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Deborah Scott

Producer and writer

Works as
Producer and writer
Titles
5 on MovieCove · 7 credits in all
TMDB popularity, last 38 days to Oct 27Down 43% in 30 days

What are Deborah Scott's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
44%
Morality
17%
Self
12%
Society
12%
Power
11%
Ideas
3%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 2 · Heightened 0

Gentle 1 · Charged 3 · Intense 1

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 5 · Engaged 0 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Romantic
2
Warm
2
Triumphant
2
Hopeful
1
Other
2

How their films end

  • Happy4
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Deborah Scott's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Deborah Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • Best of the Best 3: No Turning Back(1995)

    Producer · Screenplay

    Midcredits score: 17th percentile of all films
  • Best of the Best II(1993)

    Co-Producer

    Midcredits score: 36th percentile of all films
  • Face the Music(1993)

    Producer

    Midcredits score: 16th percentile of all films
  • The Minister's Wife(1992)

    Co-Producer

    Midcredits score: 6th percentile of all films (provisional, few ratings)
  • Anemone Me (not in the MovieCove catalog yet)(1990)

    Production Design

  • Best of the Best(1989)

    Associate Producer

    Midcredits score: 58th percentile of all films
  • Witchcraft (not in the MovieCove catalog yet)(1988)

    as Linda

Career shape

A full career of 6 titles from 1988 to 1995.

Film career

  • 1988Screen debut· Witchcraft

By role

only this rolewith another role
Acting1 of 6: 1 only acting, 0 with another roleWriting1 of 6: 1 only writing, 0 with another roleProducing3 of 6: 3 only producing, 0 with another roleOther crew1 of 6: 1 only other crew, 0 with another role

By decade

1980s2 · 1 acting · 1 crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Deborah Scott's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 5

Approval · how many liked their films

12thpercentile
Typical film, the median of 5

Reach · how many have seen their films

69thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th3

Reviewers score the dialogue 29/100 and the plot and story 29/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Deborah Scott's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 20 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Deborah Scott work with?

People who share at least 2 of Deborah Scott's MovieCove titles, grouped by what they did on them; Phillip Rhee shares the most, 3.

Directors

Writers

Actors

Editors

Producers