
Robert Ryan
Actor · Died July 11, 1973, aged 63 · Chicago, Illinois, USA
Robert Bushnell Ryan (November 11, 1909 – July 11, 1973) was an American actor who often played hardened cops and ruthless villains. Ryan was born in Chicago, Illinois, the first child of Timothy Ryan and his wife Mabel Bushnell Ryan. He graduated from Dartmouth College in 1932, having held the school's heavyweight boxing title all four years of his attendance. After graduation, the 6'4" Ryan found employment as a stoker on a ship, a WPA worker, and a ranch hand in Montana. Ryan attempted to make a career in show business as a playwright, but had to turn to acting to support himself. He studied acting in Hollywood and appeared on stage and in small film parts during the early 1940s. In January 1944, after securing a contract guarantee from RKO Radio Pictures, Ryan enlisted in the United States Marine Corps and served as a drill instructor at Camp Pendleton, in San Diego, California. At Camp Pendleton, he befriended writer and future director Richard Brooks, whose novel, The Brick Foxhole, he greatly admired. He also took up painting. Ryan's breakthrough film role was as an anti-Semitic killer in Crossfire (1947), a film noir based on Brooks's novel. The role won Ryan his sole career Oscar nomination, for Best Supporting Actor. From then on, Ryan's specialty was tough/tender roles, finding particular expression in the films of directors such as Nicholas Ray, Robert Wise and Sam Fuller. In Ray's On Dangerous Ground (1951) he portrayed a burnt-out city cop finding redemption while solving a rural murder. In Wise's The Set-Up (1949), he played an over-the-hill boxer who is brutally punished for refusing to take a dive. Other important films were Anthony Mann's western The Naked Spur, Sam Fuller's uproarious Japanese set gangland thriller House of Bamboo, Bad Day at Black Rock, and the socially conscious heist movie Odds Against Tomorrow. He also appeared in several all-star war films, including The Longest Day (1962) and Battle of the Bulge (1965), and The Dirty Dozen. He also played John the Baptist in MGM's Technicolor epic King of Kings (1961) and was the villainous Claggart in Peter Ustinov's adaptation of Billy Budd (1962). In his later years, Ryan continued playing significant roles in major films. Most notable of these were The Dirty Dozen, The Professionals (1966) and Sam Peckinpah's highly influential brutal western The Wild Bunch (1969). Ryan appeared several times on the Broadway stage. His credits there include Clash by Night, Mr. President and The Front Page, the comedy drama about newspapermen. He appeared in many television series as a guest star, including the role of Franklin Hoppy-Hopp in the 1964 episode "Who Chopped Down the Cherry Tree?" on the NBC medical drama about psychiatry, The Eleventh Hour. Similarly, he guest starred as Lloyd Osment in the 1964 episode "Better Than a Dead Lion" in the ABC psychiatric series, Breaking Point. In 1964, Ryan appeared with Warren Oates in the episode "No Comment" of CBS's short-lived drama about newspapers, The Reporter, starring Harry Guardino in the title role of journalist Danny Taylor. Ryan appeared five times (1956–1959) on CBS's Dick Powell's Zane Grey Theater and twice (1959 and 1961) on the Zane Grey spin-off Frontier Justice. He appeared three times (1962–1964) on the western Wagon Train.
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Biography from TMDB.
- November 11, 1909
- July 11, 1973 (aged 63)
- Chicago, Illinois, USA
- Actor
- 58 on MovieCove · 88 credits in all
What are Robert Ryan's films like?
Across their 50 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 46
Light 5 · Serious 13 · Dark 32
A split, not a type: Grounded 24 · Stylized 23 · Heightened 3
A split, not a type: Gentle 3 · Charged 23 · Intense 24
Steady 18 · Shifting 29 · Whiplash 3
Straight-faced 42 · Some laughs 6 · Funny 2
Slow burn 13 · Even-paced 35 · Relentless 2
Casual 14 · Engaged 33 · Full focus 3
Easy watch 11 · Affecting 21 · Heavy 18
Resolved 37 · Open-ended 10 · Ambiguous 3
Roles they play
Usually the Shadow: 16 of 45 analyzed roles.
Show the 45 rolesHide the roles
- Allyas Lefty O'Doyle in Behind the Rising Sun (1943)
- Heroas Joe Connors in Bombardier (1943)
- Heroas Capt. Dan Craig in Marine Raiders (1944)
- Shadowas Montgomery in Crossfire (1947)
- Heroas Scott in The Woman on the Beach (1947)
- Shadowas Sundance Kid in Return of the Bad Men (1948)
- Heroas Robert Lindley in Berlin Express (1948)
- Allyas Dr. Evans in The Boy with Green Hair (1948)
- Shadowas Joe Parkson in Act of Violence (1948)
- Heroas Bill 'Stoker' Thompson in The Set-Up (1949)
- Shadowas Smith Ohlrig in Caught (1949)
- Heroas Brad Collins in The Woman on Pier 13 (1949)
- Mentoras Nick in Born to Be Bad (1950)
- Allyas David McLean in The Secret Fury (1950)
- Heroas Capt. Carl 'Griff' Griffin in Flying Leathernecks (1951)
- Heroas Jim Wilson in On Dangerous Ground (1951)
- Shadowas Nick Scanlon in The Racket (1951)
- Shapeshifteras Earl Pfeiffer in Clash by Night (1952)
- Shadowas Dan Hammond in Horizons West (1952)
- Shadowas Ben Vandergroat in The Naked Spur (1953)
- Shapeshifteras Ben Vandergroat in The Naked Spur (1953)
- Heroas Brad Carlton in City Beneath the Sea (1953)
- Shadowas Reno Smith in Bad Day at Black Rock (1955)
- Shadowas Sandy Dawson in House of Bamboo (1955)
- Mentoras Nathan Stark in The Tall Men (1955)
- Heroas Bill Lonagan in Back from Eternity (1956)
- Heroas Marshal Cass Silver in The Proud Ones (1956)
- Mentoras Marshal Cass Silver in The Proud Ones (1956)
- Heroas Lt. Benson in Men in War (1957)
- Heroas Ty Ty Walden in God's Little Acre (1958)
- Heroas Blaise Starrett in Day of the Outlaw (1959)
- Shadowas Slater in Odds Against Tomorrow (1959)
- Shadowas John Claggart in Billy Budd (1962)
- Mentoras Gen. Grey in Battle of the Bulge (1965)
- Allyas Ehrengard in The Professionals (1966)
- Shadowas Charley Barker in The Busy Body (1967)
- Shadowas Ike Clanton in Hour of the Gun (1967)
- Mentoras Gov. Lem Carter in A Minute to Pray, a Second to Die (1967)
- Threshold guardianas General Carson in Anzio (1968)
- Shadowas Thornton in The Wild Bunch (1969)
- Shadowas Captain Nemo in Captain Nemo and the Underwater City (1969)
- Mentoras Cotton Ryan in Lawman (1971)
- Mentoras Charley Ellis in ...And Hope to Die (1972)
- Allyas Larry Slade in The Iceman Cometh (1973)
- Shadowas Mailer in The Outfit (1973)
Moods and endings
- Happy9
- Bittersweet32
- Tragic7
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Ryan's films?
As of October 24, 2026, 18 of their 58 MovieCove titles stream on a subscription or free service, most on Tubi (11).
- Day of the Outlaw (1959) · actor · free
- Men in War (1957) · actor · free
- The Iceman Cometh (1973) · actor · free
- Lawman (1971) · actor · free
- Battle of the Bulge (1965) · actor · free
- Hour of the Gun (1967) · actor · free
- The Boy with Green Hair (1948) · actor · free
- God's Little Acre (1958) · actor · free
- A Minute to Pray, a Second to Die (1967) · actor · free
- Anzio (1968) · actor · free
- Custer of the West (1967) · actor · free
Subscription and free streaming for Robert Ryan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
88 credits, 58 with a MovieCove page; 12 appearances as themselves are hidden until asked for.
Midcredits score: 62nd percentile of all films
The Iceman Cometh(1973)
Midcredits score: 83rd percentile of all films
Executive Action(1973)
Midcredits score: 69th percentile of all films
The Outfit(1973)
Midcredits score: 81st percentile of all films
The Man Without a Country (not in the MovieCove catalog yet)(1973)

