
Natasha Gregson Wagner (born September 29, 1970) is an American actress. She is the daughter of actress Natalie Wood and film producer Richard Gregson. Description above from the Wikipedia article Natasha Gregson Wagner, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Read moreShow less
Biography from TMDB.
- September 29, 1970 (56)
- Los Angeles, California, USA
- Actor, also producer
- 35 on MovieCove · 56 credits in all
What are Natasha Gregson Wagner's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 17
Light 7 · Serious 8 · Dark 8
A split, not a type: Grounded 11 · Stylized 7 · Heightened 5
Gentle 5 · Charged 13 · Intense 5
A split, not a type: Steady 13 · Shifting 7 · Whiplash 3
A split, not a type: Straight-faced 13 · Some laughs 6 · Funny 4
A split, not a type: Slow burn 11 · Even-paced 12 · Relentless 0
Casual 14 · Engaged 8 · Full focus 1
Easy watch 8 · Affecting 11 · Heavy 4
Resolved 13 · Open-ended 7 · Ambiguous 3
Roles they play
Usually the Ally: 5 of 10 analyzed roles.
Show the 10 rolesHide the roles
- Shapeshifteras Laura Bickford in Dragstrip Girl (1994)
- Allyas Wendy Stockton in Mind Ripper (1995)
- Shapeshifteras Sissel in First Love, Last Rites (1997)
- Heroas Lou Johnson in Two Girls and a Guy (1997)
- Allyas Rosie in Another Day in Paradise (1998)
- Allyas Nico in Modern Vampires (1998)
- Heraldas Michelle Mancini in Urban Legend (1998)
- Allyas Zoey in Vampires: Los Muertos (2002)
- Shapeshifteras Beth in Angel in the Family (2004)
- Allyas Georgia in Search Engines (2016)
Moods and endings
- Happy6
- Bittersweet7
- Tragic3
- Ambiguous6
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Natasha Gregson Wagner's films?
As of October 24, 2026, 23 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (8).
Subscription and free streaming for Natasha Gregson Wagner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
56 credits, 35 with a MovieCove page; 3 appearances as themselves are hidden until asked for.
Midcredits score: 77th percentile of all films
Date My Dad(2017)
Midcredits score: 47th percentile of all shows
Thirty Nine (not in the MovieCove catalog yet)(2016)

Search Engines(2016)
Midcredits score: 5th percentile of all films
Anesthesia(2015)
Midcredits score: 44th percentile of all films
Vkus Ameriki(2014)
Midcredits score: 5th percentile of all films (provisional, few ratings)
A Kiss and a Promise (not in the MovieCove catalog yet)(2012)

Deep Blue Breath (not in the MovieCove catalog yet)(2011)

The Accidental Witness (not in the MovieCove catalog yet)(2006)

The Closer(2005)
Midcredits score: 84th percentile of all shows
Medium(2005)
Midcredits score: 61st percentile of all shows
House(2004)
Midcredits score: 99th percentile of all shows
The 4400 (not in the MovieCove catalog yet)(2004)

Angel in the Family(2004)
Midcredits score: 36th percentile of all films
Wonderland(2003)
Midcredits score: 57th percentile of all films
Cold Case (not in the MovieCove catalog yet)(2003)

Sol Goode(2003)
Midcredits score: 25th percentile of all films
Vampires: Los Muertos(2002)
Midcredits score: 9th percentile of all films
The Gray in Between(2002)
Midcredits score: 25th percentile of all films (provisional, few ratings)
The Medicine Show (not in the MovieCove catalog yet)(2001)

Pasadena (not in the MovieCove catalog yet)(2001)
Midcredits score: 80th percentile of all shows
High Fidelity(2000)
Midcredits score: 91st percentile of all films
Stranger Than Fiction (not in the MovieCove catalog yet)(2000)

Play It to the Bone(1999)
Midcredits score: 20th percentile of all films
Hefner: Unauthorized (not in the MovieCove catalog yet)(1999)
Karen Black: Actress at Work (not in the MovieCove catalog yet)(1999)

