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Jean-Bernard Menoud

Cinematographer

Works as
Cinematographer
Titles
3 on MovieCove · 14 credits in all
TMDB popularity, last 38 days to Oct 27Up 2% in 30 days

What are Jean-Bernard Menoud's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
31%
Self
22%
Bonds
20%
Power
20%
Ideas
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 0 · Stylized 0 · Heightened 3

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 1 · Whiplash 2

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 0 · Full focus 3

Resolved 0 · Open-ended 0 · Ambiguous 3

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Cold
1
Romantic
2
Melancholic
1
Contemplative
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean-Bernard Menoud's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jean-Bernard Menoud's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Epiphany Sunday (not in the MovieCove catalog yet)(1991)

    Cinematographer

  • Après après-demain (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • La Campagne de Cicéron (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • Man No Run (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • My Dear Subject (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • Living It Up (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Jour et nuit (not in the MovieCove catalog yet)(1986)

    Director · Writer

  • Hail Mary(1985)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • The Book of Mary (not in the MovieCove catalog yet)(1985)

    Cinematographer

  • First Name: Carmen(1983)

    Cinematographer

    Midcredits score: 60th percentile of all films
  • A Letter to Freddy Buache (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Godard's Passion (not in the MovieCove catalog yet)(1982)

    Video Assist Operator

  • Every Man for Himself(1980)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • Dignitas - Death on Prescription (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 14 titles, 13 of them dated from 1980 to 1991.

By role

only this rolewith another role
Directing2 of 14: 1 only directing, 1 with another roleWriting1 of 14: 0 only writing, 1 with another roleCinematography11 of 14: 11 only cinematography, 0 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1980s10 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jean-Bernard Menoud's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 3

Approval · how many liked their films

59thpercentile
Typical film, the median of 3

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th3

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3

Reviewers score the cinematography 76/100 in their films, across 3 reviewed titles; fans 83, detractors 60. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jean-Bernard Menoud's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 71 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jean-Bernard Menoud work with?

People who share at least 2 of Jean-Bernard Menoud's MovieCove titles, grouped by what they did on them; Jean-Luc Godard shares the most, 3.

Directors

Writers

Actors

Producers