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Gianmaria Messeri

Editor

Works as
Editor
Titles
5 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 21% in 30 days

What are Gianmaria Messeri's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
64%
Survival
17%
Bonds
14%
Self
4%
Justice3 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 2 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
2
Thrilling
2
Melancholic
2

How their films linger

Cathartic3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet1
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gianmaria Messeri's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Gianmaria Messeri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 5 with a MovieCove page.

  • Eva Man (not in the MovieCove catalog yet)(1980)

    Editor

  • The Return of Casanova (not in the MovieCove catalog yet)(1980)

    Editor

  • Eyes Behind the Wall (not in the MovieCove catalog yet)(1977)

    Editor

  • Nazi Love Camp 27 (not in the MovieCove catalog yet)(1977)

    Editor

  • A Whisper in the Dark (not in the MovieCove catalog yet)(1976)

    Editor

  • La colonna infame (not in the MovieCove catalog yet)(1973)

    Editor

  • La calandria (not in the MovieCove catalog yet)(1972)

    Editor

  • The Night of the Devils(1972)

    Editor

    Midcredits score: 62nd percentile of all films

  • The Bloodstained Butterfly(1971)

    Editor

    Midcredits score: 53rd percentile of all films

  • Stress (not in the MovieCove catalog yet)(1971)

    Editor

  • Dead of Summer (not in the MovieCove catalog yet)(1970)

    Editor

  • A Man for Emmanuelle (not in the MovieCove catalog yet)(1969)

    Editor

  • Dirty Angels (not in the MovieCove catalog yet)(1969)

    Editor

  • The Mark of Kriminal (not in the MovieCove catalog yet)(1968)

    Editor

  • Satanik (not in the MovieCove catalog yet)(1968)

    Editor

  • Bandidos(1967)

    Editor

    Midcredits score: 68th percentile of all films

  • Avenger X (not in the MovieCove catalog yet)(1967)

    Editor

  • Adios, Hombre (not in the MovieCove catalog yet)(1967)

    Editor

  • Un hombre vino a matar(1967)

    Editor

    Midcredits score: 6th percentile of all films

  • Sheriff With the Gold (not in the MovieCove catalog yet)(1966)

    Editor

  • The Beckett Affair (not in the MovieCove catalog yet)(1966)

    Editor

  • Spies Kill Silently (not in the MovieCove catalog yet)(1966)

    Editor

  • Mutiny at Fort Sharpe(1966)

    Editor

    Midcredits score: 24th percentile of all films (provisional, few ratings)

  • Latin Lovers (not in the MovieCove catalog yet)(1965)

    Editor

  • The Red Sheik (not in the MovieCove catalog yet)(1962)

    Production Manager

  • The Head of a Tyrant (not in the MovieCove catalog yet)(1959)

    Editor

  • Goddess Of Love (not in the MovieCove catalog yet)(1957)

    Unit Manager

  • The Mysteries of Paris (not in the MovieCove catalog yet)(1957)

    Unit Manager

  • Il piccolo vetraio (not in the MovieCove catalog yet)(1955)

    Unit Manager

  • Vulcano (not in the MovieCove catalog yet)(1950)

    Unit Manager

Career shape

A full career of 29 titles from 1950 to 1980.

Highest rated

Bandidos (1967)

Midcredits 68th

Most popular right now

Mutiny at Fort Sharpe (1966)

By role

only this rolewith another role
Editing24 of 29: 24 only editing, 0 with another roleOther crew5 of 29: 5 only other crew, 0 with another role

By decade

1950s5 · crew1960s13 · crew1970s9 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Gianmaria Messeri's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 5

Approval · how many liked their films

48thpercentile
Typical film, the median of 5

Reach · how many have seen their films

37thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 50th to 74th3
  • Below 25th2

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed1

Most loved · editor

Bandidos (1967)

Midcredits 68th · 59% liked

Reviewers score the pacing 52/100 in their films, across 5 reviewed titles; fans 59, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gianmaria Messeri work with?

People who share at least 2 of Gianmaria Messeri's MovieCove titles, grouped by what they did on them; Eduardo Manzanos shares the most, 3.

Writers

Actors

Cinematographers and editors