Samuel Marx was born on 26 January 1902. He was a producer and writer, known for Grounds for Marriage (1951), December Bride (1954) and Student Tour (1934). He died on 2 March 1992 in Los Angeles, California, USA.
Biography from IMDb.
- January 26, 1902
- March 2, 1992 (aged 90)
- Producer and writer, also actor
- 13 on MovieCove · 29 credits in all
What are Samuel Marx's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 5 · Serious 6 · Dark 1
Grounded 7 · Stylized 5 · Heightened 0
Gentle 1 · Charged 11 · Intense 0
Steady 2 · Shifting 10 · Whiplash 0
Straight-faced 7 · Some laughs 5 · Funny 0
Slow burn 4 · Even-paced 8 · Relentless 0
Casual 9 · Engaged 3 · Full focus 0
Easy watch 6 · Affecting 6 · Heavy 0
Resolved 12 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy10
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Samuel Marx's films?
As of October 24, 2026, 1 of their 13 MovieCove titles stream on a subscription or free service, on HBO Max (1).
Subscription and free streaming for Samuel Marx's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 13 with a MovieCove page; 4 appearances as themselves are hidden until asked for.
Midcredits score: 92nd percentile of all films
MGM: When the Lion Roars (not in the MovieCove catalog yet)(1992)
Midcredits score: 86th percentile of all films
The Ravine (not in the MovieCove catalog yet)(1969)

Damon and Pythias (not in the MovieCove catalog yet)(1962)

Northwest Passage (not in the MovieCove catalog yet)(1958)

The Thin Man (not in the MovieCove catalog yet)(1957)

Kiss of Fire(1955)
Midcredits score: 21st percentile of all films
Duel in the Jungle(1954)
Midcredits score: 33rd percentile of all films
Assignment: Paris (not in the MovieCove catalog yet)(1952)

Grounds for Marriage (not in the MovieCove catalog yet)(1951)

A Lady Without Passport(1950)
Midcredits score: 40th percentile of all films
The Beginning or the End(1947)
Midcredits score: 60th percentile of all films
Midcredits score: 42nd percentile of all films
Son of Lassie(1945)
Midcredits score: 56th percentile of all films
This Man's Navy(1945)
Midcredits score: 51st percentile of all films
Lassie Come Home(1943)
Midcredits score: 83rd percentile of all films
Apache Trail (not in the MovieCove catalog yet)(1942)

This Time for Keeps (not in the MovieCove catalog yet)(1942)

A Yank on the Burma Road(1942)
Midcredits score: 23rd percentile of all films
Unholy Partners (not in the MovieCove catalog yet)(1941)

Girls' School(1938)
Midcredits score: 38th percentile of all films
A Family Affair (not in the MovieCove catalog yet)(1937)

Sinner Take All (not in the MovieCove catalog yet)(1936)

The Longest Night (not in the MovieCove catalog yet)(1936)

Society Doctor(1935)
Midcredits score: 40th percentile of all films
Student Tour (not in the MovieCove catalog yet)(1934)

The Night Mayor (not in the MovieCove catalog yet)(1932)

Emergency (not in the MovieCove catalog yet)
Career shape
A full career of 25 titles, 24 of them dated from 1932 to 1992.

Biggest box office
Lassie Come Home (1943)

Highest rated
Elizabeth Taylor: The Lost Tapes (2024)

Most popular right now
Lassie Come Home (1943)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Samuel Marx's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th5
- Below 25th2
Shape of the crowd
None of their 13 titles divides audiences: 6 are Mixed.
- Crowd Pleaser5
- Broadly Agreed2
- Mixed6
Reviewers score the dialogue 47/100 and the plot and story 46/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Samuel Marx work with?
People who share at least 2 of Samuel Marx's MovieCove titles, grouped by what they did on them; Daniele Amfitheatrof shares the most, 3.
Directors
- George B. SeitzShared titles: A Yank on the Burma Road (1942), Society Doctor (1935)See all 2 shared titles with George B. Seitz

Writers
- Eric KnightShared titles: Son of Lassie (1945), Lassie Come Home (1943)See all 2 shared titles with Eric Knight
- Hugo ButlerShared titles: Lassie Come Home (1943), A Yank on the Burma Road (1942)See all 2 shared titles with Hugo Butler
Actors
- Roddy McDowallShared titles: Elizabeth Taylor: The Lost Tapes (2024), Lassie Come Home (1943)See all 2 shared titles with Roddy McDowall

- Steven GerayShared titles: Kiss of Fire (1955), A Lady Without Passport (1950)See all 2 shared titles with Steven Geray

- Beverly TylerShared titles: My Brother Talks to Horses (1947), The Beginning or the End (1947)See all 2 shared titles with Beverly Tyler

- Peter LawfordShared titles: My Brother Talks to Horses (1947), Son of Lassie (1945)See all 2 shared titles with Peter Lawford

Composers, cinematographers and editors
- Daniele AmfitheatrofShared titles: The Beginning or the End (1947), Lassie Come Home (1943), A Yank on the Burma Road (1942)See all 3 shared titles with Daniele Amfitheatrof
- Ben LewisShared titles: Son of Lassie (1945), Lassie Come Home (1943), Society Doctor (1935)See all 3 shared titles with Ben Lewis
- Lester WhiteShared titles: A Yank on the Burma Road (1942), Society Doctor (1935)See all 2 shared titles with Lester White
