Skip to content
MovieCove
Rob Marshall

Rob Marshall

Director and producer, also actor · Born October 17, 1960 (66) · Madison, Wisconsin, USA

4 Primetime Emmys · Oscar nominee · Golden Globe nominee · 2 other major award bodies

Rob Marshall (born October 17, 1960) is an American theater director, film director and choreographer. He is a six-time Tony Award nominee, Academy Award nominee, Golden Globe nominee and four-time Emmy winner whose most noted work is the 2002 Academy Award Best Picture winner Chicago. Marshall was born in Madison, Wisconsin and raised in Pittsburgh, Pennsylvania. He debuted in the film industry with the Emmy Award-wining TV adaptation of the musical Annie by Charles Strouse and Martin Charnin. After that he went on to direct the much anticipated adaptation of the Kander and Ebb musical Chicago in 2002 for which he was nominated for an Academy Award for Best Director. His next feature film was the drama Memoirs of a Geisha based on the best-selling book of the same name by Arthur Golden starring Zhang Ziyi, Gong Li, Michelle Yeoh and Ken Watanabe. The film went on to win three Academy Awards and gross $162,242,962 at the worldwide box office. In 2009, Marshall directed Nine, an adaptation of the hit Broadway production with the same name starring Daniel Day-Lewis, Marion Cotillard, Nicole Kidman, Sophia Loren and Penélope Cruz, who was nominated for an Academy Award for Best Supporting Actress. Marshall then went on to direct Pirates of the Caribbean: On Stranger Tides, the fourth chapter of Disney's Pirates of the Caribbean film series starring Johnny Depp, Ian McShane, Penélope Cruz and Geoffrey Rush, which is set to open on May 20, 2011. Description above from the Wikipedia article Rob Marshall, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Read more

Biography from TMDB.

Born
October 17, 1960 (66)
From
Madison, Wisconsin, USA
Works as
Director and producer, also actor
Titles
11 on MovieCove · 14 credits in all

What are Rob Marshall's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 4 · Dark 0

A split, not a type: Grounded 2 · Stylized 2 · Heightened 7

Gentle 4 · Charged 6 · Intense 1

Steady 6 · Shifting 4 · Whiplash 1

Straight-faced 4 · Some laughs 5 · Funny 2

Slow burn 5 · Even-paced 5 · Relentless 1

Casual 6 · Engaged 4 · Full focus 1

Resolved 9 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Warm
5
Romantic
4
Melancholic
4
Hopeful
3
Other
9

How their films end

  • Happy6
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rob Marshall's films?

As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for Rob Marshall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page; 14 appearances as themselves are hidden until asked for.

  • The Little Mermaid(2023)

    Director · Producer

    Midcredits score: 43rd percentile of all films
  • Mary Poppins Returns(2018)

    Director · Choreographer · Producer · Story

    Midcredits score: 66th percentile of all films
  • Into the Woods(2014)

    Director · Producer

    Midcredits score: 41st percentile of all films
  • Chicago in the Spotlight: A Retrospective with the Cast and Crew (not in the MovieCove catalog yet)(2014)

    Director · as Self

  • Midcredits score: 63rd percentile of all films
  • Nine(2009)

    Director · Choreographer · Producer

    Midcredits score: 33rd percentile of all films
  • Tony Bennett: An American Classic(2006)

    Director · Executive Producer

    Midcredits score: 91st percentile of all films
  • Memoirs of a Geisha(2005)

    Director

    Midcredits score: 89th percentile of all films
  • Chicago(2002)

    Director · Choreographer

    Midcredits score: 90th percentile of all films
  • Annie(1999)

    Director · Choreographer

    Midcredits score: 70th percentile of all films
  • Cinderella(1997)

    Choreographer

    Midcredits score: 77th percentile of all films
  • Mrs. Santa Claus(1996)

    Choreographer

    Midcredits score: 66th percentile of all films
  • Victor/Victoria (not in the MovieCove catalog yet)(1996)

    Choreographer

  • Guys and Dolls (not in the MovieCove catalog yet)

    Director · Producer · Screenplay

Career shape

A full career of 14 titles, 13 of them dated from 1996 to 2023.

By role

only this rolewith another role
Directing11 of 14: 3 only directing, 8 with another role · typical Midcredits score66thWriting2 of 14: 0 only writing, 2 with another roleProducing6 of 14: 0 only producing, 6 with another role · typical Midcredits score43rdOther crew7 of 14: 3 only other crew, 4 with another role · typical Midcredits score68th

14 titles, 8 with more than one role — directing and other crew overlap on 4 of them.

By decade

1990s4 · crew2000s4 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

4 Primetime Emmys and 2 other major awards from 14 major nominations, 1997–2019.

WinNomination
  1. 2019
    • BAFTA Award, nominated · Feature Film
  2. 2007
    • Primetime Emmy, won · Outstanding Choreography
    • Primetime Emmy, won · Outstanding Directing for a Variety, Music or Comedy Program
    • Primetime Emmy, won · Outstanding Variety, Music or Comedy Special
    • +1 other major body · 1 win
      • Directors Guild Award, won · Outstanding Directorial Achievement in Musical/Variety
  3. 2003
    • Oscar, nominated · Best Director
    • Golden Globe, nominated · Best Director - Motion Picture
    • BAFTA Award, nominated
    • +1 other major body · 1 win
      • Directors Guild Award, won · Outstanding Directorial Achievement in Motion Pictures
  4. 2000
    • Primetime Emmy, won · Outstanding Choreography
    • Primetime Emmy, nominated · Outstanding Directing for a Miniseries, Movie or a Special
    • +1 other major body · 1 nomination
      • Directors Guild Award, nominated · Outstanding Directorial Achievement in Musical/Variety
  5. 1998
    • Primetime Emmy, nominated · Outstanding Choreography
  6. 1997
    • Primetime Emmy, nominated · Outstanding Choreography

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Rob Marshall's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 11

Approval · how many liked their films

68thpercentile
Typical film, the median of 11

Reach · how many have seen their films

91stpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th3

Reviewers score the atmosphere 68/100 and the pacing 47/100 in their films, across 10 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Rob Marshall's work okay for kids?

Across up to 7 MovieCove titles with content scores, profanity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles5–51 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles15–47 · median 38 · moderatenear the median of all filmsMedian of all films: 32
Profanity7 titles9–42 · median 24 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs7 titles3–46 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles18–49 · median 42 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Rob Marshall work with?

People who share at least 2 of Rob Marshall's MovieCove titles, grouped by what they did on them; Dion Beebe shares the most, 7.

Writers

Actors

Cinematographers and editors

Producers

Mixed roles