John Patus

What are John Patus' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Patus' films?

As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (12).

• Tubi12 titles, browse their movies on this service
  • Small Group (2018) · producer · free
  • Saul: The Journey to Damascus (2014) · writer · free
  • The Apostle Peter: Redemption (2016) · writer, producer · free
  • Left Behind: Rise of the Antichrist (2023) · writer · free
  • Judgment (2001) · producer · free
  • Left Behind II: Tribulation Force (2002) · writer · free
  • Left Behind III: World at War (2005) · writer · free
  • Rabid (2019) · producer · free
  • Joseph and Mary (2016) · producer · free
  • The Mark (2012) · writer · free
  • The Mark: Redemption (2013) · writer · free
  • Left Behind (2014) · writer · free
• Prime Video4 titles, browse their movies on this service
  • The Apostle Peter: Redemption (2016) · writer, producer
  • Left Behind: Rise of the Antichrist (2023) · writer
  • Left Behind II: Tribulation Force (2002) · writer
  • Left Behind III: World at War (2005) · writer

Subscription and free streaming for John Patus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  Left Behind: Rise of the Antichrist(2023)

  Writer

  Midcredits score: 28th percentile of all films28^th
• 

  Rabid(2019)

  Consulting Producer

  Midcredits score: 16th percentile of all films16^th
• 

  Small Group(2018)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  The Apostle Peter: Redemption(2016)

  Producer · Writer

  Midcredits score: 48th percentile of all films48^th
• 

  Joseph and Mary(2016)

  Producer

  Midcredits score: 14th percentile of all films14^th
• 

  Left Behind(2014)

  Screenplay

  Midcredits score: 1st percentile of all films1^st
• 

  Saul: The Journey to Damascus(2014)

  Screenplay

  Midcredits score: 69th percentile of all films69^th
• 

  The Mark: Redemption(2013)

  Writer

  Midcredits score: 6th percentile of all films6^th
• 

  The Mark(2012)

  Writer

  Midcredits score: 8th percentile of all films8^th
• 

  Left Behind III: World at War(2005)

  Writer

  Midcredits score: 20th percentile of all films20^th
• 

  Home Beyond the Sun(2004)

  Writer

  Midcredits score: 73rd percentile of all films (provisional, few ratings)~73^rd
• 

  Left Behind II: Tribulation Force(2002)

  Screenplay

  Midcredits score: 26th percentile of all films26^th
• 

  Deceived(2002)

  Writer

  Midcredits score: 6th percentile of all films6^th
• 

  Judgment(2001)

  Producer

  Midcredits score: 27th percentile of all films27^th

Career shape

A full career of 10 titles from 2002 to 2023.

Biggest box office

Left Behind (2014)

$27M worldwide

Highest rated

Left Behind: Rise of the Antichrist (2023)

Midcredits 28^th

Most popular right now

Left Behind (2014)

How do John Patus' films land?

Their typical MovieCove film has a Midcredits score in the 23^rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 12^th percentile for acclaim.

Shape of the crowd

6 of their 14 titles are Mixed.

536

• Divisive5
• Cult Classic3
• Mixed6

Most divisive · writer

Left Behind: Rise of the Antichrist (2023)

98^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Small Group (2018)

Midcredits 75^th · 79% liked

Reviewers score the dialogue 32/100 and the plot and story 36/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John Patus work with?

People who share at least 2 of John Patus' MovieCove titles, grouped by what they did on them; Paul Lalonde shares the most, 8.