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Van Ling is a visual effects supervisor, film producer and creator of DVD menus for many popular movies, including the Star Wars DVDs. Ling graduated summa cum laude from the USC School of Cinema-Television. He began his career as a visual effects supervisor for The Abyss and became head of production on Lightstorm Entertainment, for which he continued with many major motion pictures and television, including Titanic, Terminator 2: Judgment Day, The Walking Dead, Starship Troopers, Dr. Dolittle, Vanilla Sky and many others.[3] He had a brief cameo in James Cameron's 1997 blockbuster Titanic, as the Chinese man, who was in real-life, a Chinese passenger booked under the name of Fang Lang (original name Wing Sun Fong, 方榮山), whom Fifth Officer Harold Lowe rescued from the sea. Van is also an active member of the Visual Effect Branch of the Academy of Motion Picture Arts and Sciences, the Producers Guild of America and the Visual Effects Society, the latter in which he served six terms as Board of Directors. He wrote and directed Cliffs of Freedom, an indie drama film starring Christopher Plummer, Billy Zane, Lance Henriksen, Tania Raymonde, Jan Uddin, Raza Jaffrey, Patti LuPone, Costas Mandylor, and Kevin Corrigan. Description above from the Wikipedia article Van Ling, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Producer, director, actor, editor and writer
Titles
15 on Motif · 17 credits in all
TMDB popularity, last 65 days to Oct 28Up 15% in 30 days

What are Van Ling's films like?

Across their 7 Motif titles with a thematic analysis, their films lean Ideas and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 3

Grounded 4 · Stylized 3 · Heightened 0

Gentle 2 · Charged 3 · Intense 2

A split, not a type: Steady 3 · Shifting 4 · Whiplash 0

Straight-faced 5 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 5 · Full focus 1

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Warm
3
Contemplative
3
Melancholic
2
Hopeful
2
Other
5

How their films end · 1 with a twist

  • Happy3
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Van Ling's films?

As of October 24, 2026, 10 of their 15 Motif titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Van Ling's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 15 with a Motif page; 1 appearance as themselves is hidden until asked for.

  • Cliffs of Freedom(2019)

    Director · Screenplay

    Midcredits score: 61st percentile of all films
  • Last Man Standing(2011)

    Visual Effects Supervisor

    Midcredits score: 24th percentile of all films
  • No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects (not in the Motif catalog yet)(2003)

    Director · Producer

  • Not Another Teen Movie(2001)

    Visual Effects Supervisor

    Midcredits score: 36th percentile of all films
  • Midcredits score: 80th percentile of all films
  • Stir of Echoes(1999)

    Visual Effects Supervisor

    Midcredits score: 78th percentile of all films
  • Soldier(1998)

    Visual Effects Supervisor

    Midcredits score: 47th percentile of all films
  • Doctor Dolittle(1998)

    Visual Effects Supervisor

    Midcredits score: 23rd percentile of all films
  • Deep Rising(1998)

    Visual Effects Supervisor

    Midcredits score: 48th percentile of all films
  • Titanic(1997)

    Visual Effects Supervisor · as Chinese Man

    Midcredits score: 97th percentile of all films
  • Starship Troopers(1997)

    Visual Effects Supervisor

    Midcredits score: 89th percentile of all films
  • Men in Black(1997)

    Sound Designer

    Midcredits score: 92nd percentile of all films
  • Under Pressure: Making 'the Abyss'(1993)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • T2: More Than Meets the Eye(1993)

    Director · Editor · Writer

    Midcredits score: 60th percentile of all films
  • Terminator 2: Judgment Day(1991)

    Producer · Visual Effects Coordinator · as Cyberdyne Tech

    Midcredits score: 99th percentile of all films
  • The Abyss(1989)

    Producer

    Midcredits score: 92nd percentile of all films
  • The Man Who Loved Fat Dancing (not in the Motif catalog yet)(1986)

    Sound

Career shape

A full career of 17 titles from 1986 to 2019.

By role

only this rolewith another role
Acting2 of 17: 0 only acting, 2 with another roleDirecting4 of 17: 1 only directing, 3 with another roleWriting1 of 17: 0 only writing, 1 with another roleProducing5 of 17: 2 only producing, 3 with another roleEditing1 of 17: 0 only editing, 1 with another roleOther crew11 of 17: 9 only other crew, 2 with another role · typical Midcredits score63rd

17 titles, 5 with more than one role — other crew and producing overlap on 1 of them.

By decade

1980s2 · crew1990s10 · 2 acting · 10 crew2000s3 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Van Ling's films land?

Their typical Motif film has a Midcredits score in the 78th percentile, the median of all 15; across their 7 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 7

Approval · how many liked their films

87thpercentile
Typical film, the median of 7

Reach · how many have seen their films

49thpercentile
Typical film, the median of 7

Midcredits score across 15 titles, by percentile

  • 75th and up8
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th2

Reviewers score the atmosphere 73/100 and the pacing 59/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Van Ling work with?

People who share at least 2 of Van Ling's Motif titles, grouped by what they did on them; James Cameron shares the most, 3.

Directors

Actors

Composers and editors

Producers

Mixed roles