
George Mathews
Actor · Died November 7, 1984, aged 73 · Brooklyn, New York, USA
Burly, craggy-faced tough guy actor George Mathews was brought up in Manhattan and educated in Brooklyn. He had an extensive career on stage, which began in the early 1930s after he failed to get a job with the US Post Office. Instead, he joined the WPA (Works Progress Administration) Theatre Program, a government agency that provided jobs for the unemployed on public works projects during the Depression. He first appeared on Broadway in the key role of Dynamite Jim in "Processional" (1937). With his broad face, strong eyebrows, gravelly voice and jutting lower lip, Mathews was invariably cast as heavies or hard-as-nails military types. He appeared to great effect on stage in 1942-43 as Sgt. Ruby in "The Eve of St. Mark" on Broadway, and repeated his role in the film version (The Eve of St. Mark (1944)), a perfect showcase for his screen personae. Not just a one-note "plug ugly", he was equally as effective at portraying comic toughs, which he did in Pat and Mike (1952), becoming the recipient of some judo action meted out by Katharine Hepburn; and the Garson Kanin-directed musical comedy 'Do Re Mi' (1960-62), as Fatso O'Rear, starring Phil Silvers. Mathews also acted in classical plays like "Antigone" (1946, as a guard) with Cedric Hardwicke and played Mitch in "A Streetcar Named Desire" (1949-50), going on tour with fellow cast members Uta Hagen and Anthony Quinn. This performance garnered some critical accolades from Brooks Atkinson of The New York Times. In 1950, he joined Tyrone Power in a sell-out London production of "Mister Roberts" at the Coliseum Theatre, playing the role of the captain. On screen, he was notable as the gambler Williams in the powerhouse drama The Man with the Golden Arm (1955) and as the sadistic Sheriff Bull Harper in the colorful western The Last Wagon (1956). Mathews also had a recurring role in the TV comedy series Glynis (1963), playing ex-cop Chick Rogers who aids and abets mystery writer and amateur sleuth Glynis Johns in solving a string of "whodunnits". In private life, Mathews was the antithesis of the ruffians he often portrayed on screen: amicable and intelligent. Outside of his profession, he was an avid chess player and often participated in international tournaments. He retired from the acting profession in 1972 and died in South Carolina in November 1984.
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Biography from IMDb.
- October 10, 1911
- November 7, 1984 (aged 73)
- Brooklyn, New York, USA
- Actor
- 20 on MovieCove · 42 credits in all
What are George Mathews' films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 8 · Serious 2 · Dark 3
Grounded 8 · Stylized 5 · Heightened 0
A split, not a type: Gentle 6 · Charged 5 · Intense 2
Steady 10 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 5 · Funny 3
Slow burn 5 · Even-paced 7 · Relentless 1
Casual 9 · Engaged 4 · Full focus 0
Easy watch 8 · Affecting 3 · Heavy 2
Resolved 13 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Shadow: 2 of 4 analyzed roles.
- Shadowas Capt. Meade in City Beneath the Sea (1953)
- Threshold guardianas Captain Henderson in Act of Love (1953)
- Shadowas Duke Fargoh in The Great Diamond Robbery (1954)
- Threshold guardianas Sheriff Bull Harper in The Last Wagon (1956)
Moods and endings
- Happy9
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Mathews' films?
As of October 24, 2026, 8 of their 20 MovieCove titles stream on a subscription or free service, most on Pluto TV (6).
Subscription and free streaming for George Mathews' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
42 credits, 20 with a MovieCove page.

Going Home (not in the MovieCove catalog yet)(1971)

Androcles and the Lion(1967)
Midcredits score: 57th percentile of all films (provisional, few ratings)
Glynis (not in the MovieCove catalog yet)(1963)

The Hole (not in the MovieCove catalog yet)(1962)

Dr. Kildare (not in the MovieCove catalog yet)(1961)

The Defenders (not in the MovieCove catalog yet)(1961)

Route 66(1960)
Midcredits score: 73rd percentile of all shows
Heller in Pink Tights(1960)
Midcredits score: 36th percentile of all filmsWinterset (not in the MovieCove catalog yet)(1959)

