- Editor and producer
- 21 on MovieCove · 24 credits in all
What are Bert Lovitt's films like?
Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 17
A split, not a type: Light 11 · Serious 4 · Dark 5
A split, not a type: Grounded 10 · Stylized 9 · Heightened 1
Gentle 4 · Charged 8 · Intense 8
Steady 6 · Shifting 13 · Whiplash 1
A split, not a type: Straight-faced 12 · Some laughs 5 · Funny 3
Slow burn 5 · Even-paced 11 · Relentless 4
Casual 14 · Engaged 5 · Full focus 1
Easy watch 9 · Affecting 8 · Heavy 3
Resolved 17 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet5
- Ambiguous5
- Cyclical3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bert Lovitt's films?
As of October 24, 2026, 11 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Bert Lovitt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 21 with a MovieCove page.
Midcredits score: 89th percentile of all films
Midcredits score: 16th percentile of all films
The Effects of Magic(1998)
Midcredits score: 8th percentile of all films
Midcredits score: 72nd percentile of all films
Midcredits score: 17th percentile of all films
Cutthroat Island(1995)
Midcredits score: 34th percentile of all films
Best of the Best II(1993)
Midcredits score: 36th percentile of all films
RoboCop 3(1993)
Midcredits score: 4th percentile of all films
Sliver(1993)
Midcredits score: 14th percentile of all films
Predator 2(1990)
Midcredits score: 50th percentile of all films
Days of Thunder(1990)
Midcredits score: 51st percentile of all films
Great Balls of Fire!(1989)
Midcredits score: 48th percentile of all films
Imagine: John Lennon(1988)
Midcredits score: 97th percentile of all films
Amazon Women on the Moon(1987)
Midcredits score: 49th percentile of all films
Prince Jack (not in the MovieCove catalog yet)(1985)
Midcredits score: 79th percentile of all films (provisional, few ratings)
It Came from Hollywood(1982)
Midcredits score: 42nd percentile of all films
The Beast Within(1982)
Midcredits score: 25th percentile of all films
Harry's War (not in the MovieCove catalog yet)(1981)
A Force of One(1979)
Midcredits score: 17th percentile of all films
Midcredits score: 86th percentile of all films
New York, New York(1977)
Midcredits score: 66th percentile of all films
Italianamerican(1974)
Midcredits score: 95th percentile of all films
Birds Do It, Bees Do It (not in the MovieCove catalog yet)(1974)
Career shape
A full career of 17 titles from 1974 to 1998.
Biggest box office
Days of Thunder (1990)
Highest rated
Imagine: John Lennon (1988)
Most popular right now
Predator 2 (1990)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Bert Lovitt's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 21; across their 20 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th6
- Below 25th6
Shape of the crowd
10 of their 21 titles are Mixed.
- Universally Loved3
- Universally Panned1
- Crowd Pleaser5
- Broadly Agreed2
- Mixed10
Reviewers score the pacing 51/100 in their films, across 18 reviewed titles; fans 61, detractors 33. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Bert Lovitt's work okay for kids?
Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Bert Lovitt work with?
People who share at least 2 of Bert Lovitt's MovieCove titles, grouped by what they did on them; Andrew Solt shares the most, 3.
Directors
- Andrew SoltShared titles: Imagine: John Lennon (1988), E.T. and Friends: Magical Movie Visitors (1982), It Came from Hollywood (1982)See all 3 shared titles with Andrew Solt
- Phillip RheeShared titles: Best of the Best 4: Without Warning (1998), Best of the Best 3: No Turning Back (1995), Best of the Best II (1993)See all 3 shared titles with Phillip Rhee
- Stephen HopkinsShared titles: The Ghost and the Darkness (1996), Predator 2 (1990)See all 2 shared titles with Stephen Hopkins
- Malcolm LeoShared titles: E.T. and Friends: Magical Movie Visitors (1982), It Came from Hollywood (1982)See all 2 shared titles with Malcolm Leo
Writers
- Mardik MartinShared titles: American Boy: A Profile of Steven Prince (1978), Italianamerican (1974)See all 2 shared titles with Mardik Martin
Actors
- CCH PounderShared titles: RoboCop 3 (1993), Sliver (1993)See all 2 shared titles with CCH Pounder
Cinematographers and editors
- Robert BrownShared titles: The Ghost and the Darkness (1996), The Beast Within (1982)See all 2 shared titles with Robert Brown
- Vilmos ZsigmondShared titles: The Ghost and the Darkness (1996), Sliver (1993)See all 2 shared titles with Vilmos Zsigmond
- Florent RetzShared titles: Cutthroat Island (1995), Best of the Best II (1993)See all 2 shared titles with Florent Retz
- Peter LevyShared titles: Cutthroat Island (1995), Predator 2 (1990)See all 2 shared titles with Peter Levy
Producers
- Frank GiustraShared titles: Best of the Best 4: Without Warning (1998), Best of the Best 3: No Turning Back (1995), Best of the Best II (1993)See all 3 shared titles with Frank Giustra
- Peter E. StraussShared titles: Best of the Best 4: Without Warning (1998), Best of the Best 3: No Turning Back (1995), Best of the Best II (1993)See all 3 shared titles with Peter E. Strauss
- Deborah ScottShared titles: Best of the Best 3: No Turning Back (1995), Best of the Best II (1993)See all 2 shared titles with Deborah Scott
- Jane BartelmeShared titles: Cutthroat Island (1995), RoboCop 3 (1993)See all 2 shared titles with Jane Bartelme