Gina Matthews

Producer and writer, also actor and director

Gina Matthews is an American film and television producer and writer, whose credits include the horror film Urban Legend, What Women Want, 13 Going on 30, and Isn't It Romantic. Description above from the Wikipedia article Gina Matthews, licensed under CC-BY-SA, full list of contributors on Wikipedia.

What are Gina Matthews' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama4 titles73^rd

Comedy3 titles55^th

Horror2 titles18^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

31%

Self

23%

Morality

16%

Society

16%

Survival

8%

Ideas

5%

Family bonds4 Identity4 Friendship3 Community4 Romantic love3 Prejudice2 Coming of age2

What they feel like to watch

their average across 11 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 1 · Earnest 9

Serious

Tone · Weight

lightdark

A split, not a type: Light 6 · Serious 3 · Dark 2

Grounded

Tone · Style

naturalisticheightened

Grounded 8 · Stylized 3 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 3 · Charged 6 · Intense 2

Shifting

Feel · Swings

steadyswings

A split, not a type: Steady 6 · Shifting 4 · Whiplash 1

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 3

Even-paced

Demand · Pace

slowrelentless

Slow burn 5 · Even-paced 6 · Relentless 0

Casual

Demand · Attention

casualfull focus

Casual 8 · Engaged 2 · Full focus 1

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 7 · Affecting 1 · Heavy 3

Resolved

Demand · Resolution

resolvedambiguous

Resolved 11 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful

7

Tense

5

Melancholic

6

Warm

4

Joyful

4

Other

10

How their films linger

Feel-good8 Hopeful8 Thought-provoking4 Fun2 Haunting2

How their films end · 2 with a twist

Happy6
Bittersweet5
Ambiguous2
Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gina Matthews' films?

As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Hallmark+ (3).

Also on these channels

Sony Pictures Core1 title, show their title on Sony Pictures Core
UP Faith & Family1 title, show their title on UP Faith & Family

Subscription and free streaming for Gina Matthews' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Reminders of Him(2026)
Producer
Midcredits score: 55th percentile of all films
The Rise: The Inaugural Season of the PWHL (not in the MovieCove catalog yet)(2026)
Executive Producer
The Rise (not in the MovieCove catalog yet)(2025)
Show 1 episode · Executive Producer
Happy Howlidays(2024)
Executive Producer
Midcredits score: 29th percentile of all films
Holidazed(2024)
Show 8 episodes · Director · Executive Producer · Writer
Midcredits score: 52nd percentile of all shows
Holiday Road(2023)
Executive Producer · Writer
Midcredits score: 79th percentile of all films
All My Life(2020)
Executive Producer
Midcredits score: 67th percentile of all films
Isn't It Romantic(2019)
Producer
Midcredits score: 34th percentile of all films
Saints & Strangers(2015)
Show 2 episodes · Executive Producer
Midcredits score: 46th percentile of all shows
The Gates(2010)
Show Producer
Midcredits score: 48th percentile of all shows
The Mountain (not in the MovieCove catalog yet)(2004)
Show 1 episode · Creator · Story · Teleplay
13 Going on 30(2004)
Producer
Midcredits score: 66th percentile of all films
What Women Want(2000)
Producer
Midcredits score: 55th percentile of all films
Urban Legends: Final Cut(2000)
Producer
Midcredits score: 5th percentile of all films
Popular (not in the MovieCove catalog yet)(1999)
Show Creator
Summer's End(1999)
Executive Producer
Midcredits score: 83rd percentile of all films
Urban Legend(1998)
Producer
Midcredits score: 30th percentile of all films
Guarding Stars (not in the MovieCove catalog yet)
Producer
Isn't It Scary (not in the MovieCove catalog yet)
Producer

Career shape

A full career of 18 titles, 16 of them dated from 1998 to 2026.

Biggest box office

What Women Want (2000)

$374M worldwide

Highest rated

Holiday Road (2023)

Midcredits 79^th

By role

only this rolewith another role

Writing2 of 18Producing16 of 18 · 54^thOther crew2 of 18

By decade

1990s3 · crew2000s4 · crew2010s2 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gina Matthews' films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 10; across their 11 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Acclaim · how much people like their films

53^rdpercentile

Typical film, the median of 11

Approval · how many liked their films

55^thpercentile

Typical film, the median of 11

Reach · how many have seen their films

91^stpercentile

Typical film, the median of 11

Midcredits score across 13 titles, by percentile

75^th and up2
50^th to 74^th5
25^th to 49^th5
Below 25^th1

Shape of the crowd

7 of their 13 titles are Crowd Pleasers.

Crowd Pleaser7
Broadly Agreed3
Mixed3

Most divisive · producer

Happy Howlidays (2024)

67^th percentile spread · 28% rated it 4 or lower

Most loved · producer

Summer's End (1999)

Midcredits 83^rd · 71% liked

Reviewers score the dialogue 46/100 and the plot and story 39/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Gina Matthews' work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore6 titles8–88 · median 30 · mildlighter than most films

Sex & Nudity7 titles34–51 · median 42 · moderateheavier than most films

Profanity6 titles35–69 · median 43 · moderatenear the median of all films

Alcohol & Drugs5 titles31–57 · median 40 · moderatenear the median of all films

Frightening / Intense6 titles8–77 · median 35 · mildnear the median of all films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.