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Peter Lalonde

Peter Lalonde

Producer and writer, also actor · Born January 1, 1960 (66) · North Bay, Ontario, Canada

The co-founder of the highly successful indie studio, Cloud Ten Pictures, Lalonde captured the attention of Hollywood and the business community with his avant-garde approach to the marketing and promotion of his movies. One of his most notable strategies was a reverse tactic by which Cloud Ten released the mega-hit Left Behind (2000) on video three months before it's theatrical release. The film, featuring Growing Pains star 'Kirk Cameron', sold over 3 million copies, becoming the number one selling video in America in November of 2000. It won the Video Software Dealers Association's (VSDA) "Best Selling Title of the Year from an Independent Studio" and "Sell-through Title of the Year by an Independent Studio." Lalonde has earned nominations for the "Ernst & Young Entrepreneur of the Year Award", "Canada's 50 Best Managed Companies" and "Canada's Outstanding CEO of the Year Awards".

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Biography from TMDB.

Born
January 1, 1960 (66)
From
North Bay, Ontario, Canada
Works as
Producer and writer, also actor
Titles
7 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 9% in 30 days

What are Peter Lalonde's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Power.

Genres

Action3 titlesTypical Midcredits score: 20th percentile
: browse their Action movies
Documentary2 titlesTypical Midcredits score: 26th percentile, at or above their average across these genres
: browse their Documentary movies
Drama2 titlesTypical Midcredits score: 25th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
52%
Power
17%
Morality
11%
Survival
9%
Ideas
9%
Bonds
3%
Faith7 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 1 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
6
Contemplative
3
Hopeful
4
Melancholic
1

How their films linger

Hopeful6 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Lalonde's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Peter Lalonde's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Left Behind III: World at War(2005)

    Producer · Writer

    Midcredits score: 20th percentile of all films

  • Left Behind II: Tribulation Force(2002)

    Producer

    Midcredits score: 26th percentile of all films

  • Judgment(2001)

    Executive Producer · Screenplay

    Midcredits score: 27th percentile of all films

  • Left Behind: The Movie(2000)

    Executive Producer

    Midcredits score: 18th percentile of all films

  • Tribulation(2000)

    Producer · Screenplay

    Midcredits score: 22nd percentile of all films

  • Revelation (not in the MovieCove catalog yet)(1999)

    Producer · Writer

  • For Those Who Remain (not in the MovieCove catalog yet)(1999)

    Actor

  • Apocalypse: Caught in the Eye of the Storm (not in the MovieCove catalog yet)(1998)

    Producer · Writer

  • Last Days: Hype or Hope? (not in the MovieCove catalog yet)(1998)

    Executive Producer · Writer

  • The Mark of the Beast(1997)

    Executive Producer · Writer

    Midcredits score: 41st percentile of all films (provisional, few ratings)

  • Racing Toward... the Mark of the Beast (not in the MovieCove catalog yet)(1996)

    Executive Producer · Writer · as Self

  • Final Warning (not in the MovieCove catalog yet)(1995)

    Writer

  • Startling Proofs(1995)

    Casting · Executive Producer · Writer · as Self

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Left Behind (not in the MovieCove catalog yet)(1994)

    Executive Producer · Writer · as Self

  • The Omega Letter Presents: New World Order (not in the MovieCove catalog yet)(1991)

    Executive Producer · Script · as Self

  • The Games Children Play (not in the MovieCove catalog yet)(1990)

    Executive Producer · Writer · as Self

Career shape

A full career of 16 titles from 1990 to 2005.

Biggest box office

Left Behind: The Movie (2000)

$4.2M worldwide

Highest rated

Judgment (2001)

Midcredits 27th

Most popular right now

Left Behind III: World at War (2005)

By role

only this rolewith another role
Acting1 of 16: 1 only acting, 0 with another roleWriting12 of 16: 2 only writing, 10 with another role · typical Midcredits score22ndProducing13 of 16: 2 only producing, 11 with another role · typical Midcredits score24thOther crew2 of 16: 0 only other crew, 2 with another role

16 titles, 11 with more than one role — producing and writing overlap on 10 of them.

By decade

1990s11 · 1 acting · 10 crew2000s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Lalonde's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 13th percentile for acclaim.

Acclaim · how much people like their films

13thpercentile
Typical film, the median of 7

Approval · how many liked their films

33rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

58thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 25th to 49th3
  • Below 25th4

Shape of the crowd

5 of their 7 titles are Divisive.

  • Divisive5
  • Cult Classic2

Most divisive · writer, producer

The Mark of the Beast (1997)

99th percentile spread · 43% rated it 4 or lower

Most loved · writer, producer

Judgment (2001)

Midcredits 27th · 41% liked

Reviewers score the dialogue 26/100 and the plot and story 36/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Lalonde work with?

People who share at least 2 of Peter Lalonde's MovieCove titles, grouped by what they did on them; Paul Lalonde shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers