William Slavens McNutt
- Writer
- 6 on Motif · 27 credits in all
What are William Slavens McNutt's films like?
Across their 5 Motif titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 1 · Dark 1
Grounded 3 · Stylized 2 · Heightened 0
Gentle 3 · Charged 2 · Intense 0
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Slavens McNutt's films?
As of October 24, 2026, 1 of their 6 Motif titles stream on a subscription or free service.
Subscription and free streaming for William Slavens McNutt's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 6 with a Motif page.
Mrs. Wiggs of the Cabbage Patch (not in the Motif catalog yet)(1942)
Stage Door(1937)
Midcredits score: 95th percentile of all films
Midcredits score: 77th percentile of all films
Ready for Love (not in the Motif catalog yet)(1934)
Mrs. Wiggs of the Cabbage Patch (not in the Motif catalog yet)(1934)
You Belong to Me(1934)
Midcredits score: 60th percentile of all films (provisional, few ratings)Hell and High Water (not in the Motif catalog yet)(1933)
One Sunday Afternoon(1933)
Midcredits score: 55th percentile of all films
If I Had a Million(1932)
Midcredits score: 76th percentile of all films
The Night of June 13 (not in the Motif catalog yet)(1932)
Lady and Gent (not in the Motif catalog yet)(1932)
The Broken Wing (not in the Motif catalog yet)(1932)
Strangers in Love (not in the Motif catalog yet)(1932)
Touchdown! (not in the Motif catalog yet)(1931)
Huckleberry Finn (not in the Motif catalog yet)(1931)
Gun Smoke (not in the Motif catalog yet)(1931)
The Conquering Horde (not in the Motif catalog yet)(1931)
Tom Sawyer (not in the Motif catalog yet)(1930)
Midcredits score: 47th percentile of all films
Young Eagles (not in the Motif catalog yet)(1930)
Dangerous Paradise (not in the Motif catalog yet)(1930)
Burning Up (not in the Motif catalog yet)(1930)
The Mighty (not in the Motif catalog yet)(1929)
The Quarterback (not in the Motif catalog yet)(1926)
Trifling with Honor (not in the Motif catalog yet)(1923)
The Wise Kid (not in the Motif catalog yet)(1922)
Burglar Proof (not in the Motif catalog yet)(1920)
Career shape
A full career of 26 titles from 1920 to 1942.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do William Slavens McNutt's films land?
Their typical Motif film has a Midcredits score in the 68th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed2
Reviewers score the dialogue 74/100 and the plot and story 56/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Slavens McNutt work with?
People who share at least 2 of William Slavens McNutt's Motif titles, grouped by what they did on them; Grover Jones shares the most, 4.
Writers
- Grover JonesShared titles: The Lives of a Bengal Lancer (1935), You Belong to Me (1934), One Sunday Afternoon (1933), The Light of Western Stars (1930)See all 4 shared titles with Grover Jones
Actors
- Gary CooperShared titles: The Lives of a Bengal Lancer (1935), One Sunday Afternoon (1933)See all 2 shared titles with Gary Cooper
Composers, cinematographers and editors
- Charles LangShared titles: The Lives of a Bengal Lancer (1935), The Light of Western Stars (1930)See all 2 shared titles with Charles Lang
- Ellsworth HoaglandShared titles: The Lives of a Bengal Lancer (1935), One Sunday Afternoon (1933)See all 2 shared titles with Ellsworth Hoagland
- Heinz RoemheldShared titles: The Lives of a Bengal Lancer (1935), You Belong to Me (1934)See all 2 shared titles with Heinz Roemheld
- John LeipoldShared titles: The Lives of a Bengal Lancer (1935), One Sunday Afternoon (1933)See all 2 shared titles with John Leipold
Producers
- Louis D. LightonShared titles: The Lives of a Bengal Lancer (1935), You Belong to Me (1934), One Sunday Afternoon (1933)See all 3 shared titles with Louis D. Lighton