Adventures in Paradise (not in the MovieCove catalog yet)(1959)

Naked City(1958)
Midcredits score: 82nd percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
M Squad (not in the MovieCove catalog yet)(1957)

Have Gun, Will Travel (not in the MovieCove catalog yet)(1957)

The Fabulous Irishman (not in the MovieCove catalog yet)(1957)
Midcredits score: 84th percentile of all films
The Last Wagon(1956)
Midcredits score: 81st percentile of all films
The Proud Ones(1956)
Midcredits score: 77th percentile of all films
Midcredits score: 89th percentile of all films
Midcredits score: 96th percentile of all shows
The Honeymooners (not in the MovieCove catalog yet)(1955)
Midcredits score: 40th percentile of all films
Act of Love(1953)
Midcredits score: 60th percentile of all films
City Beneath the Sea(1953)
Midcredits score: 20th percentile of all films
Last of the Comanches(1953)
Midcredits score: 55th percentile of all films
Omnibus (not in the MovieCove catalog yet)(1952)

Yankee Buccaneer(1952)
Midcredits score: 35th percentile of all films
Sally and Saint Anne(1952)
Midcredits score: 58th percentile of all films
Pat and Mike(1952)
Midcredits score: 77th percentile of all films
Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)

Robert Montgomery Presents (not in the MovieCove catalog yet)(1950)

Suspense (not in the MovieCove catalog yet)(1949)

Studio One (not in the MovieCove catalog yet)(1948)
Seven Keys to Baldpate (not in the MovieCove catalog yet)(1946)

The Front Page (not in the MovieCove catalog yet)(1945)

The Great John L. (not in the MovieCove catalog yet)(1945)

The Corn Is Green(1945)
Midcredits score: 88th percentile of all films
The Open Door: The Story Of Foreman Jim Baxter And His Family (not in the MovieCove catalog yet)(1945)

The Eve of St. Mark (not in the MovieCove catalog yet)(1944)

X Marks the Spot (not in the MovieCove catalog yet)(1944)

Up in Arms(1944)
Midcredits score: 52nd percentile of all films
Stage Door Canteen(1943)
Midcredits score: 56th percentile of all films
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 42 titles from 1943 to 1971.
Film career
- 1952Screen debut· Pat and Mike
- 1962First top-billed film· The Hole
- 1962Career best· The Hole
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do George Mathews' films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up9
- 50th to 74th7
- 25th to 49th3
- Below 25th1
Shape of the crowd
10 of their 20 titles are Crowd Pleasers.
- Universally Loved4
- Divisive1
- Crowd Pleaser10
- Broadly Agreed4
- Mixed1
Reviewers score the acting 70/100 in their films, across 12 reviewed titles; fans 77, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Mathews work with?
People who share at least 2 of George Mathews' MovieCove titles, grouped by what they did on them; George Cukor shares the most, 2.
Directors
- George CukorShared titles: Heller in Pink Tights (1960), Pat and Mike (1952)See all 2 shared titles with George Cukor

Actors
- Kurt KasznarShared titles: Androcles and the Lion (1967), The Great Diamond Robbery (1954)See all 2 shared titles with Kurt Kasznar

- Anthony QuinnShared titles: Heller in Pink Tights (1960), City Beneath the Sea (1953)See all 2 shared titles with Anthony Quinn

- Robert RyanShared titles: The Proud Ones (1956), City Beneath the Sea (1953)See all 2 shared titles with Robert Ryan

- Rodolfo AcostaShared titles: The Proud Ones (1956), Yankee Buccaneer (1952)See all 2 shared titles with Rodolfo Acosta

Composers and editors
- Hugh S. FowlerShared titles: The Last Wagon (1956), The Proud Ones (1956)See all 2 shared titles with Hugh S. Fowler
- Lionel NewmanShared titles: The Last Wagon (1956), The Proud Ones (1956)See all 2 shared titles with Lionel Newman

- Edward CurtissShared titles: City Beneath the Sea (1953), Sally and Saint Anne (1952)See all 2 shared titles with Edward Curtiss
- Milton RosenShared titles: City Beneath the Sea (1953), Yankee Buccaneer (1952)See all 2 shared titles with Milton Rosen



