Gianbattista Mussetto
- Writer
- 4 on MovieCove
What are Gianbattista Mussetto's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 0 · Dark 3
Grounded 0 · Stylized 3 · Heightened 1
A split, not a type: Gentle 1 · Charged 0 · Intense 3
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 0 · Even-paced 3 · Relentless 1
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gianbattista Mussetto's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gianbattista Mussetto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 27th percentile of all films
The Night of the Devils(1972)
Midcredits score: 62nd percentile of all films
Where the Bullets Fly(1972)
Midcredits score: 1st percentile of all films
Bandidos(1967)
Midcredits score: 68th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1967 to 1978.
How do Gianbattista Mussetto's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser2
- Mixed1
Reviewers score the dialogue 42/100 and the plot and story 45/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gianbattista Mussetto work with?
People who share at least 2 of Gianbattista Mussetto's MovieCove titles; Romano Migliorini shares the most, 4.
- Romano MiglioriniShared titles: The Last House on the Beach (1978), The Night of the Devils (1972), Where the Bullets Fly (1972), Bandidos (1967)See all 4 shared titles with Romano Migliorini
- Gianmaria MesseriShared titles: The Night of the Devils (1972), Bandidos (1967)See all 2 shared titles with Gianmaria Messeri