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Wyatt Smith

Wyatt Smith

Editor · Born November 12, 1974 (51) · New York, New York, U.S

Primetime Emmy nominee · 1 other major award body

Wyatt Smith (born November 12, 1974) is an American editor. Born in New York City, Smith's early career began in the music world. In the early 1990s, he began working at Sony Music Studios in New York. Coming from a musical background — his father was a roadie — he gained early exposure to entertainment production. Over time, he built a reputation cutting live concerts, music videos, and music‑related documentaries for high‑profile artists. In 2006, he edited the television special Tony Bennett: An American Classic — directed by Rob Marshall — for which he was nominated for a Primetime Emmy Award for Outstanding Picture Editing for a Special (Single or Multi‑Camera). That collaboration with Marshall would prove pivotal for Smith's transition into feature films. Smith's first major feature‑film credit came in 2009 with the musical film Nine, co‑edited with Claire Simpson. That same film earned him a nomination for the Critics' Choice Movie Award for Best Editing. Over the following years, Smith became known for editing a broad range of high-profile films. His credits include Pirates of the Caribbean: On Stranger Tides (2011), Thor: The Dark World (2013), 300: Rise of an Empire (2014), and Doctor Strange (2016). In 2014, he edited the musical-fantasy film Into the Woods, directed by Rob Marshall. For his work on that film, he was nominated for the ACE Eddie Awards (Best Edited Feature Film – Comedy or Musical) by the American Cinema Editors. He also edited Harriet (2019), a biographical drama about Harriet Tubman. Throughout his career, Smith has spoken about how his background in music and his work on concerts and music videos helped shape his editing style — especially when working on musicals. He has described how, on a project like Into the Woods, he needed to balance song, dialogue, character, and pacing in a way that felt natural and emotionally honest.

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Biography from TMDB.

Born
November 12, 1974 (51)
From
New York, New York, U.S
Works as
Editor
Titles
14 on MovieCove · 19 credits in all

What are Wyatt Smith's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 3 · Dark 2

A split, not a type: Grounded 5 · Stylized 2 · Heightened 7

Gentle 3 · Charged 9 · Intense 2

Steady 7 · Shifting 7 · Whiplash 0

Straight-faced 6 · Some laughs 7 · Funny 1

A split, not a type: Slow burn 7 · Even-paced 5 · Relentless 2

Casual 8 · Engaged 5 · Full focus 1

A split, not a type: Easy watch 6 · Affecting 5 · Heavy 3

Resolved 12 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
6
Thrilling
5
Joyful
4
Melancholic
7
Hopeful
5
Other
14

How their films end · 2 with a twist

  • Happy5
  • Bittersweet8
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wyatt Smith's films?

As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for Wyatt Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 14 with a MovieCove page.

  • Midcredits score: 97th percentile of all films
  • The Little Mermaid(2023)

    Editor

    Midcredits score: 43rd percentile of all films
  • Harriet(2019)

    Editor

    Midcredits score: 77th percentile of all films
  • Lily + Mara (not in the MovieCove catalog yet)(2017)

    Associate Producer

  • Doctor Strange(2016)

    Editor

    Midcredits score: 94th percentile of all films
  • Midcredits score: 37th percentile of all films
  • Into the Woods(2014)

    Editor

    Midcredits score: 41st percentile of all films
  • Midcredits score: 44th percentile of all films
  • Midcredits score: 59th percentile of all films
  • Midcredits score: 66th percentile of all films
  • The Zen of Bennett(2012)

    Editor

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 63rd percentile of all films
  • Nine(2009)

    Editor

    Midcredits score: 33rd percentile of all films
  • Midcredits score: 91st percentile of all films
  • My Morning Jacket: Okonokos (not in the MovieCove catalog yet)(2006)

    Director · Editor

  • Elvis by the Presleys (not in the MovieCove catalog yet)(2005)

    Editor

  • DreamChaser Tour(2002)

    Editor

    Midcredits score: 41st percentile of all films
  • An All-Star Tribute to Joni Mitchell (not in the MovieCove catalog yet)(2000)

    Editor

  • This Will All Make Perfect Sense Someday (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 18 titles, 17 of them dated from 2000 to 2025.

By role

only this rolewith another role
Directing1 of 18: 0 only directing, 1 with another roleProducing1 of 18: 1 only producing, 0 with another roleEditing17 of 18: 16 only editing, 1 with another role · typical Midcredits score63rd

By decade

2000s5 · crew2010s10 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 2007–2010.

  1. 2010
    • Critics Choice Award, nominated · Best Editing
  2. 2007
    • Primetime Emmy, nominated · Outstanding Picture Editing for a Special (Single or Multi-Camera)

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Wyatt Smith's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 14

Approval · how many liked their films

56thpercentile
Typical film, the median of 14

Reach · how many have seen their films

94thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th6

Shape of the crowd

3 of their 14 titles are Divisive.

  • Universally Loved2
  • Loved with Detractors1
  • Divisive3
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed3

Reviewers score the pacing 49/100 in their films, across 12 reviewed titles; fans 57, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Wyatt Smith's work okay for kids?

Across up to 11 MovieCove titles with content scores, alcohol & drugs runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles6–67 · median 50 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity11 titles10–39 · median 23 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles12–61 · median 31 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles3–36 · median 15 · minimallighter than most filmsMedian of all films: 33
Frightening / Intense9 titles32–66 · median 46 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Wyatt Smith work with?

People who share at least 2 of Wyatt Smith's MovieCove titles, grouped by what they did on them; Rob Marshall shares the most, 5.

Directors

Actors

Cinematographers and editors

Producers