Dacia Maraini

What are Dacia Maraini's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dacia Maraini's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

• MGM+1 title, browse their movies on this service
  • Arabian Nights (1974) · writer
• Tubi1 title, browse their movies on this service
  • Arabian Nights (1974) · writer · free

Subscription and free streaming for Dacia Maraini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Future Is Woman(1984)

  Writer

  Midcredits score: 36th percentile of all films36^th
• 

  The Story of Piera(1983)

  Writer

  Midcredits score: 44th percentile of all films44^th
• 

  Arabian Nights(1974)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  Diary of a Telephone Operator(1969)

  Writer

  Midcredits score: 26th percentile of all films26^th

Career shape

Across a limited sample of 4 MovieCove titles from 1969 to 1984.

Biggest box office

Arabian Nights (1974)

$755 worldwide

Highest rated

Arabian Nights (1974)

Midcredits 71^st

How do Dacia Maraini's films land?

Their typical MovieCove film has a Midcredits score in the 40^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 41^st percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Crowd Pleaser1
• Mixed3

Most divisive · writer

The Future Is Woman (1984)

61^st percentile spread · 28% rated it 4 or lower

Most loved · writer

Arabian Nights (1974)

Midcredits 71^st · 62% liked

Reviewers score the plot and story 25/100 in their films, across 3 reviewed titles; fans 37, detractors 15. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dacia Maraini work with?

People who share at least 2 of Dacia Maraini's MovieCove titles, grouped by what they did on them; Marco Ferreri shares the most, 2.