only cinematography, 2 with another role · typical Midcredits score27thEditing1 of 43: 1 only editing, 0 with another roleOther crew1 of 43: 1 only other crew, 0 with another role

43 titles, 3 with more than one role — cinematography and directing overlap on 2 of them.

By decade

1910s8 · crew1920s9 · crew1930s18 · crew1940s7 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Edward A. Kull's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of the 21 of 23 with a score; across their 21 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 21

Approval · how many liked their films

17thpercentile
Typical film, the median of 21

Reach · how many have seen their films

6thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 75th and up1
  • 25th to 49th8
  • Below 25th12

Shape of the crowd

19 of their 21 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Mixed19

Most divisive · cinematographer

Riders of the Sage (1939)

74th percentile spread · 41% rated it 4 or lower

Most loved · cinematographer

A Boy, a Girl and a Dog (1946)

Midcredits 43rd · 43% liked

Reviewers score the cinematography 43/100 in their films, across 10 reviewed titles; fans 58, detractors 34. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edward A. Kull work with?

People who share at least 2 of Edward A. Kull's MovieCove titles, grouped by what they did on them; Charles King shares the most, 8.

Directors

Writers

Actors

Editors

Producers

Mixed roles