Lolly-Madonna XXX(1973)
Midcredits score: 57th percentile of all films
...And Hope to Die(1972)
Midcredits score: 69th percentile of all films
The Love Machine (not in the MovieCove catalog yet)(1971)

Lawman(1971)
Midcredits score: 79th percentile of all films
The Reason Why (not in the MovieCove catalog yet)(1970)
Midcredits score: 31st percentile of all films
The Wild Bunch(1969)
Midcredits score: 97th percentile of all films
Anzio(1968)
Midcredits score: 38th percentile of all films
Midcredits score: 53rd percentile of all films
Custer of the West(1967)
Midcredits score: 37th percentile of all films
Hour of the Gun(1967)
Midcredits score: 68th percentile of all films
The Dirty Dozen(1967)
Midcredits score: 96th percentile of all films
The Busy Body(1967)
Midcredits score: 25th percentile of all films
The Professionals(1966)
Midcredits score: 90th percentile of all films
Battle of the Bulge(1965)
Midcredits score: 74th percentile of all films
The Secret Agents(1965)
Midcredits score: 23rd percentile of all films
The Crooked Road (not in the MovieCove catalog yet)(1965)

The Inheritance (not in the MovieCove catalog yet)(1964)
World War One (not in the MovieCove catalog yet)(1964)
World War I: The Complete Story (not in the MovieCove catalog yet)(1964)
A Regular Bouquet: Mississippi Summer (not in the MovieCove catalog yet)(1964)

Kraft Suspense Theatre (not in the MovieCove catalog yet)(1963)
Bob Hope Presents the Chrysler Theatre (not in the MovieCove catalog yet)(1963)

Billy Budd(1962)
Midcredits score: 96th percentile of all films
The Longest Day(1962)
Midcredits score: 96th percentile of all films
King of Kings(1961)
Midcredits score: 81st percentile of all films
The Canadians (not in the MovieCove catalog yet)(1961)

The Snows of Kilimanjaro (not in the MovieCove catalog yet)(1960)

Ice Palace (not in the MovieCove catalog yet)(1960)

Odds Against Tomorrow(1959)
Midcredits score: 91st percentile of all films
Day of the Outlaw(1959)
Midcredits score: 89th percentile of all films
Lonelyhearts (not in the MovieCove catalog yet)(1959)

God's Little Acre(1958)
Midcredits score: 63rd percentile of all films
The Great Gatsby (not in the MovieCove catalog yet)(1958)

Alcoa Theatre (not in the MovieCove catalog yet)(1957)
Goodyear Theatre (not in the MovieCove catalog yet)(1957)

Men in War(1957)
Midcredits score: 84th percentile of all films
Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)

Back from Eternity(1956)
Midcredits score: 64th percentile of all films
The Proud Ones(1956)
Midcredits score: 77th percentile of all films
The House Without a Name (not in the MovieCove catalog yet)(1956)

The Tall Men(1955)
Midcredits score: 70th percentile of all films
House of Bamboo(1955)
Midcredits score: 74th percentile of all films
Escape to Burma (not in the MovieCove catalog yet)(1955)

Bad Day at Black Rock(1955)
Midcredits score: 96th percentile of all films
Her Twelve Men (not in the MovieCove catalog yet)(1954)

About Mrs. Leslie (not in the MovieCove catalog yet)(1954)

Alaska Seas (not in the MovieCove catalog yet)(1954)

Inferno (not in the MovieCove catalog yet)(1953)

City Beneath the Sea(1953)
Midcredits score: 20th percentile of all films
The Naked Spur(1953)
Midcredits score: 89th percentile of all films
Horizons West(1952)
Midcredits score: 54th percentile of all films
Beware, My Lovely (not in the MovieCove catalog yet)(1952)

Clash by Night(1952)
Midcredits score: 80th percentile of all films
On Dangerous Ground(1951)
Midcredits score: 86th percentile of all films
The Racket(1951)
Midcredits score: 68th percentile of all films
Flying Leathernecks(1951)
Midcredits score: 56th percentile of all films
Best of the Badmen(1951)
Midcredits score: 42nd percentile of all films
Midcredits score: 52nd percentile of all films
Born to Be Bad(1950)
Midcredits score: 64th percentile of all films
The Woman on Pier 13(1949)
Midcredits score: 38th percentile of all films
The Secret Fury(1950)
Midcredits score: 61st percentile of all films
The Set-Up(1949)
Midcredits score: 96th percentile of all films
Caught(1949)
Midcredits score: 80th percentile of all films
Act of Violence(1948)
Midcredits score: 92nd percentile of all films
The Boy with Green Hair(1948)
Midcredits score: 67th percentile of all films
Return of the Bad Men(1948)
Midcredits score: 52nd percentile of all films
Berlin Express(1948)
Midcredits score: 72nd percentile of all films
Crossfire(1947)
Midcredits score: 86th percentile of all films
The Woman on the Beach(1947)
Midcredits score: 56th percentile of all films
Trail Street (not in the MovieCove catalog yet)(1947)

Marine Raiders(1944)
Midcredits score: 35th percentile of all films
Tender Comrade (not in the MovieCove catalog yet)(1944)

Gangway for Tomorrow (not in the MovieCove catalog yet)(1943)

The Iron Major (not in the MovieCove catalog yet)(1943)

Behind the Rising Sun(1943)
Midcredits score: 22nd percentile of all films
The Sky's the Limit(1943)
Midcredits score: 51st percentile of all films
Bombardier(1943)
Midcredits score: 41st percentile of all films
Texas Rangers Ride Again(1940)
Midcredits score: 37th percentile of all films
Midcredits score: 58th percentile of all films
Golden Gloves (not in the MovieCove catalog yet)(1940)

Queen of the Mob(1940)
Midcredits score: 48th percentile of all films
The Ghost Breakers(1940)
Midcredits score: 76th percentile of all films
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 88 titles from 1940 to 2002; peak year 1973.

