Maria Köpf

What are Maria Köpf's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Maria Köpf's films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service.

• AMC+4 titles, browse their movies on this service
  • Department Q: The Keeper of Lost Causes (2013) · producer
  • Department Q: The Absent One (2014) · producer
  • Department Q: A Conspiracy of Faith (2016) · producer
  • Mammoth (2009) · producer
• The Roku Channel2 titles, browse their movies on this service
  • Into the White (2012) · producer · free
  • Paris, Je T'aime (2006) · producer · free
• Tubi2 titles, browse their movies on this service
  • A Royal Affair (2012) · producer · free
  • Paris, Je T'aime (2006) · producer · free
• Hulu1 title, browse their movies on this service
  • Run Lola Run (1998) · producer
• Pluto TV1 title, browse their movies on this service
  • Paris, Je T'aime (2006) · producer · free
• Prime Video1 title, browse their movies on this service
  • Into the White (2012) · producer

Subscription and free streaming for Maria Köpf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Department Q: A Conspiracy of Faith(2016)

  Executive Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Department Q: The Absent One(2014)

  Co-Producer

  Midcredits score: 86th percentile of all films86^th
• 

  The 11th Hour(2014)

  Producer

  Midcredits score: 16th percentile of all films16^th
• 

  Department Q: The Keeper of Lost Causes(2013)

  Co-Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Du bist dran (not in the MovieCove catalog yet)(2013)

  Production Controller
• 

  A Royal Affair(2012)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Into the White(2012)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Love Is All You Need(2012)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Summer Window (not in the MovieCove catalog yet)(2011)

  Producer
• 

  Storm (not in the MovieCove catalog yet)(2009)

  Executive Producer
• 

  Mammoth(2009)

  Co-Producer

  Midcredits score: 67th percentile of all films67^th
• 

  The Swimsuit Issue(2008)

  Co-Producer

  Midcredits score: 38th percentile of all films38^th
• 

  Max Minsky and Me(2007)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  A Friend of Mine (not in the MovieCove catalog yet)(2006)

  Producer
• 

  Paris, Je T'aime(2006)

  Executive Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  True (not in the MovieCove catalog yet)(2004)

  Producer
• 

  Learning to Lie (not in the MovieCove catalog yet)(2003)

  Producer
• 

  Heaven(2002)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Never Mind the Wall (not in the MovieCove catalog yet)(2001)

  Producer
• 

  The Princess and the Warrior(2000)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Paul Is Dead (not in the MovieCove catalog yet)(2000)

  Producer
• 

  Run Lola Run(1998)

  Executive Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Winter Sleepers (not in the MovieCove catalog yet)(1997)

  Executive Producer

Career shape

A full career of 18 titles from 1997 to 2016.

Biggest box office

Love Is All You Need (2012)

$17M worldwide

Highest rated

Run Lola Run (1998)

Midcredits 95^th

How do Maria Köpf's films land?

Their typical MovieCove film has a Midcredits score in the 84^th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

9 of their 14 titles are Crowd Pleasers.

39

• Universally Loved3
• Crowd Pleaser9
• Broadly Agreed1
• Mixed1

Most divisive · producer

The 11th Hour (2014)

59^th percentile spread · 36% rated it 4 or lower

Most loved · producer

Run Lola Run (1998)

Midcredits 95^th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Maria Köpf's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Maria Köpf work with?

People who share at least 2 of Maria Köpf's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 8.