Another Day in Paradise(1998)
Midcredits score: 62nd percentile of all films
Modern Vampires(1998)
Midcredits score: 15th percentile of all films
Urban Legend(1998)
Midcredits score: 30th percentile of all films
First Love, Last Rites(1997)
Midcredits score: 27th percentile of all films
Glam (not in the MovieCove catalog yet)(1998)

Two Girls and a Guy(1997)
Midcredits score: 32nd percentile of all films
Ally McBeal(1997)
Midcredits score: 41st percentile of all shows
Dogtown(1997)
Midcredits score: 22nd percentile of all films
Lost Highway(1997)
Midcredits score: 94th percentile of all films
Quiet Days in Hollywood(1997)
Midcredits score: 6th percentile of all films
High School High(1996)
Midcredits score: 26th percentile of all films
The Method (not in the MovieCove catalog yet)(1996)

Mind Ripper(1995)
Midcredits score: 2nd percentile of all films
Midcredits score: 62nd percentile of all films
S.F.W.(1994)
Midcredits score: 42nd percentile of all films
The Shaggy Dog (not in the MovieCove catalog yet)(1994)

ER(1994)
Midcredits score: 88th percentile of all shows
Chicago Hope (not in the MovieCove catalog yet)(1994)

Dragstrip Girl(1994)
Midcredits score: 7th percentile of all films
Dead Beat(1994)
Midcredits score: 24th percentile of all films
Rebel Highway (not in the MovieCove catalog yet)(1994)

Inside the Goldmine (not in the MovieCove catalog yet)(1994)

Molly and Gina (not in the MovieCove catalog yet)(1994)

Birdland (not in the MovieCove catalog yet)(1994)

The Substitute(1993)
Midcredits score: 27th percentile of all films
Tainted Blood (not in the MovieCove catalog yet)(1993)

Fathers & Sons(1992)
Midcredits score: 13th percentile of all films
Buffy the Vampire Slayer(1992)
Midcredits score: 32nd percentile of all films
Dark Horse (not in the MovieCove catalog yet)(1992)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 55 titles from 1992 to 2020; peak year 1997.

Biggest box office
Urban Legend (1998)

Highest rated
Lost Highway (1997)

Most popular right now
Urban Legend (1998)
Film career
Peak 1997 · fewer prominent film roles lately. Top draw in 2 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1992Screen debut· Buffy the Vampire Slayer
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Natasha Gregson Wagner's films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 28; across their 23 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th13
- Below 25th11
Shape of the crowd
18 of their 35 titles are Mixed.
- Universally Loved3
- Universally Panned2
- Cult Classic3
- Crowd Pleaser7
- Broadly Agreed2
- Mixed18
Reviewers score the acting 61/100 in their films, across 19 reviewed titles; fans 76, detractors 35. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Natasha Gregson Wagner's work okay for kids?
Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Natasha Gregson Wagner work with?
People who share at least 2 of Natasha Gregson Wagner's MovieCove titles, grouped by what they did on them; Balthazar Getty shares the most, 3.
Actors
- Balthazar GettyShared titles: Sol Goode (2003), Lost Highway (1997), Dead Beat (1994)See all 3 shared titles with Balthazar Getty

- Alicia WittShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Alicia Witt

- Michael RosenbaumShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Michael Rosenbaum

- John NevilleShared titles: Urban Legend (1998), High School High (1996)See all 2 shared titles with John Neville

Editors
- Christopher KoefoedShared titles: Sol Goode (2003), Quiet Days in Hollywood (1997)See all 2 shared titles with Christopher Koefoed
Producers
- Chris HanleyShared titles: Modern Vampires (1998), Two Girls and a Guy (1997)See all 2 shared titles with Chris Hanley

Mixed roles
- Brad LuffShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Brad Luff
- Gina MatthewsShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Gina Matthews

- Jamie BlanksShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Jamie Blanks

- Michael McDonnellShared titles: Urban Legacy: The Making of Urban Legend (2018), Urban Legend (1998)See all 2 shared titles with Michael McDonnell