Biggest box office
The Wild Bunch (1969)

Highest rated
The Wild Bunch (1969)

Most popular right now
The Longest Day (1962)
Film career
Peak 1973 · at the high point of their film career. Top draw in 32 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1940Screen debut· The Ghost Breakers
- 1949First top-billed film· The Set-Up
- 1949Breakout· The Set-Up
- 1949Career best· The Set-Up
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Robert Ryan's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 58; across their 50 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up22
- 50th to 74th23
- 25th to 49th10
- Below 25th3
Shape of the crowd
36 of their 58 titles are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser36
- Broadly Agreed10
- Mixed6
Reviewers score the acting 74/100 in their films, across 50 reviewed titles; fans 80, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Robert Ryan's work okay for kids?
Across up to 8 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Robert Ryan work with?
People who share at least 2 of Robert Ryan's MovieCove titles, grouped by what they did on them; Roy Webb shares the most, 7.
Directors
- Nicholas RayShared titles: Flying Leathernecks (1951), On Dangerous Ground (1951), The Racket (1951), Born to Be Bad (1950)See all 4 shared titles with Nicholas Ray

- Edward DmytrykShared titles: Anzio (1968), Crossfire (1947), Behind the Rising Sun (1943)See all 3 shared titles with Edward Dmytryk

- Anthony MannShared titles: God's Little Acre (1958), Men in War (1957), The Naked Spur (1953)See all 3 shared titles with Anthony Mann

- Mel FerrerShared titles: The Longest Day (1962), The Racket (1951), Born to Be Bad (1950), The Secret Fury (1950)See all 4 shared titles with Mel Ferrer

Writers
- Philip YordanShared titles: Battle of the Bulge (1965), Day of the Outlaw (1959), God's Little Acre (1958), Men in War (1957)See all 4 shared titles with Philip Yordan

- Donald E. WestlakeShared titles: The Outfit (1973), The Busy Body (1967)See all 2 shared titles with Donald E. Westlake

- Edward AnhaltShared titles: The Iceman Cometh (1973), Hour of the Gun (1967)See all 2 shared titles with Edward Anhalt

- Richard BrooksShared titles: The Professionals (1966), Crossfire (1947)See all 2 shared titles with Richard Brooks

Actors
- Lee MarvinShared titles: The Iceman Cometh (1973), The Dirty Dozen (1967), The Professionals (1966), Bad Day at Black Rock (1955)See all 4 shared titles with Lee Marvin

- Robert MitchumShared titles: Anzio (1968), The Longest Day (1962), The Racket (1951), Crossfire (1947)See all 4 shared titles with Robert Mitchum

- Burt LancasterShared titles: Executive Action (1973), Lawman (1971), The Professionals (1966)See all 3 shared titles with Burt Lancaster

- Aldo RayShared titles: ...And Hope to Die (1972), God's Little Acre (1958), Men in War (1957)See all 3 shared titles with Aldo Ray

Composers, cinematographers and editors
- Roy WebbShared titles: Clash by Night (1952), Flying Leathernecks (1951), The Secret Fury (1950), Crossfire (1947), Marine Raiders (1944), Behind the Rising Sun (1943), Bombardier (1943)See all 7 shared titles with Roy Webb

- Nicholas MusuracaShared titles: Clash by Night (1952), Born to Be Bad (1950), The Woman on Pier 13 (1949), Marine Raiders (1944), Bombardier (1943)See all 5 shared titles with Nicholas Musuraca

- Roland GrossShared titles: On Dangerous Ground (1951), The Set-Up (1949), The Woman on Pier 13 (1949), The Woman on the Beach (1947), The Sky's the Limit (1943)See all 5 shared titles with Roland Gross
- Lucien BallardShared titles: The Wild Bunch (1969), Hour of the Gun (1967), The Proud Ones (1956), Berlin Express (1948)See all 4 shared titles with Lucien Ballard

Producers
- Sidney HarmonShared titles: Battle of the Bulge (1965), Day of the Outlaw (1959), God's Little Acre (1958), Men in War (1957)See all 4 shared titles with Sidney Harmon
- Dore ScharyShared titles: Bad Day at Black Rock (1955), The Set-Up (1949), The Boy with Green Hair (1948)See all 3 shared titles with Dore Schary

- Sid RogellShared titles: On Dangerous Ground (1951), Born to Be Bad (1950), The Woman on Pier 13 (1949)See all 3 shared titles with Sid Rogell
- Jack J. GrossShared titles: The Woman on Pier 13 (1949), Return of the Bad Men (1948), The Woman on the Beach (1947)See all 3 shared titles with Jack J. Gross




