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Edgar Selwyn

Edgar Selwyn

Writer, producer and director · Died February 13, 1944, aged 68 · Cincinnati, Ohio, USA

From Wikipedia, the free encyclopedia Edgar Selwyn (October 20, 1875 – February 13, 1944) was a prominent figure in American theater and film in the first half of the 20th Century. He co-founded Goldwyn Pictures in 1916. Born in Cincinnati, Ohio, Selwyn flourished in the Broadway theater as an actor, playwright, director, and producer from 1899 to 1942. With his brother Archibald Selwyn (November 3, 1877 - June 21, 1959) he founded the theatrical production company The Selwyns which produced plays on Broadway from 1919 to 1932 (see, e.g., Wedding Bells). The Selwyns owned several theatres in the United States including the Park Square Theatre in Boston; the Hanna Theatre in Cleveland, Ohio; the Selwyn in Chicago; and the Selwyn, Apollo, and Times Square theatres in New York City. Selwyn also worked in Hollywood, producing and directing eight films between 1929 and 1942. Among these was The Sin of Madelon Claudet which Selwyn directed for MGM in 1931. The film starred Helen Hayes, who won an Academy Award for her performance. In addition, Selwyn wrote two screenplays and many more films were adapted from his original plays. He died in Los Angeles, California.

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Biography from TMDB.

Born
October 20, 1875
Died
February 13, 1944 (aged 68)
From
Cincinnati, Ohio, USA
Works as
Writer, producer and director
Titles
7 on MovieCove · 33 credits in all
TMDB popularity, last 38 days to Oct 27Down 18% in 30 days

What are Edgar Selwyn's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 2

Grounded 7 · Stylized 0 · Heightened 0

Gentle 2 · Charged 4 · Intense 1

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced 3 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 5 · Relentless 0

Casual 5 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Tense
3
Joyful
2
Romantic
2
Bittersweet
2
Other
4

How their films end

  • Happy5
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edgar Selwyn's films?

As of October 24, 2026, none of Edgar Selwyn's 7 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Edgar Selwyn's titles on MovieCove; rent and buy are not counted.

Filmography

33 credits, 7 with a MovieCove page.

  • Pierre of the Plains(1942)

    Producer · Theatre Play

    Midcredits score: 8th percentile of all films
  • Washington Melodrama (not in the MovieCove catalog yet)(1941)

    Producer

  • Dulcy (not in the MovieCove catalog yet)(1940)

    Producer

  • The Golden Fleecing(1940)

    Producer

    Midcredits score: 40th percentile of all films
  • Joe and Ethel Turp Call on the President (not in the MovieCove catalog yet)(1939)

    Producer

  • Dancing Co-Ed (not in the MovieCove catalog yet)(1939)

    Producer

  • Bridal Suite (not in the MovieCove catalog yet)(1939)

    Producer

  • The Kid from Texas(1939)

    Producer

    Midcredits score: 19th percentile of all films
  • Baby Face Harrington (not in the MovieCove catalog yet)(1935)

    Producer · Theatre Play

  • Chained (not in the MovieCove catalog yet)(1934)

    Story

  • The Mystery of Mr. X (not in the MovieCove catalog yet)(1934)

    Director

  • Turn Back the Clock(1933)

    Director · Screenplay

    Midcredits score: 62nd percentile of all films
  • Men Must Fight (not in the MovieCove catalog yet)(1933)

    Director

  • Skyscraper Souls (not in the MovieCove catalog yet)(1932)

    Director

  • Possessed(1931)

    Theatre Play

    Midcredits score: 78th percentile of all films
  • Midcredits score: 59th percentile of all films
  • Men Call It Love (not in the MovieCove catalog yet)(1931)

    Director

  • War Nurse(1930)

    Director

    Midcredits score: 41st percentile of all films
  • The Girl in the Show (not in the MovieCove catalog yet)(1929)

    Director · Writer

  • Dancing Mothers (not in the MovieCove catalog yet)(1926)

    Original Story

  • Night Life of New York (not in the MovieCove catalog yet)(1925)

    Story

  • The Crowded Hour (not in the MovieCove catalog yet)(1925)

    Theatre Play

  • The Mirage (not in the MovieCove catalog yet)(1924)

    Screenplay

  • The Arab (not in the MovieCove catalog yet)(1924)

    Theatre Play

  • The Primitive Lover (not in the MovieCove catalog yet)(1922)

    Theatre Play

  • Lonely Heart (not in the MovieCove catalog yet)(1921)

    Story

  • For Better, for Worse (not in the MovieCove catalog yet)(1919)

    Theatre Play

  • Heart of the Wilds (not in the MovieCove catalog yet)(1918)

    Theatre Play

  • Dodging a Million (not in the MovieCove catalog yet)(1918)

    Story

  • Nearly Married (not in the MovieCove catalog yet)(1917)

    Theatre Play

  • Rolling Stones (not in the MovieCove catalog yet)(1916)

    Writer

  • The Country Boy (not in the MovieCove catalog yet)(1915)

    Screenplay

  • Pierre of the Plains (not in the MovieCove catalog yet)(1914)

    Writer · as Pierre

Career shape

A full career of 33 titles from 1914 to 1942.

By role

only this rolewith another role
Acting1 of 33: 0 only acting, 1 with another roleDirecting8 of 33: 6 only directing, 2 with another roleWriting20 of 33: 15 only writing, 5 with another roleProducing9 of 33: 7 only producing, 2 with another role

33 titles, 5 with more than one role — writing and producing overlap on 2 of them.

By decade

1910s7 · 1 acting · 7 crew1920s8 · crew1930s14 · crew1940s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Edgar Selwyn's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 7

Approval · how many liked their films

38thpercentile
Typical film, the median of 7

Reach · how many have seen their films

24thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

None of their 7 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed1

Reviewers score the dialogue 51/100 and the plot and story 49/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edgar Selwyn work with?

People who share at least 2 of Edgar Selwyn's MovieCove titles, grouped by what they did on them; Ben Hecht shares the most, 2.

Writers

Actors

Cinematographers and editors

Producers