Pablo Ripoll
- Cinematographer
- 5 on MovieCove · 50 credits in all
Known for
What are Pablo Ripoll's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
A split, not a type: Grounded 1 · Stylized 1 · Heightened 2
Gentle 0 · Charged 2 · Intense 2
Steady 0 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pablo Ripoll's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Pablo Ripoll's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
50 credits, 5 with a MovieCove page.

Casas Viejas (not in the MovieCove catalog yet)(1983)

El fontanero, su mujer... y otras cosas de meter (not in the MovieCove catalog yet)(1981)

Frigid Fantasies (not in the MovieCove catalog yet)(1981)

Forbidden Passion (not in the MovieCove catalog yet)(1980)

The Beginning at Fifteen (not in the MovieCove catalog yet)(1978)

Trauma (not in the MovieCove catalog yet)(1978)

Divorcio a la andaluza (not in the MovieCove catalog yet)(1975)

The Killer of Dolls (not in the MovieCove catalog yet)(1975)

Bloody Vacation (not in the MovieCove catalog yet)(1974)

Los fríos senderos del crimen (not in the MovieCove catalog yet)(1974)

Seven Jackals (not in the MovieCove catalog yet)(1974)

White Fang(1973)
Midcredits score: 43rd percentile of all films
The Specter of Terror (not in the MovieCove catalog yet)(1973)

Holy God, Here Comes the Passatore! (not in the MovieCove catalog yet)(1973)

Tombs of the Blind Dead(1972)
Midcredits score: 50th percentile of all filmsVivi ragazza vivi! (not in the MovieCove catalog yet)(1971)
Midcredits score: 13th percentile of all films
The Magnificent Texan(1967)
Midcredits score: 12th percentile of all films
The Treasure of Makuba (not in the MovieCove catalog yet)(1967)

A Few Dollars for Django(1966)
Midcredits score: 24th percentile of all films
Two Thousand Dollars for Coyote (not in the MovieCove catalog yet)(1966)

Massacre at Fort Grant (not in the MovieCove catalog yet)(1964)

Diferente (not in the MovieCove catalog yet)(1962)

Cradle Song (not in the MovieCove catalog yet)(1961)

Muchachas en vacaciones (not in the MovieCove catalog yet)(1958)

Cuatro en la frontera (not in the MovieCove catalog yet)(1958)

Angels at the Wheel (not in the MovieCove catalog yet)(1957)

También hay cielo sobre el mar (not in the MovieCove catalog yet)(1956)

El golfo que vio una estrella (not in the MovieCove catalog yet)(1955)

Los agentes del 5º grupo (not in the MovieCove catalog yet)(1955)

Los gamberros (not in the MovieCove catalog yet)(1954)

Lawless Mountain (not in the MovieCove catalog yet)(1953)

Fuego en la sangre (not in the MovieCove catalog yet)(1953)

La danza del corazón (not in the MovieCove catalog yet)(1952)

Persecución en Madrid (not in the MovieCove catalog yet)(1952)

El sistema Pelegrín (not in the MovieCove catalog yet)(1952)

Judas (not in the MovieCove catalog yet)(1952)

Criminal Brigade (not in the MovieCove catalog yet)(1950)

Historia de una escalera (not in the MovieCove catalog yet)(1950)

La familia Vila (not in the MovieCove catalog yet)(1950)

En un rincón de España (not in the MovieCove catalog yet)(1949)

Pacto de silencio (not in the MovieCove catalog yet)(1949)

El hombre de mundo (not in the MovieCove catalog yet)(1949)

Canción mortal (not in the MovieCove catalog yet)(1948)

El ángel gris (not in the MovieCove catalog yet)(1947)

Noche sin cielo (not in the MovieCove catalog yet)(1947)

Sinfonía del hogar (not in the MovieCove catalog yet)(1947)

Borrasca de celos (not in the MovieCove catalog yet)(1946)

¡Culpable! (not in the MovieCove catalog yet)(1945)

Fin de curso (not in the MovieCove catalog yet)(1943)
Career shape
A full career of 50 titles from 1943 to 1983.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Pablo Ripoll's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th3
Shape of the crowd
None of their 5 titles divides audiences: 3 are Mixed.
- Broadly Agreed2
- Mixed3
Reviewers score the cinematography 63/100 in their films, across 3 reviewed titles; fans 72, detractors 38. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pablo Ripoll work with?
People who share at least 2 of Pablo Ripoll's MovieCove titles; Manuel Martínez Remís shares the most, 2.
- Manuel Martínez RemísShared titles: God Was in the West, Too, at One Time (1968), The Magnificent Texan (1967)See all 2 shared titles with Manuel Martínez Remís
- Antonio GimenoShared titles: God Was in the West, Too, at One Time (1968), The Magnificent Texan (1967)See all 2 shared titles with Antonio Gimeno

