Luciano Luna
- Producer
- 7 on MovieCove
What are Luciano Luna's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 5
A split, not a type: Light 1 · Serious 1 · Dark 5
Grounded 1 · Stylized 4 · Heightened 2
Gentle 1 · Charged 3 · Intense 3
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 5 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 3 · Relentless 0
A split, not a type: Casual 2 · Engaged 5 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 3
A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet2
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Luciano Luna's films?
As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Luciano Luna's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Sparrow(1993)
Midcredits score: 74th percentile of all films
Midcredits score: 20th percentile of all films
The Future Is Woman(1984)
Midcredits score: 36th percentile of all films
The Story of Piera(1983)
Midcredits score: 44th percentile of all films
The Girl from Trieste(1982)
Midcredits score: 37th percentile of all films
Street Law(1974)
Midcredits score: 73rd percentile of all films
Watch Out, We're Mad(1974)
Midcredits score: 91st percentile of all films
Career shape
Across their 7 MovieCove titles from 1974 to 1993.
How do Luciano Luna's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
- Below 25th1
Shape of the crowd
5 of their 7 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Luciano Luna work with?
People who share at least 2 of Luciano Luna's MovieCove titles, grouped by what they did on them; Mario Cecchi Gori shares the most, 4.
Directors
- Marco FerreriShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Marco Ferreri
Writers
- Dacia MarainiShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Dacia Maraini
- Piera Degli EspostiShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Piera Degli Esposti
Actors
- Hanna SchygullaShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Hanna Schygulla
- Maurizio DonadoniShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Maurizio Donadoni
- Ornella MutiShared titles: The Future Is Woman (1984), The Girl from Trieste (1982)See all 2 shared titles with Ornella Muti
- Romano PuppoShared titles: The Girl from Trieste (1982), Street Law (1974)See all 2 shared titles with Romano Puppo
Composers, cinematographers and editors
- Ennio GuarnieriShared titles: Sparrow (1993), The Story of Piera (1983)See all 2 shared titles with Ennio Guarnieri
- Alfio ContiniShared titles: Joan Lui: Ma un giorno nel paese arrivo io di lunedì (1985), The Girl from Trieste (1982)See all 2 shared titles with Alfio Contini
- Ruggero MastroianniShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Ruggero Mastroianni
- Guido De AngelisShared titles: Street Law (1974), Watch Out, We're Mad (1974)See all 2 shared titles with Guido De Angelis
Producers
- Mario Cecchi GoriShared titles: Sparrow (1993), Joan Lui: Ma un giorno nel paese arrivo io di lunedì (1985), Street Law (1974), Watch Out, We're Mad (1974)See all 4 shared titles with Mario Cecchi Gori
- Achille ManzottiShared titles: The Future Is Woman (1984), The Story of Piera (1983), The Girl from Trieste (1982)See all 3 shared titles with Achille Manzotti
- Vittorio Cecchi GoriShared titles: Sparrow (1993), Joan Lui: Ma un giorno nel paese arrivo io di lunedì (1985)See all 2 shared titles with Vittorio Cecchi Gori
- Erwin C. DietrichShared titles: The Future Is Woman (1984), The Story of Piera (1983)See all 2 shared titles with Erwin C. Dietrich
