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Anne-Marie Miéville

Anne-Marie Miéville

Writer, editor and actor · Born November 11, 1945 (80) · Lausanne, Vaud, Switzerland

Anne-Marie Miéville, born November 11, 1945 in Lausanne, is a filmmaker, director, producer, screenwriter, actress and writer from Vaud. Anne-Marie Miéville works as a photographer and is the manager of a bookstore. In the 1960s, she also recorded two variety discs for Barclay, on songs by Jean-Jacques Debout. Then in 1972, she met Jean-Luc Godard in Paris, who became her companion until his death in 2022. Initially, from 1973 to 1994, she collaborated with this filmmaker as a photographer, screenwriter, editor, co-director and artistic director for some of her/their films. Then in 1983, she directed her first short film, "How Can I Love", and, a year later, a second short film, "Le Livre De Marie". Since then, she has continued to make films. Through her cinematographic stories, she questions, with a singularity of tone, love, time, the meaning of things, ... Her first feature film is called: "My Dear Subject" and was released in 19883. 1994 "Lou Didn't Say No". Still in 1994, Anne-Marie Miéville published "Histoire Du Garçon", a text retracing the career and life of her brother Alain, who died accidentally in 1993. In 1996/1997, a new feature film was broadcast, "Nous Sommes Tous Encore Here". Then in 2000, "Après La Réconciliation" in which she appeared, accompanied by Claude Perron, Jacques Spiesser, Jean-Luc Godard and Xavier Marchand. In 2002, she wrote "Images In Words", short texts published by Farrago, which the publisher wrote were "a series of fixed shots, short films of writing. Strictly speaking, it is not a question of news, but rather of indescribable moments, fleeting perfumes of images, where it would be a question of filming with words”.

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Biography from TMDB.

Born
November 11, 1945 (80)
From
Lausanne, Vaud, Switzerland
Works as
Writer, editor and actor
Titles
7 on MovieCove · 46 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26

What are Anne-Marie Miéville's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
25%
Power
18%
Ideas
18%
Society
15%
Bonds
9%
Survival
9%
Morality
5%
Art2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 1 · Earnest 3

Heightened: How far its world departs from everyday reality. Browse their heightened movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 1 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 4 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 1 · Shifting 2 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 0 · Relentless 0

Full focus: How much focus it asks of you — look away and lose the thread? Browse their full focus movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 2 · Full focus 4

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 0 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Melancholic
3
Absurd
3
Tense
2
Cold
1
Other
4

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne-Marie Miéville's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Anne-Marie Miéville's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

46 credits, 7 with a MovieCove page; 6 appearances as themselves are hidden until asked for.

  • Sang titre (not in the MovieCove catalog yet)(2025)

    Director

  • Dans le temps (not in the MovieCove catalog yet)(2019)

    Director

  • The Image Book(2018)

    as Narrator (voice)

    Midcredits score: 58th percentile of all films

  • 2 x 50 Years of French Cinema (not in the MovieCove catalog yet)(2008)

    Director · Editor

  • Les Paradis perdus (not in the MovieCove catalog yet)(2006)

    Director

  • Amateur Report (Exhibition Model) (not in the MovieCove catalog yet)(2006)

    Director · Cinematographer · Writer · as Self (voice) (uncredited)

  • Four Short Films (not in the MovieCove catalog yet)(2006)

    Director · as Self - Narrator (voice)

  • Souvenir d'utopie (not in the MovieCove catalog yet)(2006)

    Director

  • Notre Musique (not in the MovieCove catalog yet)(2004)

    Art Direction

  • Ten Minutes Older: The Cello(2002)

    Screenplay

    Midcredits score: 68th percentile of all films

  • In the Darkness of Time (not in the MovieCove catalog yet)(2002)

    Writer

  • Liberty and Homeland (not in the MovieCove catalog yet)(2002)

    Director · Editor · Writer

  • After the Reconciliation (not in the MovieCove catalog yet)(2000)

    Director · Editor · Screenplay · as La Première Femme

  • The Old Place (not in the MovieCove catalog yet)(2000)

    Director · Editor · Writer · as Self / Narrator (voice)

  • We're All Still Here (not in the MovieCove catalog yet)(1997)

    Director · Editor · Screenplay

  • Lou Didn’t Say No (not in the MovieCove catalog yet)(1994)

    Director · Editor · Screenplay

  • How Are The Kids? (not in the MovieCove catalog yet)(1992)

    Director

  • For Thomas Wainggai (not in the MovieCove catalog yet)(1991)

    Director

  • Lest We Forget (not in the MovieCove catalog yet)(1991)

    Director

  • The Childhood of Art (not in the MovieCove catalog yet)(1990)

    Director · Writer

  • Nouvelle Vague (not in the MovieCove catalog yet)(1990)

