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Emilio Miraglia

Director and writer · Died August 26, 1982, aged 58 · Casarano, Lecce, Italy

Emilio Paolo Miraglia (1 January 1924 – 26 August 1982) was an Italian film director. He began working in film as a director's assistant and technician and worked on many B movies. Miraglia is known for his two early 1970s giallo films, The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times. He died in Rome in 1982, at age 58.

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Biography from TMDB.

Born
January 1, 1924
Died
August 26, 1982 (aged 58)
From
Casarano, Lecce, Italy
Works as
Director and writer
Titles
9 on MovieCove · 35 credits in all
TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Emilio Miraglia's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 0 · Serious 2 · Dark 1

A split, not a type: Grounded 1 · Stylized 0 · Heightened 2

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 2 · Full focus 1

A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Thrilling
2
Cold
1
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emilio Miraglia's films?

As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Emilio Miraglia's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 9 with a MovieCove page.

  • The Red Queen Kills Seven Times(1972)

    Director · Screenplay

    Midcredits score: 65th percentile of all films
  • Shoot Joe, and Shoot Again (not in the MovieCove catalog yet)(1972)

    Director · Writer

  • The Night Evelyn Came Out of the Grave(1971)

    Director · Screenplay

    Midcredits score: 38th percentile of all films
  • The Vatican Affair (not in the MovieCove catalog yet)(1968)

    Director

  • Frame Up (not in the MovieCove catalog yet)(1968)

    Director

  • Assassination(1967)

    Director

    Midcredits score: 19th percentile of all films
  • Come imparai ad amare le donne(1966)

    First Assistant Director

    Midcredits score: 16th percentile of all films
  • El Greco (not in the MovieCove catalog yet)(1966)

    Assistant Director

  • Kiss the Other Sheik(1965)

    Assistant Camera

    Midcredits score: 46th percentile of all films
  • Snow Job (not in the MovieCove catalog yet)(1965)

    First Assistant Director

  • Two Public Enemies (not in the MovieCove catalog yet)(1964)

    First Assistant Director

  • Easy Love (not in the MovieCove catalog yet)(1964)

    Assistant Director

  • Hercules Against the Sons of the Sun (not in the MovieCove catalog yet)(1964)

    First Assistant Director

  • The Twelve-Handed Men of Mars(1964)

    First Assistant Director

    Midcredits score: 11th percentile of all films
  • I cuori infranti (not in the MovieCove catalog yet)(1963)

    First Assistant Director

  • The Little Nuns (not in the MovieCove catalog yet)(1963)

    First Assistant Director

  • The Hours of Love (not in the MovieCove catalog yet)(1963)

    First Assistant Director

  • Crazy Desire(1962)

    First Assistant Director

    Midcredits score: 70th percentile of all films
  • His Women (not in the MovieCove catalog yet)(1961)

    First Assistant Director

  • The Fascist (not in the MovieCove catalog yet)(1961)

    First Assistant Director

  • The Policeman on Horseback (not in the MovieCove catalog yet)(1961)

    First Assistant Director

  • Gastone (not in the MovieCove catalog yet)(1960)

    Script Supervisor

  • Noi siamo 2 evasi (not in the MovieCove catalog yet)(1959)

    Script Supervisor

  • The Overtaxed (not in the MovieCove catalog yet)(1959)

    Script Supervisor

  • Il padrone delle ferriere (not in the MovieCove catalog yet)(1959)

    Script Supervisor

  • Totò in the Moon (not in the MovieCove catalog yet)(1958)

    Script Supervisor

  • Love on the Riviera (not in the MovieCove catalog yet)(1958)

    Script Supervisor

  • The Mine (not in the MovieCove catalog yet)(1958)

    First Assistant Director

  • Female Three Times (not in the MovieCove catalog yet)(1957)

    Script Supervisor

  • La ragazza di Via Veneto (not in the MovieCove catalog yet)(1955)

    Script Supervisor

  • Sins of Casanova(1955)

    Script Supervisor

    Midcredits score: 23rd percentile of all films
  • The Boarder (not in the MovieCove catalog yet)(1954)

    Script Supervisor

  • Totò e le donne(1952)

    Script Supervisor

    Midcredits score: 68th percentile of all films
  • Toto and the Kings of Rome (not in the MovieCove catalog yet)(1952)

    Script Supervisor

  • Totò Looking for a House (not in the MovieCove catalog yet)(1949)

    Script Supervisor

Career shape

A full career of 35 titles from 1949 to 1972.

By role

only this rolewith another role
Directing6 of 35: 3 only directing, 3 with another roleWriting3 of 35: 0 only writing, 3 with another roleOther crew29 of 35: 29 only other crew, 0 with another role · typical Midcredits score35th

35 titles, 3 with more than one role.

By decade

1940s1 · crew1950s12 · crew1960s19 · crew1970s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Emilio Miraglia's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 9; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 3

Approval · how many liked their films

32ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

70thpercentile
Typical film, the median of 3

Midcredits score across 9 titles, by percentile

  • 50th to 74th3
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

4 of their 9 titles are Mixed.

  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed4

Reviewers score the atmosphere 77/100 and the pacing 46/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Emilio Miraglia work with?

People who share at least 2 of Emilio Miraglia's MovieCove titles, grouped by what they did on them; Fabio Pittorru shares the most, 2.

Writers

Actors

Composers and editors