
Marina Malfatti
Actor · Died June 8, 2016, aged 83 · Florence, Tuscany, Italy
Marina Malfatti was an Italian actress born on April 25, 1933 in Florence, Tuscany, Italy. She was known for her roles in horror and mystery films such as All the Colors of the Dark (1972), The Bloodstained Lawn (1973) and Sherlock Holmes (1968). She died on June 8, 2016 in Rome, Italy.
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Biography from TMDB.
- April 25, 1933
- June 8, 2016 (aged 83)
- Florence, Tuscany, Italy
- Actor
- 8 on MovieCove · 35 credits in all
Known for
What are Marina Malfatti's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
Light 1 · Serious 5 · Dark 2
Grounded 0 · Stylized 5 · Heightened 3
Gentle 0 · Charged 5 · Intense 3
Steady 1 · Shifting 7 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 6 · Relentless 0
Casual 2 · Engaged 6 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 2
A split, not a type: Resolved 4 · Open-ended 2 · Ambiguous 2
Roles they play
Usually the Shapeshifter: 2 of 3 analyzed roles.
- Shapeshifteras Gladys Cunningham in The Night Evelyn Came Out of the Grave (1971)
- Shapeshifteras Franziska Wildenbrück in The Red Queen Kills Seven Times (1972)
- Allyas Norma Murrayson in A Noose Is Waiting for You Trinity (1972)
Moods and endings
- Happy2
- Bittersweet3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marina Malfatti's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Marina Malfatti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
35 credits, 8 with a MovieCove page.
A rischio d'amore (not in the MovieCove catalog yet)(1994)

Il prigioniero (not in the MovieCove catalog yet)(1978)

Il Fauno di marmo (not in the MovieCove catalog yet)(1977)

L'Ultimo Aereo per Venezia (not in the MovieCove catalog yet)(1977)

Lezioni di violoncello con toccata e fuga (not in the MovieCove catalog yet)(1976)

The Balloon Vendor (not in the MovieCove catalog yet)(1974)

A Black Ribbon for Deborah (not in the MovieCove catalog yet)(1974)

Malombra (not in the MovieCove catalog yet)(1974)

Man with the Golden Winchester (not in the MovieCove catalog yet)(1973)

The Bloodstained Lawn (not in the MovieCove catalog yet)(1973)

Without Warning (not in the MovieCove catalog yet)(1973)

The Night of the Last Day (not in the MovieCove catalog yet)(1973)
Midcredits score: 23rd percentile of all films
Alexander Zwo (not in the MovieCove catalog yet)(1972)
Midcredits score: 65th percentile of all films
The Last Decameron: Adultery in 7 Easy Lessons (not in the MovieCove catalog yet)(1972)
Midcredits score: 68th percentile of all films
Midcredits score: 48th percentile of all films
Head Down, Feet Up (not in the MovieCove catalog yet)(1972)

Savage Guns (not in the MovieCove catalog yet)(1971)
Midcredits score: 38th percentile of all films
The Fourth Victim(1971)
Midcredits score: 25th percentile of all films
Per amore o per forza (not in the MovieCove catalog yet)(1971)

The Damned Of The Earth (not in the MovieCove catalog yet)(1969)

Run, Psycho, Run (not in the MovieCove catalog yet)(1968)

More Than a Miracle(1967)
Midcredits score: 50th percentile of all films
Pronto... c'è una certa Giuliana per te (not in the MovieCove catalog yet)(1967)

The Weisenthal Mission (not in the MovieCove catalog yet)(1967)
Midcredits score: 49th percentile of all films
The Reckless (not in the MovieCove catalog yet)(1965)

Outlaws of Love (not in the MovieCove catalog yet)(1963)

A Man for Burning (not in the MovieCove catalog yet)(1962)

A Mistress for the Summer (not in the MovieCove catalog yet)(1960)

The Maids (not in the MovieCove catalog yet)(1959)
La macchina da scrivere (not in the MovieCove catalog yet)
Career shape
Star power in the 84th percentile of 239,109 people with a billed film role, over a full career of 35 titles, 34 of them dated from 1959 to 1994; peak year 1972.
Film career
Peak 1972 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1967Screen debut· More Than a Miracle
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Marina Malfatti's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 50th to 74th3
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed3
- Mixed1
Reviewers score the acting 60/100 in their films, across 7 reviewed titles; fans 68, detractors 37. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marina Malfatti's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Marina Malfatti work with?
People who share at least 2 of Marina Malfatti's MovieCove titles, grouped by what they did on them; Bruno Nicolai shares the most, 3.
Directors
- Emilio MiragliaShared titles: The Red Queen Kills Seven Times (1972), The Night Evelyn Came Out of the Grave (1971)See all 2 shared titles with Emilio Miraglia
Writers
- Fabio PittorruShared titles: The Red Queen Kills Seven Times (1972), The Night Evelyn Came Out of the Grave (1971)See all 2 shared titles with Fabio Pittorru
- Santiago MoncadaShared titles: They're Coming to Get You! (1972), The Fourth Victim (1971)See all 2 shared titles with Santiago Moncada
Composers and editors
- Bruno NicolaiShared titles: The Red Queen Kills Seven Times (1972), They're Coming to Get You! (1972), The Night Evelyn Came Out of the Grave (1971)See all 3 shared titles with Bruno Nicolai

- Eugenio AlabisoShared titles: Seven Blood-Stained Orchids (1972), They're Coming to Get You! (1972), The Fourth Victim (1971)See all 3 shared titles with Eugenio Alabiso

- Romeo CiattiShared titles: The Red Queen Kills Seven Times (1972), The Night Evelyn Came Out of the Grave (1971)See all 2 shared titles with Romeo Ciatti