    Art Direction

  • Couple représenté en Mars et Vénus (not in the MovieCove catalog yet)(1990)

    Director

  • My Dear Subject (not in the MovieCove catalog yet)(1989)

    Director · Editor · Writer

  • The Darty Report (not in the MovieCove catalog yet)(1989)

    Director · Editor · Writer · as Mamzelle Clio

  • The Last Word (not in the MovieCove catalog yet)(1988)

    Producer

  • Living It Up (not in the MovieCove catalog yet)(1987)

    Director · Editor · Writer

  • Detective(1985)

    Screenplay

    Midcredits score: 33rd percentile of all films

  • Soft and Hard (not in the MovieCove catalog yet)(1985)

    Director · Editor · Writer · as Self

  • Hail Mary(1985)

    Editor

    Midcredits score: 64th percentile of all films

  • The Book of Mary (not in the MovieCove catalog yet)(1985)

    Director · Editor · Writer

  • First Name: Carmen(1983)

    Adaptation · Screenplay

    Midcredits score: 60th percentile of all films

  • How Can I Love (A Man When I Know He Don't Want Me) (not in the MovieCove catalog yet)(1983)

    Director · Editor · Writer

  • Godard's Passion (not in the MovieCove catalog yet)(1982)

    Still Photographer

  • L'amour des femmes (not in the MovieCove catalog yet)(1982)

    Script Consultant · Still Photographer

  • Every Man for Himself(1980)

    Editor · Writer

    Midcredits score: 67th percentile of all films

  • Scénario de 'Sauve qui peut la vie' (not in the MovieCove catalog yet)(1979)

    Writer

  • France / Tour / Detour / Two / Children (not in the MovieCove catalog yet)(1979)

    Director · Editor · Producer · Writer

  • France / Tour / Detour / Two / Children (not in the MovieCove catalog yet)(1979)

    Show 12 episodes · Director · Creator · Editor · Producer · Writer

  • How's It Going? (not in the MovieCove catalog yet)(1978)

    Director · Editor · Producer · Writer · as Odette

  • Dream On (not in the MovieCove catalog yet)(1977)

    as Mother (voice) (uncredited)

  • Libre Propos Sur La Fonction De Mère – Papa Comme Maman (not in the MovieCove catalog yet)(1977)

    Director

  • Here and Elsewhere (not in the MovieCove catalog yet)(1976)

    Director · Editor · Producer · Writer · as Narrator (voice)

  • Six fois deux/Sur et sous la communication (not in the MovieCove catalog yet)(1976)

    Show 12 episodes · Director · Creator · Editor · Producer · Writer · as Self

  • Six fois deux/Sur et sous la communication (not in the MovieCove catalog yet)(1976)

    Director · as Self

  • Number Two (not in the MovieCove catalog yet)(1975)

    Writer

  • All's Well(1972)

    Still Photographer

    Midcredits score: 68th percentile of all films

Career shape

A full career of 46 titles from 1972 to 2025.

Biggest box office

The Image Book (2018)

$132K worldwide

Highest rated

Ten Minutes Older: The Cello (2002)

Midcredits 68th

Most popular right now

Detective (1985)

Film career

  • 1976Screen debut· Here and Elsewhere

By role

only this rolewith another role
Acting6 of 46: 2 only acting, 4 with another roleDirecting30 of 46: 11 only directing, 19 with another roleWriting26 of 46: 6 only writing, 20 with another roleProducing6 of 46: 1 only producing, 5 with another roleCinematography1 of 46: 0 only cinematography, 1 with another roleEditing19 of 46: 1 only editing, 18 with another roleOther crew7 of 46: 4 only other crew, 3 with another role

46 titles, 21 with more than one role — directing and writing overlap on 18 of them.

By decade

1970s11 · 3 acting · 10 crew1980s13 · 1 acting · 13 crew1990s8 · crew2000s11 · 1 acting · 11 crew2010s2 · 1 acting · 1 crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Anne-Marie Miéville's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 6

Approval · how many liked their films

57thpercentile
Typical film, the median of 6

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 50th to 74th6
  • 25th to 49th1

Shape of the crowd

5 of their 7 titles are Crowd Pleasers.

  • Crowd Pleaser5
  • Mixed2

Most divisive · actor

The Image Book (2018)

60th percentile spread · 21% rated it 4 or lower

Most loved · writer

Ten Minutes Older: The Cello (2002)

Midcredits 68th · 58% liked

Reviewers score the dialogue 53/100 and the plot and story 26/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anne-Marie Miéville's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 71 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Anne-Marie Miéville work with?

People who share at least 2 of Anne-Marie Miéville's MovieCove titles, grouped by what they did on them; Jean-Luc Godard shares the most, 6.

Directors

Actors

Cinematographers

Producers