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Manuel Martínez Remís

Writer

Works as
Writer
Titles
3 on MovieCove · 13 credits in all
TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Manuel Martínez Remís' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 1 · Stylized 0 · Heightened 2

Gentle 0 · Charged 2 · Intense 1

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
3
Melancholic
1
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manuel Martínez Remís' films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Manuel Martínez Remís' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 3 with a MovieCove page.

  • Lucecita (not in the MovieCove catalog yet)(1976)

    Dialogue

  • Divorcio a la andaluza (not in the MovieCove catalog yet)(1975)

    Writer

  • Reverend's Colt(1970)

    Screenplay · Story

    Midcredits score: 10th percentile of all films
  • Quinto: Fighting Proud (not in the MovieCove catalog yet)(1969)

    Screenplay · Story

  • The Girl of the Nile (not in the MovieCove catalog yet)(1969)

    Writer

  • Midcredits score: 13th percentile of all films
  • Die Easy in Ghentar (not in the MovieCove catalog yet)(1967)

    Writer

  • The Magnificent Texan(1967)

    Screenplay

    Midcredits score: 12th percentile of all films
  • The Treasure of Makuba (not in the MovieCove catalog yet)(1967)

    Story

  • Suena el clarín (not in the MovieCove catalog yet)(1965)

    Story

  • El pecador y la bruja (not in the MovieCove catalog yet)(1964)

    Writer

  • Una chica de Chicago (not in the MovieCove catalog yet)(1960)

    Writer

  • Saeta (not in the MovieCove catalog yet)(1955)

    Writer

Career shape

A full career of 13 titles from 1955 to 1976.

By role

only this rolewith another role
Writing13 of 13: 13 only writing, 0 with another role

By decade

1950s1 · crew1960s9 · crew1970s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Manuel Martínez Remís' films land?

Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 17th percentile for acclaim.

Acclaim · how much people like their films

17thpercentile
Typical film, the median of 3

Approval · how many liked their films

9thpercentile
Typical film, the median of 3

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • Below 25th3

Shape of the crowd

None of their 3 titles divides audiences: 3 are Mixed.

  • Mixed3

Reviewers score the plot and story 37/100 in their films, across 3 reviewed titles; fans 47, detractors 22. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Manuel Martínez Remís work with?

People who share at least 2 of Manuel Martínez Remís' MovieCove titles, grouped by what they did on them; Antonio Gimeno shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors