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Jerry Bresler

Producer · Died August 23, 1977, aged 69 · Denver, Colorado, USA

Oscar winner

From Wikipedia, the free encyclopedia Jerry Bresler (Jerome S. Bresler: April 13, 1908 in Denver, Colorado – August 23, 1977 in Los Angeles) was an American film producer. He won an Oscar in 1944 as co-producer for Heavenly Music (Best Short Subject, Two-reel) and in 1945 for Stairway to Light (Best Short Subject, one-reel). He began his film career as a production supervisor. In the late 1930s, he joined MGM as a unit manager and worked on the Dr. Kildare series and other films. After his success with short films (the two Academy Awards, and three other nominations), he began to work on features, producing such films as Richard Fleischer's movie The Vikings in 1958, Sam Peckinpah's Major Dundee (1965) and the James Bond spoof Casino Royale in 1967, and his final film, Pussycat, Pussycat, I Love You. It was the post-production interference at Columbia Pictures on Major Dundee which for a time gave Bresler a reputation as a studio hatchet-man. The more complicated history of the production has become known over the years, and the editing of the film is seen as one part of that history. In 1965, he was a member of the jury at the 15th Berlin International Film Festival.

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Biography from TMDB.

Born
April 13, 1908
Died
August 23, 1977 (aged 69)
From
Denver, Colorado, USA
Works as
Producer
Titles
15 on MovieCove · 30 credits in all
TMDB popularity, last 156 days to Oct 27Down 2% in 30 days

What are Jerry Bresler's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 4 · Dark 5

A split, not a type: Grounded 9 · Stylized 3 · Heightened 2

A split, not a type: Gentle 2 · Charged 5 · Intense 7

Steady 5 · Shifting 8 · Whiplash 1

A split, not a type: Straight-faced 9 · Some laughs 3 · Funny 2

Slow burn 4 · Even-paced 9 · Relentless 1

A split, not a type: Casual 8 · Engaged 6 · Full focus 0

A split, not a type: Easy watch 7 · Affecting 3 · Heavy 4

Resolved 12 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
5
Absurd
2
Romantic
2
Thrilling
2
Other
16

How their films end · 4 with a twist

  • Happy6
  • Bittersweet6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jerry Bresler's films?

As of October 24, 2026, 5 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Jerry Bresler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 15 with a MovieCove page.

  • Midcredits score: 5th percentile of all films
  • Casino Royale(1967)

    Producer

    Midcredits score: 14th percentile of all films
  • Major Dundee(1965)

    Producer

    Midcredits score: 71st percentile of all films
  • Love Has Many Faces(1965)

    Producer

    Midcredits score: 19th percentile of all films
  • Gidget Goes to Rome(1963)

    Producer

    Midcredits score: 21st percentile of all films
  • Diamond Head(1962)

    Producer

    Midcredits score: 38th percentile of all films
  • Because They're Young(1960)

    Producer

    Midcredits score: 35th percentile of all films
  • Startime (not in the MovieCove catalog yet)(1959)

    Show 1 episode · Conductor · Songs

  • The Vikings(1958)

    Producer

    Midcredits score: 82nd percentile of all films
  • Lizzie (not in the MovieCove catalog yet)(1957)

    Producer

  • Spring Reunion(1956)

    Producer

    Midcredits score: 27th percentile of all films
  • Assignment: Paris (not in the MovieCove catalog yet)(1952)

    Producer

  • The Mob(1951)

    Producer

    Midcredits score: 83rd percentile of all films
  • The Flying Missile (not in the MovieCove catalog yet)(1950)

    Producer

  • Convicted (not in the MovieCove catalog yet)(1950)

    Producer

  • Abandoned (not in the MovieCove catalog yet)(1949)

    Producer

  • An Act of Murder(1948)

    Producer

    Midcredits score: 74th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Singapore (not in the MovieCove catalog yet)(1947)

    Producer

  • The Web (not in the MovieCove catalog yet)(1947)

    Producer

  • The Arnelo Affair (not in the MovieCove catalog yet)(1947)

    Producer

  • Bewitched(1945)

    Producer

    Midcredits score: 27th percentile of all films
  • Midcredits score: 23rd percentile of all films
  • Main Street Today (not in the MovieCove catalog yet)(1944)

    Producer

  • Kid Glove Killer (not in the MovieCove catalog yet)(1942)

    Unit Manager

  • Love Crazy(1941)

    Unit Manager

    Midcredits score: 87th percentile of all films
  • Nick Carter, Master Detective (not in the MovieCove catalog yet)(1939)

    Unit Manager

  • Fast and Furious (not in the MovieCove catalog yet)(1939)

    Unit Manager

  • Miracles for Sale (not in the MovieCove catalog yet)(1939)

    Unit Manager

  • Stronger Than Desire (not in the MovieCove catalog yet)(1939)

    Unit Manager

Career shape

A full career of 28 titles from 1939 to 1970.

By role

only this rolewith another role
Producing21 of 28: 21 only producing, 0 with another role · typical Midcredits score33rdOther crew7 of 28: 7 only other crew, 0 with another role

By decade

1930s4 · crew1940s11 · crew1950s7 · crew1960s5 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

an Oscar from 3 major nominations, 1944–1947.

WinNomination
  1. 1947
    • Oscar, nominated · Best Short Subject, Two-reel
  2. 1945
    • Oscar, nominated · Best Short Subject, Two-reel
  3. 1944
    • Oscar, won · Best Short Subject, Two-reel

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Jerry Bresler's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 14

Approval · how many liked their films

33rdpercentile
Typical film, the median of 14

Reach · how many have seen their films

46thpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 75th and up4
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jerry Bresler's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 18 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jerry Bresler work with?

People who share at least 2 of Jerry Bresler's MovieCove titles, grouped by what they did on them; Daniele Amfitheatrof shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers