Charles Lumbroso
- Producer
- 3 on MovieCove · 4 credits in all
What are Charles Lumbroso's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
A split, not a type: Casual 2 · Engaged 0 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Charles Lumbroso's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).
Subscription and free streaming for Charles Lumbroso's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
Second Wind(1966)
Midcredits score: 97th percentile of all films
Three Rooms in Manhattan(1965)
Midcredits score: 54th percentile of all films
Nutty, Naughty Chateau (not in the MovieCove catalog yet)(1963)
Magnet of Doom(1963)
Midcredits score: 61st percentile of all films
Career shape
A full career of 4 titles from 1963 to 1966.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Charles Lumbroso's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Charles Lumbroso work with?
People who share at least 2 of Charles Lumbroso's MovieCove titles, grouped by what they did on them; Jean-Pierre Melville shares the most, 2.
Directors
- Jean-Pierre MelvilleShared titles: Second Wind (1966), Magnet of Doom (1963)See all 2 shared titles with Jean-Pierre Melville
Writers
- Georges SimenonShared titles: Three Rooms in Manhattan (1965), Magnet of Doom (1963)See all 2 shared titles with Georges Simenon
Editors
- Monique BonnotShared titles: Second Wind (1966), Magnet of Doom (1963)See all 2 shared titles with Monique Bonnot