William LeVanway
Editor · Died November 1, 1957, aged 61 · Portland - Oregon - USA
- September 7, 1896
- November 1, 1957 (aged 61)
- Portland - Oregon - USA
- Editor
- 11 on MovieCove · 25 credits in all
What are William LeVanway's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 8
A split, not a type: Light 5 · Serious 3 · Dark 2
Grounded 4 · Stylized 6 · Heightened 0
Gentle 3 · Charged 6 · Intense 1
A split, not a type: Steady 5 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 4
Slow burn 4 · Even-paced 5 · Relentless 1
Casual 9 · Engaged 0 · Full focus 1
Easy watch 5 · Affecting 4 · Heavy 1
Resolved 10 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William LeVanway's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for William LeVanway's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 11 with a MovieCove page.
An American in Paris(1951)
Midcredits score: 85th percentile of all films
Fury(1936)
Midcredits score: 97th percentile of all films
A Night at the Opera(1935)
Midcredits score: 95th percentile of all films
China Seas(1935)
Midcredits score: 73rd percentile of all films
Outcast Lady (not in the MovieCove catalog yet)(1934)
Speak Easily (not in the MovieCove catalog yet)(1932)
Emma(1932)
Midcredits score: 77th percentile of all films
Possessed(1931)
Midcredits score: 78th percentile of all films
This Modern Age(1931)
Midcredits score: 32nd percentile of all films
Shipmates (not in the MovieCove catalog yet)(1931)
Parlor, Bedroom and Bath(1931)
Midcredits score: 40th percentile of all films
Reducing (not in the MovieCove catalog yet)(1931)
War Nurse(1930)
Midcredits score: 41st percentile of all films
Doughboys(1930)
Midcredits score: 39th percentile of all films
Good News (not in the MovieCove catalog yet)(1930)
Free and Easy(1930)
Midcredits score: 30th percentile of all films
The Bishop Murder Case (not in the MovieCove catalog yet)(1929)
His Glorious Night (not in the MovieCove catalog yet)(1929)
Sioux Blood (not in the MovieCove catalog yet)(1929)
The Overland Telegraph (not in the MovieCove catalog yet)(1929)
Beyond the Sierras (not in the MovieCove catalog yet)(1928)
Tea For Three (not in the MovieCove catalog yet)(1927)
Body and Soul (not in the MovieCove catalog yet)(1927)
A Little Journey (not in the MovieCove catalog yet)(1927)
Monte Carlo (not in the MovieCove catalog yet)(1926)
Career shape
A full career of 25 titles from 1926 to 1951.
Biggest box office
Fury (1936)
Highest rated
Fury (1936)
Most popular right now
A Night at the Opera (1935)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William LeVanway's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up5
- 50th to 74th1
- 25th to 49th5
Shape of the crowd
4 of their 11 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser4
- Broadly Agreed2
- Mixed3
Reviewers score the pacing 49/100 in their films, across 10 reviewed titles; fans 56, detractors 31. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William LeVanway work with?
People who share at least 2 of William LeVanway's MovieCove titles, grouped by what they did on them; Buster Keaton shares the most, 4.
Directors
- Edward SedgwickShared titles: Parlor, Bedroom and Bath (1931), Doughboys (1930), Free and Easy (1930)See all 3 shared titles with Edward Sedgwick
- Clarence BrownShared titles: Emma (1932), Possessed (1931)See all 2 shared titles with Clarence Brown
Writers
- Al BoasbergShared titles: A Night at the Opera (1935), Doughboys (1930), Free and Easy (1930)See all 3 shared titles with Al Boasberg
- Buster KeatonShared titles: A Night at the Opera (1935), Parlor, Bedroom and Bath (1931), Doughboys (1930), Free and Easy (1930)See all 4 shared titles with Buster Keaton
- James Kevin McGuinnessShared titles: A Night at the Opera (1935), China Seas (1935)See all 2 shared titles with James Kevin McGuinness
- Richard SchayerShared titles: Doughboys (1930), Free and Easy (1930)See all 2 shared titles with Richard Schayer
Actors
- John MiljanShared titles: Emma (1932), Possessed (1931), Free and Easy (1930)See all 3 shared titles with John Miljan
- Clark GableShared titles: China Seas (1935), Possessed (1931)See all 2 shared titles with Clark Gable
- Cliff EdwardsShared titles: Parlor, Bedroom and Bath (1931), Doughboys (1930)See all 2 shared titles with Cliff Edwards
- Edward BrophyShared titles: Parlor, Bedroom and Bath (1931), Doughboys (1930)See all 2 shared titles with Edward Brophy
Composers and cinematographers
- Leonard SmithShared titles: Parlor, Bedroom and Bath (1931), Doughboys (1930), Free and Easy (1930)See all 3 shared titles with Leonard Smith
- Herbert StothartShared titles: A Night at the Opera (1935), China Seas (1935)See all 2 shared titles with Herbert Stothart
- Oliver T. MarshShared titles: Emma (1932), Possessed (1931)See all 2 shared titles with Oliver T. Marsh
- Charles RosherShared titles: This Modern Age (1931), War Nurse (1930)See all 2 shared titles with Charles Rosher
Producers
- Irving ThalbergShared titles: A Night at the Opera (1935), China Seas (1935), Possessed (1931)See all 3 shared titles with Irving Thalberg
- Harry RapfShared titles: Emma (1932), Possessed (1931)See all 2 shared titles with Harry Rapf
Mixed roles
- Edgar SelwynShared titles: Possessed (1931), War Nurse (1930)See all 2 shared titles with Edgar Selwyn
