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Monique Bonnot

Editor

Works as
Editor
Titles
12 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Monique Bonnot's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Crime5 titlesTypical Midcredits score: 96th percentile, at or above their average across these genres
: browse their Crime movies
Drama3 titlesTypical Midcredits score: 63rd percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
31%
Bonds
20%
Self
18%
Power
15%
Survival
10%
Society
5%
Deception3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 3 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 6 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 6 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 4 · Full focus 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Cold
3
Contemplative
4
Melancholic
3
Bittersweet
2
Other
10

How their films linger

Haunting6 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Tragic6
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Monique Bonnot's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (5).

Also on these channels

Subscription and free streaming for Monique Bonnot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • Jeu de dames (not in the MovieCove catalog yet)(1973)

    Editor

  • The Christmas Tree(1969)

    Editor

    Midcredits score: 63rd percentile of all films

  • Mayerling(1968)

    Editor

    Midcredits score: 49th percentile of all films

  • Le Samouraï(1967)

    Editor

    Midcredits score: 98th percentile of all films

  • Second Wind(1966)

    Editor

    Midcredits score: 97th percentile of all films

  • The Poppy Is Also a Flower(1966)

    Editor

    Midcredits score: 27th percentile of all films

  • Magnet of Doom(1963)

    Editor

    Midcredits score: 61st percentile of all films

  • Le Doulos(1962)

    Editor

    Midcredits score: 96th percentile of all films

  • Adieu Philippine(1962)

    Editor

    Midcredits score: 77th percentile of all films

  • A Monkey in Winter(1962)

    Editor

    Midcredits score: 93rd percentile of all films

  • Two Men in Manhattan(1959)

    Editor

    Midcredits score: 65th percentile of all films

  • Bob le Flambeur(1956)

    Editor

    Midcredits score: 94th percentile of all films

  • Air of Paris(1954)

    Assistant Editor

    Midcredits score: 68th percentile of all films

  • The Strange Ones (not in the MovieCove catalog yet)(1950)

    Editor

  • 24 Hours in the Life of a Clown (not in the MovieCove catalog yet)(1946)

    Editor

Career shape

A full career of 15 titles from 1946 to 1973.

Biggest box office

Le Samouraï (1967)

$345K worldwide

Highest rated

Le Samouraï (1967)

Midcredits 98th

By role

only this rolewith another role
Editing14 of 15: 14 only editing, 0 with another role · typical Midcredits score77thOther crew1 of 15: 1 only other crew, 0 with another role

By decade

1940s1 · crew1950s4 · crew1960s9 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Monique Bonnot's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 11

Approval · how many liked their films

74thpercentile
Typical film, the median of 11

Reach · how many have seen their films

77thpercentile
Typical film, the median of 11

Midcredits score across 12 titles, by percentile

  • 75th and up6
  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

6 of their 12 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser6
  • Mixed1

Most divisive · editor

The Poppy Is Also a Flower (1966)

63rd percentile spread · 27% rated it 4 or lower

Most loved · editor

Le Samouraï (1967)

Midcredits 98th · 86% liked

Reviewers score the pacing 41/100 in their films, across 10 reviewed titles; fans 52, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Monique Bonnot work with?

People who share at least 2 of Monique Bonnot's MovieCove titles, grouped by what they did on them; Jean-Pierre Melville shares the most, 6.

Directors

Actors

Composers, cinematographers and editors

Producers